Call of Duty: Black Ops: Cold War is exactly what you expect it to be, but there is a massive amount of content on offer here and it's still impressive. Maybe the magic is starting to slip now, but if you've not picked up a Call of Duty recently then grab this one, there's still some fun to be had.

Hyrule Warriors: Age of Calamity falters greatly in its narrative. The time-traveling aspect felt like a cheap and easy way to rewrite history without actually adding much to the established lore. That said, this did allow Princess Zelda to shine which ended up being a pleasant surprise. The gameplay is the main hook and it’s a bloody fun one at that. There is lots to love here if you can ignore the weak story.

One of the core debates within Observer: System Redux is whether augmentation makes recipients more or less. In the case of this enhanced edition of the acclaimed, dark cyberpunk tale, it’s definitely a case of more. Barring a few graphic and gameplay niggles, the developers have taken a cult indie classic and improved it further, providing a better balance of mystery thriller and psychological horror to accompany the brain-spearing next-gen visuals.

Yakuza: Like a Dragon’s switch to turn-based RPG combat and team-based tactics may bite off more than it can chew thanks to terrible difficulty spikes and ill-defined character progression, but it’s still a breath of fresh air for the series. Ichiban Kasuga and his pals are an entertaining lot, the game has plenty of style, and even though the combat devolves into an ungodly grind, it’s a flashy new start to one of Sega’s best franchises.

Tell Me Why is a moody and mature-minded mystery focused on family secrets, while touching sensitively on themes like mental health, gender, and indigenous cultural practices. It’s slow going but compelling. Less successful is a supernatural gameplay component that’s never fully explored, and feels superficially integrated with the storyline.

It’s shorter and familiar, but the first solo outing of Miles Morales in his own dedicated video game is nothing short of amazing. A follow-up to an already spectacular first game, Marvel’s Spider-Man: Miles Morales improves on its core design with creative energy and attitude that sets it apart from the original. A brilliant first step on the PS5 and a final hurrah for the PS4, Marvels Spider-Man: Miles Morales is spectacular.

Godfall hits the nail on the next-gen launch game head: All style, very little substance. Granted there’s some fun to be had but once the next-generation glitz wears off what’s left is a repetitive slog through levels that quickly get old.

More than just a tech demo for the DualSense controller, Astro’s Playroom is a stunning showcase for the PS5 and the very first game that you have to try out on the next-gen system. Fine-tuned for maximum haptic feedback fun, Astro’s return is a marvel that celebrates the past and the future of the PlayStation.

It’s both hilarious and serious, but Chicken Police is more than just 2020’s weirdest game. Beneath the clucked-up surface is a genuinely engrossing story, amazingly developed characters, and a cast that brings them to life. With slick production values, this is one hard-boiled detective story with a unique flavour.

A saga for the ages, Assassin’s Creed Valhalla is a breathtaking journey of discovery that has a cold charm to it. It is both serious and ludicrous in equal measure, an RPG that has added more than it has removed from its core experience while delivering a game that feels familiar and completely new at the same time. Skal!

Little Hope is a fun way to burn a couple of hours by yourself and a fantastic way to spend a night with friends but is let down by a disappointing conclusion, some uninspired performances, and general pacing issues.

Need for Speed: Hot Pursuit Remastered is still a great game a decade later, but it’s even better now with the addition of modern multiplayer sensibilities, improved visuals, and an expansive single-player campaign.

Dirt 5 doesn’t come screaming around the corner as a definitive next-gen spectacle, but it’s still pure racing junk food with a confident swagger that I’m happy to gorge on any day of the week. It’s a V8 hooligan with a devil may care attitude, familiar to wrap your thumbs around, and a fantastic distraction when you’re looking to get some mud on your face.

If you need some optimism and pure joy injected into your life, Pikmin 3: Deluxe Edition is for you. A fantastic remaster that adds a healthy chunk of new content to what was already a bulky game, that improves the overall experience.

Watch Dogs: Legion is a fascinating game, massively ambitious and crawling with technology that isn’t just on the bleeding edge of what’s possible, it’s pure magic to see unfold. All of that may sound impressive but slick software and a bustling metropolis of people power can’t hide the dull gameplay and shallow approach to the sandbox shenanigans of Watch Dogs: Legion. It’s still a fascinating game to experience in short bursts, and it’s going to be fascinating to see how Ubisoft evolves London to make it vox pop as a next-gen headliner.

Despite some boring locales and an over-reliance on the darkness just for the sake of it, Amnesia: Rebirth is an excellent horror game with some fun puzzles, well-written characters, and genuinely terrifying moments.

There’s a decent game at the very core of G.I. Joe: Operation Blackout , but it’s buried underneath annoying controls, a bizarre focus on co-op play instead of multiplayer, and missions that feel like an endlessly repetitive grind. Still, it’s dedicated to its source material and it has its moments, but it doesn’t do much else to stand out from the pack. And now you know, because knowing is half the battle.

Noita is an exciting experiment that grew into a tense, complicated, and altogether satisfying game of self-expression and discovery. It allows players a level of freedom often unseen in rogue-likes at the expense of a clear and distinct visual language, and situations that become difficult to quickly parse.

Airplane Mode is everything you’d expect from a well-crafted flight simulator where you’re not in control: Boring, hopeless, and a dangerous invitation into the depths of your own unhinged psyche brought on by a high altitude prison that you paid to be incarcerated in. It’s almost the end of the year, and I think I’ve just found the winner of the best horror game of 2020.

Hindered or enhanced by your imagination, Nintendo’s latest mad project is still a well-designed and madly charming new entry in its beloved karting franchise.

I Am Dead is a deceptively charming and emotionally potent experience. It’s hard not to be won over by its good spirit and intricate, lovingly crafted world. Despite its simple gameplay and heavy dose of eccentricity, it's a tender reflection on ordinary lives, death and the power of memory. A game that will linger in the memory.

Genshin Impact may be one of the biggest surprises of the year: A free-to-play RPG that gives players an absurd amount of freedom and content to dip into. Some barriers can still be found in the absurdly rare drop rates for premium characters and the world shows some growing pains, but you’re still receiving a gorgeous fantasy world that doesn’t press-gang you into spending money on it.

A madcap blast from the past, Neighbors back from Hell doesn’t do anything to change its original formula, but the added spit ‘n shine polish does give the fantastic pranking sandbox a new lease on life.

It’s clearly well thought out, but in execution The Signifer doesn’t quite match up to its intriguing concept and utterly convincing setting. The latter are so strong, though, that they keep you engaged even as you grapple with clunkier gameplay aspects and an abrupt ending. Ambitious, cerebral, worth investigating.

Torchlight 3 will scratch any basic RPG itch for adventure, loot, and fantasy, but even with a heckin’ doggo sidekick at its side, it feels a bit too old-fashioned to stand out from the rest of the pack.

Star Wars: Squadrons certainly has a few issues. Its enjoyable campaign has some dull moments outside of the cockpit and the multiplayer, as stupendously thrilling as it is, is a bit too barebones at the moment. But it's also the most fun and immersive Star Wars flight sim experience we've ever had thanks to its immaculate gameplay and incredibly polished production.

The Solitaire Conspiracy is one of this year’s most surprisingly addictive games, a tense showdown amongst spies using nothing other than your own wits and a few card tricks up your sleeve to deliver a quick punch of strategy.

Crash Bandicoot 4: It’s About Time is a fiendishly difficult platformer that carries on Crash’s legacy with aplomb. Though it sometimes feels like it hews a little too closely to the established formula, what it adds makes it more than just a worthwhile sequel. It’s just a damn good game.