Decider's Scores

  • TV
For 2,519 reviews, this publication has graded:
  • 52% higher than the average critic
  • 10% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 Hacks: Season 5
Lowest review score: 0 Sex/Life: Season 2
Score distribution:
  1. Mixed: 0 out of 1831
  2. Negative: 0 out of 1831
1831 tv reviews
  1. Amadeus works as a series, not just because it looks fantastic, but that the main characters are treated as the nuanced people they were, and there seems to be less filler than one might expect.
  2. Unconditional tries to be more than it is, which is a pretty conventional thriller. But the “message-y” parts of the show don’t get in the way all that much, and the story builds tension very well.
  3. M.I.A. offers a compelling central character to follow as it descends into the criminal world undergirding the glitz and glamour of Miami.
  4. We’re hyped for Stevens to be the audience mirror as Pepper tries to manage inside an institution where the walls themselves seem crazy. Devil in Silver is also having a ball bucking standard convention. .... We felt as disoriented as Pepper does, all hopped up on Haloperidol, as we tried to determine what were mind games and what horrible truths are really lurking in New Hyde.
  5. The Chestnut Man: Hide And Seek is as creepy as the original season of The Chestnut Man, with the case at hand enhanced by the now-established personal and professional relationship between Naia and Mark.
  6. While the first episode of Legends could have fleshed out some of the main characters a little better, it does just enough — with enough restraint — to keep us watching.
  7. The Chestnut Man has an intriguing mystery and strong lead characters. It’s a prime example of why Scandi noir is such a popular genre.
  8. Gary does a good job of reminding fans of The Bear why the show was so compelling when it first blasted onto our screens, and we hope it’s a harbinger of a good final season.
  9. The Other Bennet Sister is hands down the best Austen-inspired series to hit television in years, if not decades, surpassing the likes of Masterpiece on PBS’s Sanditon. Its fresh approach to classic material only enhances Austen’s enduring genius.
  10. Sanditon Season 3 is the show at its soapiest, smartest best and it’s well worth the wait for long-time fans.
  11. Jack Thorne has managed to make the series adaptation of Lord Of The Flies fresh by giving viewers as close to a visceral experience of being in the middle of the chaos as possible, with good performances by the actors playing the main characters.
  12. Twenty Twenty Six is a funny take on a workplace focused on putting together one of the world’s biggest sporting events, helmed by a person who is experienced with all the craziness and somehow manages to get things done in spite of it.
  13. The House Of The Spirits is a well-acted, beautifully-shot adaptation of Allende’s classic novel that takes its time to luxuriate in the lives of Clara and Esteban but keeps things moving as the story progresses through over 50 years.
  14. Yes, Should I Marry A Murderer? is completely one-sided. But Caroline Muirhead is so compelling to listen to as she recalls this harrowing story that we hung on her every word.
  15. Another distinctive addition to Apple TV’s impressive library that delivered several agonizing jump scares, loads of laughs, and intrigued until the last second of the 10 episode season.
  16. While Flunked isn’t as funny as other recent school-based shows, the first episode introduces some potentially funny supporting characters, and the undercover aspect adds a lot of potential funny situations to explore.
  17. Stranger Things: Tales From ’85 is good enough that franchise completists aren’t going to cringe while watching it, and it may be a good way to introduce younger kids to the franchise. But we just wish it was a little scarier, and the character animation a little less weird.
  18. Running Point settles into a nice comedic groove in its second season, with an ensemble that works well together and new additions to the cast that fit in pretty well.
  19. While This Is A Gardening Show has some degree of Zach Galifianakis’ brand of awkward comedy, it doesn’t overwhelm his enthusiasm for the subject and how much that enthusiasm informs each episode.
  20. The Dark Wizard profiles an interesting, somewhat mysterious character in rock climber and thrill-seeker Dean Potter. Where did his tremendous, death-defying skill end and his zen and the art of climber’s mental maintenance begin?
    • 67 Metascore
    • 80 Critic Score
    Perhaps Half Man‘s biggest flaw is the heavy-handed way in which Ruben menaces over the entire series. There are moments when Gadd is so ominous as Ruben it almost takes you out of the show’s dramatic atmosphere. .... Niall and Ruben’s journey together is worth sticking around for.
  21. Kevin works because it’s not just leaning on gags. It really tries to put its characters and stories in a position to be funny without leaning on gags, which makes the gags funny instead of fatiguing to watch.
  22. We think with the introduction of some new characters, Sullivan’s Crossing will get past the lost of Patterson and the full drift into Maggie’s love life, a plotline that just makes us shrug.
  23. With this being its last season, the quality and plot twists have only gotten better and it’s a must-watch for fans of the show (anyone who hasn’t seen previous seasons will absolutely be lost).
    • tbd Metascore
    • 80 Critic Score
    With its vibrant and unique art style, engaging psychological drama, and compelling main character, Nippon Sangoku: The Three Nations of the Crimson Sun could very well be a hidden gem of Prime Video’s spring programming slate. Give it a chance.
  24. Margo’s Got Money Troubles has serious moments, but it’s a show that doesn’t try to take itself too seriously, and that sense of fun is going to make Margo’s journey to provide for her son very watchable.
  25. Malcolm In The Middle: Life’s Still Unfair brings the original series’ chaotic energy to the 2020s, taking into account that the chaos just needs to be a little bit different nowadays.
  26. We’re definitely on board with watching how The Miniature Wife is going to pull things off, both technically and storywise, but mainly because we’re confident that Banks can handle the challenge of playing someone shrunk down to six inches, and Macfadyen is always so good at playing weasels.
  27. Bad Mistakes works mostly because we like watching Levy and Ortega’s chemistry as siblings, and we’ll always be there to see Laurie Metcalf do her thing. We’re just wondering how silly things are going to get during this show’s first season.
  28. While we have some issues with how The Testaments is structured, given how depressing the world of Gilead continues to be, we are looking forward to seeing Agnes and Daisy starting to agitate for change as the show goes forward.
  29. While we’re a bit disappointed in the dark turn The Boys has made as it goes into its final season, we’re looking forward to seeing how Eric Kripke and company bring the story to an end.
  30. After watching the first three episodes of Euphoria Season 3, it’s unclear whether there’s hope for Rue and her friends, but there’s definitely a chance this polarizing HBO show might end its run on an incandescent high note.
    • 87 Metascore
    • 100 Critic Score
    Whipsmart, funny, and audacious from start to finish, Hacks Season 5 will keep you laughing and guessing until the last moment. .... Much like Smart, the show ends by cementing its legacy as one of the greatest comedies of the 21st century.
  31. Star Wars: Maul – Shadow Lord is certainly one of the darker entries in the franchise, especially among the animated series. But there is a lot of potential to dig into the personality of one of the franchise’s most notorious villains, which is always something we look forward to seeing.
  32. XO, Kitty is in its “well-oiled machine” phase, with characters we want to follow, a lead that continues to put in a magnetic performance, and a feeling that the show’s writers have settled on the storylines they want to follow the most.
  33. Hamm’s performance in Your Friends & Neighbors is what will keep us watching, as he transforms from a guy who has gotten too big for his britches to a guy who now knows that was the case and is doing something about it.
  34. Torres remains a unique and special voice not just in comedy, but in the performing arts, and we could use more voices like his.
  35. The Feud On Shelbury Drive does a fine job of spinning what seems to be a small dispute into a thriller that anyone who has an issue with their neighbors can relate to.
  36. For All Mankind remains ever ambitious with its fifth season, where the series makes the reflection off its alternate history mirror even stronger as the lives of everyday people get squeezed between the politicians of Mars fighting with the politicians of Earth.
  37. Jo Nesbø’s Detective Hole isn’t reinventing the “troubled detective” or Nordic noir genres, but good performances by Santelmann and Kinnaman make the show very watchable.
  38. Bait is a mostly-funny show about a guy that finds out what it’s like when he makes himself go viral in order to advance his career, with a funny performance by Riz Ahmed.
  39. Mystery Road: Origin continues to give viewers compelling mysteries combined with Jay Swan’s determination to make his work speak for itself despite the racism that he faces on a daily basis.
  40. The second season of Deadloch continues to be a darkly funny series with a fun pair of mismatched detectives who strangely work very well together.
  41. The final season of The Comeback is as funny and self-aware as the first two seasons, mainly because Kudrow continues to make Valerie Cherish one of the least self-aware characters on television.
  42. The Forsytes might be a little bit more sudsy than classic takes on the Saga, but it’s still incredibly well-acted and gorgeous to behold.
  43. The Faithful: Women Of The Bible spins a compelling view of the book of Genesis that hasn’t been explored to this point, with performances that humanize the figures being featured, overcoming some clumsy writing.
  44. Even though it may not touch the heights of the original Jury Duty, Jury Duty Presents: Company Retreat is a pretty funny workplace sitcom wrapped around the conceit that one of the people there have no idea he’s in a sitcom, and he’s buying into all of it.
  45. There’s an inherent charm to bowling. Born to Bowl capably channels that charm, and it’s a fun watch.
  46. This City is Ours features a few wrinkles in its setting and approach that set it apart from the many, many similarly sprawling family crime dramas. We’ll stick with it and see what an impressively deep cast can bring to the story, which features a lot of other elements that strike us as pretty familiar.
    • tbd Metascore
    • 80 Critic Score
    If you’re a pre-existing fan of this series, then you’re likely to enjoy this latest installment that continues to faithfully adapt the overall hilarity, tone, and excitement of Hirohiko Araki’s beloved manga series. But even first-time viewers are likely to get swept away by the colorful characters, fast-moving plot, and absurd humor.
  47. The Lady makes a compelling true crime story into a compelling drama through the performances by both McKenna-Bruce and Dormer, who try hard to make their famous characters nuanced and real.
  48. Invincible continues to give viewers one of the more nuanced superhero stories we’ve ever seen, and while the show finds itself in a dark place in Season 4, it’s still a compelling show to watch.
  49. The seventh season of Virgin River isn’t doing much more than keeping the story moving at the pace it set back in its first season in 2019. But that’s what fans want, which is why the show will go as long as Netflix and the producers want it to go.
  50. Like the original series, Mystery Road: Origin layers lots of stories into a slow-burn story involving Jay Swan’s very complicated life.
  51. While not hilarious, Sunny Nights works because of Carden’s performance, the premise’s clash of sensibilities, and its ability to give viewers a glimpse at Sydney’s seedier side.
  52. One Piece’s storytelling compass remains pointed in the right direction.
  53. Though the series strikes the creator’s signature balance of humor and emotional depth, Rooster has yet to rival Shrinking, Ted Lasso, or The Office. That’s not to say the six of ten episodes made available for review weren’t a genuinely fun ride; rather, it’s a testament to the incredible heights we’ve seen both men reach.
  54. It’s gratifying to see Chris Fleming stay true to the vision he had starting out in stand-up two decades ago and be richly rewarded for it. Strap in and enjoy the ride!
  55. While Young Sherlock is certainly stylish, it doesn’t forsake substance for that style, setting up Sherlock Holmes’ first big case in a way that digs into the characters of Sherlock, Moriarty and others that are familiar to Holmes fans.
  56. Once the awkwardness of setting up R.J. Decker‘s puzzle pieces ends, we see the potential for it to be a fun, quirky case-of-the-week detective series that will concentrate on its characters’ stories as much if not more than the weekly case.
  57. Luke Grimes is up to the challenge of leading a Yellowstone spin-off as Kayce Dutton, as Marshals inserts his character and all that family lore into an action-procedural, very familiar CBS-type series.
  58. American Classic isn’t going to make you laugh out loud, but its excellent cast and warm small-town-and-family feeling will be more than enough to keep you watching.
  59. DTF St. Louis is definitely a little weird at the start, but viewers’ patience will be rewarded with a quirky but interesting mystery starting in Episode 2.
  60. The Gray House is surprisingly engaging for such a sprawling historical drama, aided mostly by a good mix of characters and a strong lead performance by Daisy Head.
  61. The return of Scrubs works because it acknowledges that its characters have changed with age, and while it struggles to integrate its new generation of characters, there’s still more than enough laughs to satisfy the original’s most ardent fans.
  62. Despite the length and dodgy pacing of the first episode, Portobello is an entertainingly detailed retelling of one of the strangest stories in recent Italian history.
  63. Obviously this isn’t necessarily something to jump into completely cold. But fans of the MonsterVerse should enjoy this deeper dive into the lore of those films, with more room (and necessity) for emotional nuance than those big-budget adventures.
  64. The Fall And Rise Of Reggie Dinkins is as reliably funny as any Fey/Carlock production, with smart writing and a great cast.
  65. While Kwabena isn’t in a dead-end job anymore, Dreaming Whilst Black shows how much of a struggle it will be to get his voice heard in the entertainment industry, which may even be more insular than the outside world.
  66. The thought-provoking new direction will challenge, confuse, and likely divide viewers, but it will also deepen the show’s sci-fi roots and evoke more comparisons to Silo Season 2, LOST, and The Last of Us than ever before.
  67. The story behind Wild Boys: Strangers In Town is pretty compelling, even if you have much less sympathy for those “wild boys” at the end of the docuseries than you had at the beginning.
  68. Ten Pound Poms works because its characters are easy to root for as they try to make new lives for themselves in Australia. And the fact that the show is working towards a conclusion ensures that the stories will stay focused.
  69. Whether you were a fan or not, Reality Check: Inside America’s Next Top Model is a fascinating and thorough look at one of the biggest reality franchises ever—warts and all.
  70. Some of the incidents that begin the disputes are a bit confusing. .... But some are so “normal” they’re crystal clear. .... It’s disputes like the ones in the second episode that feel more real to us.
  71. While the fourth season of Dark Winds is taking a chance by going off the rez, seeing Leaphorn, Chee and Manuelito facing big changes brings interesting context to what might be normally be considered a standard police thriller case.
  72. Can You Keep A Secret? is a funny show about a family who tries to get something they think they deserve, without much of an idea of how their plan will play out.
  73. How To Get To Heaven From Belfast is a sharply funny examination of how friendships change over time as well as a pretty darn good mystery.
    • 63 Metascore
    • 100 Critic Score
    Believe me when I say that Love Story: John F. Kennedy Jr & Carolyn Bessette is the first truly captivating new show of 2026 and an instant addition to the list of shows you’ll want to watch and rewatch… just have a box of tissues at the ready.
  74. Dinosaur isn’t gut-busting funny, but its humor is purely character-driven, and it gives a view of autism that we’ve rarely seen on TV.
  75. While we still think The Artful Dodger is still a fun watch, we’re wary about the second season making jumping through story hoops to make sure Jack and Belle stay apart.
  76. Because of the performances of Keke Palmer and the fantastic supporting cast, we’re all in on The ‘Burbs, despite some concerns about aspects of the plot that won’t get the attention they deserve.
  77. Season 4 of The Lincoln Lawyer retains its light touch, even though its main character is fighting a shocking murder charge from his jail cell.
  78. Seeing The Muppet Show back as if it never left is not only comforting and nostalgic, but it’s still really entertaining. Let’s hope Disney decides to go forward with a new series after the success of this special.
  79. Bridgerton Season 4 Part 1 retains the charm of past seasons, but it often feels like two clashing shows, competing for ultimate attention. .... My only hope is that that drama can be a bit more streamlined, a bit more sexy, and bit more focused on our wonderful season leads when Part 2 rolls out on February 26.
  80. Wonder Man is a Marvel show that’s accessible to even non-Marvel fans mainly because it’s less about the MCU and more about an actor who is trying to land the biggest role in Hollywood while not getting too lost in his own head. If that includes his superpowers, all the better.
  81. The commentary by dozens of admirers and career-highlight TV and movie snippets are great of course, nostalgic but purposeful, meaningful in the context of Brooks’ life and influence on showbiz. But Apatow digs just deep enough to show that the guy is a true, honest-to-gosh restless artist at heart.
  82. We wish the new Star Search had some better pacing, and that the judges were a skosh tougher on the acts than they are. But for the most part we watched and voted along with the rest of the audience watching live, and rooted for those we liked. That’s the sign of an overall good show.
  83. The Beauty is focused, gruesome and just funny enough to keep things moving. All of this is miraculous, given Ryan Murphy’s recent track record.
    • tbd Metascore
    • 80 Critic Score
    Drops of God: Season 2 continues to deliver a layered, character-driven story that raises the bar from Season 1 as it blends cultures, explores complex family ties, and satisfies the senses on an even greater scale.
  84. From witty one-liners and endearingly exaggerated personalities to physical comedy, musical numbers, and more it bears repeating that Shrinking is very funny and never maudlin. The series excels at giving viewers emotional whiplash (complimentary), but the team hasn’t just mastered the art of flicking from poignant to playful scenes on a dime.
  85. Star Trek: Starfleet Academy is a perfectly entertaining entry in the now-60-year-old Trek franchise, punctuated by fun performances by Hunter and Giamatti. We just worry that the more generic-feeling Academy portion of the series will overwhelm the usually-reliable starship adventures.
  86. Agatha Christie’s Seven Dials is a well-paced, traditional Christie adaptation with a fun-to-watch young protagonist at its center, which is rare in the world of the classic mystery novelist’s stories.
  87. Season 3 finds Spear, dead but not down, on a journey he doesn’t know the shape of, which only means more opportunity for this series’ already impressive animation and storytelling.
  88. Between Will Smith’s joking but reverent hosting and the sweeping visuals, Pole To Pole With Will Smith is a show that’s worth watching, even if you stopped being a fan of his post-slap.
    • 75 Metascore
    • 80 Critic Score
    It’s a wildly entertaining rollercoaster that will have you rooting for the complex characters, questioning who you can trust, and reexamining your own biases in a way that doesn’t feel derivative.
  89. Riot Women is a poignant and often funny look at women trying to break out of the bubbles they’re put in during their 50s and 60s, with the added fun of a great ’90s-heavy soundtrack and songs written specifically for the series.
  90. Things take a little while to develop in the first episode of Hijack‘s second season. But once we learned exactly what was going on, we were locked back into what we expect to be a fast-paced season, with the usual excellent performance from Idris Elba.
  91. To be honest, there’s a lot I genuinely dislike about this show. .... And yet, the show is also undeniably addictive; the characters and their behaviors might be unlikeable, but with new lies and mysteries unfolding in every episode, there’s just enough there to get you to binge the whole thing.
  92. A Knight of the Seven Kingdoms is a charming new addition to the Game of Thrones franchise that will woo you back to Westeros.
  93. If you’re going to wait a decade to create a second season of a show, it’s got to do two things: It’s got to remind people who watched the first season what the connections back to that season are, and it’s got to tell a new story that’s just as compelling as the first season was. The second season of The Night Manager definitely accomplishes the first, but hasn’t yet proven that it’ll accomplish the second.

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