We’re Here is more than a drag show and more than a makeover show. It’s an important watch that is just as sickening as it is heartwarming, and you’re gonna want to have a box of tissues handy.

English Teacher’s impressive jokes-per-minute count delivers a steady stream of laugh-out-loud moments (a simple back-and-forth about Shrek is a contender for joke of the year). And as deliciously dense episodes whiz by, the show challenges viewers to keep up in the best way possible. Chief among English Teacher‘s hit comedy ingredients is A+ casting. .... It’s a winning comedy at the top of its class, and school will hopefully be in session for many seasons to come.

A home run. ... Marvel’s Moon Girl And Devil Dinosaur is a dynamic, smart, visually arresting series that has a unique girl at its center, a puppy-like dinosaur, and stories that will entertain both kids and their parents.

Severance Season 2 is exemplary.

There’s good TV, there’s great TV, and then there’s the new Barry, a magnificent season of television that will unquestionably find its way onto your own personal best of the year list.

Gorgeously unsettling tour de force. ... Dead Ringers is an incredible work of art, full of knotty conversations about the give and take of society at all levels. It takes an unapologetically feminine look at the politics, science, and emotion of maternity in the modern medical era. But more than anything else, it’s a brilliant showcase for one Rachel Weisz, who is operating at the top of her game.

Our Planet II is chock full of spectacular scenes of animals on the move, but it also shows us things we might not have known about the whys and hows of how certain species migrate.

As the show progresses, it only gifts viewers more brilliant character moments, shocking reveals, and haunting performances. Clear your Sundays this spring for Mare of Easttown because it’s that damn addicting. ... Mare of Easttown‘s magic is that it evokes these classic crime dramas [Twin Peaks, Broadchurch and The Silence of the Lambs] while bringing something new: a raw authenticity that makes you realize that at the center of every murder mystery are human beings getting hurt.

Yet another spectacularly bold, absolutely brilliant, and shamelessly brash season of television, but it’s also darker, grander, and more culturally relevant than any season of the show before.

It shouldn’t be profoundly emotionally moving. Nevertheless, The Rehearsal Season 2 is all of these things and more, thanks wholly to the mad genius its creator, director, and star, Nathan Fielder.

Primal Season 2 is an absolutely magnificent addition to an already fantastic set of episodes. It’s one of Tartakovsky’s best by far, and he’s proven that this is a franchise that’s only going to get better with time. From top to bottom, it’s one of the best animated series going right now.

Severance isn’t just one of the most tonally honest versions of office life; it’s an entirely new genre of corporate horror that’s a force unto itself.

It is an absolute joy to watch two excellent actors bounce off each other. Zendaya rightly won an Emmy for her performance as Rue in Season 1, and it’s quite possible she could nab another nomination off this episode alone. ... As an episode that digs towards some truths, illuminates the best parts of Euphoria, shows off two seasoned actors at the height of their abilities, and provides a little bit of light in an otherwise very dark year, “Trouble Don’t Always Last” is a triumph.

Hacks is the rare comedy that not only nails its punchlines, but brutally deconstructs the pain, effort, and genius it takes to make jokes land. ... A spectacular showcase for its leading ladies, and above all, a love letter to life in the comedy trenches.

The story of Outrageous is deathly serious, but the vibe is still somehow effervescently fun. This balance makes it intoxicating. .... Outrageous is the platonic ideal of what the period drama can be.

With performances like those delivering scripts this tight, surrounded by period-accurate sets, lighting, effects, credits, costumes, etc., WandaVision is itself a masterclass in sitcom history and a sincere depiction of what the format means to people. This show is more than a Marvel show, and that’s evident from the first three episodes.

Believe me when I say that Love Story: John F. Kennedy Jr & Carolyn Bessette is the first truly captivating new show of 2026 and an instant addition to the list of shows you’ll want to watch and rewatch… just have a box of tissues at the ready.

To put it simply, Poker Face is a triumph — for Johnson and Lyonne, for modern-day TV, for the mystery genre in general, and — crucially — for Peacock.

Legendary feels completely immersive. Everywhere you look, it’s a ball. And when Legendary gets into the competition gig, it slays. The performances in the first episode are, well, legendary. ... The show’s called Legendary for a reason.

[Noah Hawley] excels at taking existing IP and contorting it in new ways to reveal what really sets those universes apart. He does that once more in Alien: Earth. .... I very much dug the incredible performances of Alien: Earth‘s ensemble cast. .... The cinematography is lush, the production design sumptuous, and the kills are horrifying.

Station Eleven is brilliant television. It’s one of the most profound meditations on love, loss, grief, and community I’ve ever seen.

The Pitt Season 2 is a perfectly executed season of television. Rather than buckling under pressure, the HBO Max show’s cast and crew returns with wholly-deserved swagger. .... An early, strong contender for the best show of the year.

Season 3 of Dickinson is an emotionally powerful and fulfilling journey through the final seconds of the final episode that found this reviewer’s eyes wet multiple times. ... What Smith has done is use Dickinson’s work as inspiration to create a new, artistic feat of her own (along with the hundreds of other people who work on the series), one that redefines what television can be.

Loki is a surrealist, kafkaesque mashup of True Detective and The Office—and it is a sight to behold. ... The show should not work, but it does. Loki (the series) was burdened with glorious purpose from the start and, unlike Loki (the character), you can consider that purpose fulfilled.

I loved it. ... The Guardians of the Galaxy Holiday Special delivers in every single way.

Kogonada and Justin Chon’s direction, Soo Hugh’s writing, and the work of Pachinko’s outstanding ensemble cast weave together a story that is both huge in scope and humble in its beauty. Pachinko is perfectly exquisite (though not quite perfect) and will stick with you long after the credits roll.

Every aspect of Big Mood, from the chemistry between Coughlan and West, the sharp, comedic commentary on pop culture and social media, and the nuanced handling of mental illness is responsible for this show being a must-watch.

Netflix’s new version of The Baby-Sitters Club is a total triumph. It’s sweet, funny, hopeful, but most of all, encouraging. The message to girls, young and old, is that we are stronger together. The Baby-Sitters Club might be a pitch perfect show for kids and tweens, but it’s sure to become a feel-good obsession for grown women and men alike. It’s that good.

It’s a bleak look at the ways in which power corrupts, seduces, and seesaws that will leave you howling in laughter and twitching in discomfort in the same breath. .... The Regime is a twisted triumph.

Season 3 is not just the most thrilling and emotionally charged installment yet… Locke & Key Season 3 is a fitting ending to Locke & Key, and easily one of the best seasons of a fantasy series released this year.

It’s the quieter parts that make the show truly special. ... You have an emotional rollercoaster that is evocative in the way few other TV shows can hope to reach; but one that is well worth riding. Emily and Sue aren’t the only stand-out characters this season, which finds every member of the cast struggling with growing up in different ways. ... By season’s end, everything — for Emily, for Sue, for all of the Dickinsons, for America — has changed. But in our world, we at least have these two perfect seasons of television to hold on to.

In every conceivable way, Season 2 put this series on track to be one of the best rom-coms in television history. It’s exactly what the world needs right now.

There’s no such thing as a perfect television show, but Joe Pera Talks With You is pretty darn close.

Shōgun‘s size and scope and overwhelming excellence explain why it took so darn long to get the series right.

Whipsmart, funny, and audacious from start to finish, Hacks Season 5 will keep you laughing and guessing until the last moment. .... Much like Smart, the show ends by cementing its legacy as one of the greatest comedies of the 21st century.

A series that may just be the first dating show of its kind that could be called prestige TV. ... Whether any of these people fall in love — it’s irrelevant. I’ve fallen in love with this gourmet Gordita and junk food has never been this filling nor tasted this exquisite. ... Perfect Match is your perfect match.

Mythic Quest remains not only one of the smartest workplace comedies around but one of the funniest shows on TV.

The good news is Ted Lasso is still the best comedy on TV. In the six episodes sent to critics, the show’s iconic blend of heart and humor were still omnipresent in every scene. However Ted Lasso Season 2 does make some bold swings straight out the gate. ... And some of those swings? Well — to borrow a baseball metaphor — are more bunts than hits. But through it all, Ted Lasso remains Ted Lasso, a virtuoso work of art that puts humanity first in its storytelling.

Cheer Season 2 is, like the first season, an addictive triumph. It expands the narrative to include a rival cheer team worth (begrudgingly) rooting for and a new cast of characters to love. But the most impressive thing Cheer Season 2 does is honestly examine the fallout of Season 1. The documentarians capture the good, the bad, and the ugly. ... Cheer Season 2 is The Empire Strikes Back of contemporary sports docs.

Judging by the two episodes screened at Star Wars Celebration, Deborah Chow and the cast and crew have not only risen to the occasion, but they’ve exceeded all hopes. ... Kenobi feels like a true auteur vision. Chow’s stamp is all over this series, making it feel like a unique entry in the Star Wars saga. ... Kenobi feels high stakes, emotionally deep, and like the first Star Wars series to Matter, capital M. It’s a feat.

In Season 2, he [Mike White] doesn’t just recreate the magic of the first installment, but he stretches his own creative muscles. The White Lotus Season 2 is a resounding triumph.

The Bear‘s brilliant blend of overstimulating mayhem, precision, and catharsis is a special place onto itself. Season 3 grills, sears, then professionally plates your heartstrings, right before cruelly tossing them in the trash, and no matter what becomes of Carmy’s rising Chicago hot spot in the future, the show will leave an enduring legacy on television.

The Afterparty is the best of the bunch. Apple TV+’s newest charmer exceeds even the loftiest of expectations as it delivers an uproarious, cleverly crafted murder mystery that’ll leave you wanting more.

For half a decade, The Righteous Gemstones has quietly been one of the best comedies on television, providing laughs and joy to anyone with a sick sense of humor and possibly a touch of religious trauma. The fourth and final season, which premieres on March 9 on HBO, is no exception and proves to be a hallelujah of a sendoff to one of television’s most underrated hits.

Transcendent. ... Besides the characters, and the plot, which treats its teen LGBTQIA+ stories both frankly and gently, the pacing of the show is also pitch perfect. At eight, half hour episodes, it practically flies by; but works as both a four hour binge, or episodically. Each character’s storyline, every relationship is perfectly arched over the course of the season, while still leaving plenty of room for growth and exploration in a potential Season 2.

For fans of Westeros — its incestuous soap opera, lavish world-building, and theatrical tragedy — House of the Dragon Season 2 delivers everything you love and then some. It’s I, Claudius with movie monsters, medieval history sprinkled with magic. .... House of the Dragon Season 2 is spectacular to behold, even if what’s unfolding is absolutely terrible.

Whether it’s action, intrigue, humor, or heartache, this show nails it all.

Search Party cements itself as a modern comedy classic. ... Once again delivering perfect performances and writing sharp enough to cut.

Waffles + Mochi strengths are legion. First of all, the title characters are absolutely insane and absolutely adorable. ... It’s built to get kids excited about cooking, but it’s entertaining enough for adults to enjoy. Warm, witty, and unabashedly brilliant, Waffles + Mochi is truly spectacular.

So far, Better Call Saul Season 6 belongs to Kim Wexler. ... It’s gratifying to see her finally take the lead. It’s also a shift that gives Better Call Saul a deeply ominous quality. In its first two episodes, Season 6 doesn’t feel like a finale. It feels like just another twisting saga in Vince Gilligan’s corrupt world.

The first four episodes of Succession‘s final season are absolutely magnificent. Armstrong and his writers’ room finally let the metaphoric dominos they’ve been setting up for three seasons fall. The dialogue is as brutally sharp as ever and the ensemble cast pulls out some of their best, most devastating work yet. ... Succession Season 4 isn’t just good. It’s poised to handily sweep the 2023 Emmys.

Ozark only gets better by the minute. If you need us, we’ll be waiting with bated breath to see how it all comes to a close. Ozark remains one of the best dramas on TV in its fourth season, a showcase for career-best performances from Bateman, Linney, and Garner.

Jeen-yuhs is an exceptional, engrossing documentary that peels back the accumulated layers of Kanye West’s career and celebrity, revealing the hungry creative at his core.

The funniest show on TV is back for its final season. ... The show is as fantastic as it always was. ... It's a fitting end to the chapter and thankfully it hasn't lost any of its charm, punchy dialogue, or hilarious performances during the time off.

The first two episodes, which is what ABC sent to critics, are equally as funny and heartwarming as the best of the show’s excellent first season.

Stick is as funny as it is wholesome, and as wholesome as it is endearing. This silly golf comedy is winner in every sense and a show you might just restart the moment the final credits roll.

Succession somehow only gets better in its third season, giving us more relentless nastiness, ridiculous humor, and remarkable performances. This is the stuff great TV is made of.

In the end the depressed horse show didn’t just give us a way to vocalize our own vulnerabilities, insecurities, and mental anguish. It also gave us hope for a better future, as well as a guide for us all to find our own happiness.

The Plot Against America is a bleak watch, but full of spectacular performances and masterful craftsmanship.

Whitford’s casting speaks not only to the care and consideration that goes into each role, but the time and effort put into every aspect of one of the best shows on television. The Diplomat remains on top, even if its primary protagonist lives in a constant state of crisis.

Say Nothing is spectacular television, deftly weaving multiple perspectives together in various timelines to give the viewer the full scope of the Troubles. It’s a show that doesn’t pull its punches, be it in terms of the bleakest moral nadirs of that time or in the sharply hilarious gallows humor of West Belfast. Say Nothing is propulsive, nervy, and FX’s latest must-watch masterpiece.

The result is a defiantly unpredictable mix of cringe and pathos that delivers a distinct blend of genuine emotion and laugh-out-loud humor. In a streaming world that thrives on conformity, The Rehearsal is the audacious outlier that delivers a wholly unique viewing experience.

Easily the best comedy special of the pandemic, if not the best “content” of any kind from the pandemic that you’ll see, putting everything we’ve felt over the past year and a half, and still feel, as each of us figure out what comes next.

Fellowes has attempted to recapture the magic of Downton Abbey in other projects, like Doctor Thorne and Belgravia. Here, though, he actually pulls it off. Each new episode left me more ravenous for more. ... It has all the escapist charm of the historic costume drama blended with the savage energy of most evening soaps. It is the show Downton Abbey fans have been waiting for.

Just as rambling, hyper-specific, and brilliantly dumb as this series always has been. ... If you love the show for its weirdo characters, Mr. Nimbus will leave you quoting and thrusting to his every line. If sci-fi insanity is more your speed, there’s a time-altering B-plot that is so perfectly Rick and Morty you’ll be shocked the show hasn’t done it before.

Supersex revels in layering these themes in the most seductive ways possible. I soon found myself, like Noemi, happily at the show’s mercy. After plowing through the first two episodes, I was desperate for more. I have a hunch Netflix fans will be, too. Supersex manages to weave together smut and art in intoxicating measure.

Based on the first four episodes that were given to critics, it’s too early to tell if The Old Man will be the indisputable masterpiece is promises to be. Regardless, one thing is clear: FX has something special on its hands.

Falchuk and Wu managed to create a unique and addictive action-comedy that highlights veteran talent and a few fresh faces while seamlessly building the foundation of the complicated history between three very different people.

Hazbin Hotel is very queer, raunchy, and fun. The animated comedy is filled with memorable songs, exciting character arcs, and a thrilling story. The episodes will have you on the edge of your seat, while filling your heart with equal parts joy and angst. Even if it doesn’t sound like it’s fit for you, get it a try.

If you adore these characters as much as I do, Heartstopper Season 2 is, at times, an excruciating watch. But regardless of tone and subject matter, scenes remain laced with love, and Oseman’s world is brimming with heartwarming, romantic, joyous moments that will make you melt.

The chilling tale of how we started fighting the same battles we’re still struggling with in 2020.

The Witcher Season 2 is the best kind of adaptation. It takes something known and creates something wholly unique while always respecting its source material. No matter if you’ve read and played everything or if you’re entirely new to this world, you’re going to have a blast.

Wood is a consummate pro as a stand-up, not afraid of any audience. He even sticks the landing with not only one killer callback, but also an actual call back.

9/11: One Day In America is tough to watch. But it very effectively brings back the feelings from that harrowing day, even as it highlights the moments of kindness that filtered through all the darkness and death. It’s a great illustration of what that day was like and should be shown to students for decades to come.

The alchemy of Season 1 was the intense chemistry Anderson and Reid shared. Zaman, Hayles, and Bogosian are all ferocious scene partners for Anderson, but none of them come close to capturing the lightning storm that is Louis and Lestat. That said, Interview With the Vampire remains the rarest of treats on television. It’s a soapy, gothic fairy tale full of sensuality, gore, and incredible performances.

Friends: The Reunion completely redefines how we should view sitcom reunions moving forward, and it sets the bar so high that I truly don’t know if any other get together can ever top it.

While refusing to resolve the show’s existential drama in a simple, easy way. It’s messy, magnificent, and a fitting conclusion to the sensational story that started back in 2021.

It’s gratifying to see Chris Fleming stay true to the vision he had starting out in stand-up two decades ago and be richly rewarded for it. Strap in and enjoy the ride!

Thanks to a fine performance by Whishaw and a well-struck balance between the funny and tragic, This Is Going To Hurt has the potential to be one of the best new series of 2022.

We give Quinta Brunson a lot of credit for not standing on her laurels for Abbott Elementary‘s third season. Even though she’s shaken things up a little bit, the show still seems to be at the top of its game, and we hope that continues through Season 3.

This doc sets itself apart by honoring and respecting the victims of the incident while never losing its gripping true crime charm. .... The constant back-and-forth of the investigation with each new piece of evidence brought to light gets you to wonder what truly happened, even if you already know.

Muppets Now gives us the purest Muppet content in a very long time. ... Muppets Now is the total spiritual successor to the groundbreaking and iconic ’70s Muppet Show. Truly, the variety show of yesteryear would be a playlist of totally bonkers YouTube vids today.

A Small Light is an extraordinary story about a historic figure people don’t know a lot about, with a compelling lead performance from Powley.

Whether you’re a fan of Jujutsu Kaisen or you simply love beautifully animated, eye-catching visuals, from the first episode alone, Jujutsu Kaisen: Season 3 cements itself as engrossing, intense, and well worth your time.

Raw and impactful, the new season will keep viewers on their toes in more ways than one.

So far GdT’s CoC is terrific, and future outings hold even greater promise. STREAM IT, I say, and stream the HELL out of it.

The satire of Avenue 5 isn’t quite as sharp as some of Iannucci's other shows were right out of the gate, but there’s more than enough good stuff there to keep us curious as to where he’s going to take this story.

Normal People will punch you in the gut just as much as it embraces you in a hug.

At every turn in An Evening With, Dua Lipa finds ways to add interesting touches to her most memorable songs. .... It works wonders visually. From Dua Lipa, to the musicians, to the lively Royal Albert audience, there is palpable joy in the room.

Michaela Coel is a riveting actor, and talented writer and both come to the fore in I May Destroy You. We’re looking forward to seeing how she deals with the issues of consent and sexual assault on the series, all the while doing so with a sardonic bent that this topic usually doesn’t receive. The balance she tries to achieve will be fascinating to watch.

Mr. Loverman is a tour de force for Lennie James, but it’s also an affecting story of a man who struggles to be his true self and knows what the consequences are if he comes out at his advanced age.

As We See It may occasionally veer towards the saccharine, but its big heart, outstanding central trio, and wonderful supporting cast make it must-see TV.

The acting is stronger than ever, now that Badgley’s Joe has a worthy opponent, and you won’t be able to see the season’s big twists coming. No matter why you initially enjoyed YOU, you’re going to fall in love with this new season, and Love Quinn.

Reservation Dogs improves on its excellent first season by deepening the community on the rez, making it less about the Dogs and more about traditions, people who think they know the traditions but don’t, and just how funny and rich life there can be, even if people have to be creative to get by.

It’s certainly not for everyone, but if it is up your alley, it elicits tears-streaming-down-your-face laughter, the kind of horrified guffaws only McBride and his team can deliver. ... All the hi-jinx and hysteria and humor are what make The Righteous Gemstones a thorough joy, but the deeper questions are what make it memorable, a true gem in a sea of shallow content.

I Think You Should Leave with Tim Robinson hasn’t lost a step in its third season, and in fact it’s probably gained a few, given that the inherent strangeness beneath the surface of our society is only becoming more inflamed.

Slow Horses is sharply written at every twist and turn. Forceful, funny, and conspiratorial, it’s constantly finding new ways into spy thriller dynamics while showcasing the terrific work of its cast and letting Gary Oldman just completely go off as the jaded, aged spy at its center.

No longer just a spinoff, Star Trek: Strange New Worlds goes boldly into its second season with terrific crew chemistry, more far-flung adventures on tap, and even more depth added to characters who already feel like classics.