Ninja Gaiden: The Master Collection is a fascinatingly violent time capsule that shows off the best and the worst of Koei Tecmo's fan favourite shinobi. It's as barebones a collection as can be, packing all three games together with a sprinkling of DLC, but it's still a fine showcase of brutal difficulty and white-knuckle thrill power that is inimitable by anything else on the market. Just don't expect anything more than that.

It’s beautiful, it’s charming and its insights are given greater punch by exceptional voice acting. Yet, despite ticking so many boxes, The Magnificent Trufflepigs never manages to find the sweet spot of player satisfaction due to some odd, clashing design choices.

Ghosts 'n Goblins Resurrection is exactly what you'd expect a remake of Capcom's classic: It's painfully difficult to the point of parody, but it also features gorgeous visuals and imaginatively punishing design to create a beautiful knightmare.

Miitopia still retains its charm as it hops from 3DS to Switch, as well as a decent upgrade in the visual department. It's no 100-hour epic, but it's a cute and quirky little RPG that makes for an adorable distraction when you need to let your brain rest for a bit.

Famicom Detective Club: The Missing Heir and The Girl Who Stands Behind are well-told and compelling mystery games presented in a loving remake that improves on the original titles while sometimes remaining a little too faithful to outdated designs.

Famicom Detective Club: The Missing Heir and The Girl Who Stands Behind are well-told and compelling mystery games presented in a loving remake that improves on the original titles while sometimes remaining a little too faithful to outdated designs.

A half-hearted, boring attempt at a farming RPG, Harvest Moon: One World does nothing especially well. Even though it does show some initial promise, it quickly squanders that on poor farming mechanics, a bland open-world and lifeless characters.

Romantic relationships have their ups and downs, and players will likely go through the same experience with Maquette, which seesaws between satisfying and frustrating. Charming world design and bittersweet relationship observations are offset by a couple of opaque puzzles and patches of gameplay clunkiness (bad enough to force level restarts), which mar the overall sense of enjoyment.

A few balancing issues aside, Bugvasion is a fun diversion. It’s silly, colourful, and its tactical action has an energetic flow to it that hits a comfortable stride early on. It’s not rewriting the rules of the tower defense genre, but it’s hitting the right marks on a checklist of fun.

Werewolf: The Apocalypse - Heart of the Forest is a disappointingly brief and unengaging role-playing game in a format that doesn’t lend itself to engaging gameplay or deliver on a satisfying narrative. While there is potential under the hood, I can’t say I enjoyed playing very much at all.

Like its setting, The Shore is both rugged and stunning. While lacking finesse and complexity in gameplay, the Lovecraftian horror adventure is unquestionably impressive as an almost one-man indie effort. Standing out from other Cthulhu Mythos games, The Shore is stuffed with cinematic moments that establish the scale and otherness of its universe. It’s very brief, but that helps make a detour to The Shore worthwhile.

Fascinating for 15 minutes and boring for hours, you’ll be howling with frustration at this missed opportunity for full moon madness in Werewolf: The Apocalypse – Earthblood.

Fitness Boxing 2 isn’t a bad way to keep your body energised, but the few improvements it has loaded into its gloves can’t hide its flawed punching technique or its disappointing lack of beats to bounce around to between uppercuts.

Chronos: Before the Ashes is an interesting collection of ideas, but dead average implementation, aging visuals, and flawed gameplay make for an underwhelming package that barely rises above being just fine at best.

The Falconeer starts off as a fun, original take on aerial combat but quickly turns into a boring exercise in repetition that even a mysterious and interesting world can’t save.

Hyrule Warriors: Age of Calamity falters greatly in its narrative. The time-traveling aspect felt like a cheap and easy way to rewrite history without actually adding much to the established lore. That said, this did allow Princess Zelda to shine which ended up being a pleasant surprise. The gameplay is the main hook and it’s a bloody fun one at that. There is lots to love here if you can ignore the weak story.

Godfall hits the nail on the next-gen launch game head: All style, very little substance. Granted there’s some fun to be had but once the next-generation glitz wears off what’s left is a repetitive slog through levels that quickly get old.

Little Hope is a fun way to burn a couple of hours by yourself and a fantastic way to spend a night with friends but is let down by a disappointing conclusion, some uninspired performances, and general pacing issues.

There’s a decent game at the very core of G.I. Joe: Operation Blackout , but it’s buried underneath annoying controls, a bizarre focus on co-op play instead of multiplayer, and missions that feel like an endlessly repetitive grind. Still, it’s dedicated to its source material and it has its moments, but it doesn’t do much else to stand out from the pack. And now you know, because knowing is half the battle.

Airplane Mode is everything you’d expect from a well-crafted flight simulator where you’re not in control: Boring, hopeless, and a dangerous invitation into the depths of your own unhinged psyche brought on by a high altitude prison that you paid to be incarcerated in. It’s almost the end of the year, and I think I’ve just found the winner of the best horror game of 2020.

WWE 2K Battlegrounds feels like a missed opportunity at the best of times. What could have been a mad breath of fresh air until WWE 2K22 comes along, is instead a boring grind that’s all style and no real substance. Invasive microtransactions tarnish the few remaining bright spots of this game, barely allowing it be okayfabe.

Despite collecting three of Mario’s most well-known games, Super Mario 3D All Stars doesn’t justify their porting onto the Switch. With minimal improvements, few features that truly make it feel like an “Anniversary celebration” and some bafflingly lazy design choices, 3D All Stars feels like more like a quick cash grab.

Marvel’s Avengers is both a fantastic story and a dead-average grind for meaningless loot. When everything comes together, it’s a brilliant power fantasy with heart and a true passion for its source material. Those moments are fleeting though, held back by a range of technical issues, shockingly sloppy design, and no solid idea of what kind of game it really wants to be. Some assembly, definitely required.

Project Cars 3 will definitely have a place for those wanting a quick and easy racing game with a ton of customisation, cars, tracks and challenges. For more seasoned racing fans, or anyone looking for something even remotely different to what we have seen hundreds of times before, you will definitely need to look elsewhere.

Alan Wake makes his official debut in Control in full force, delivering a very large helping of lore and storytelling that goes down great with the overall game experience. If only he had a brought a small side of new gameplay mechanics as well, because the formula remains pretty much the same.

Bite the Bullet is a game of great ideas that are hamstrung by terrible controls, performance issues, and a flow of combat that’s at odds with the very gimmick that makes it stand out from the pack. All of that makes for an experience that bits off far more than it’s capable of chewing.

Mortal Shell is an excellent entry in the Souls-like space with some fantastic ideas around character progression and combat, but is unfortunately let down by a health system that discourages exploration and an element of tedium that unnecessarily pads out encounters.

Boring, generic, uninspired and every other synonym for painfully average, The Ambassador: Fractured Timelines isn’t worth the time it takes to say its name.