This is a game that embraces a zeitgeist aesthetic without adding any depth or tension to its world to keep you engaged. For it to work, surrealism needs to explore the unexpected and irrational as well as offering a dreamlike state, Dreamcore does one of the three, and so feels like style over substance.

A pitch-perfect recreation of the Aliens universe that balances a claustrophobic atmosphere with tense combat and authentic, analogue design. This is the kind of game you bought PSVR 2 to play.

At times Flint: Treasure of Oblivion is charming and inventive, punctuated by expressive comic panels that get you aboard for the voyage, and in other moments weighed down by ambition and complexity.

Beautifully simple by design and executed just as deftly, The Cabin Factory is a genuinely creepy, occasionally terrifying, play on space, design and things that go bump in the night (and in weird factories). Chilling.

This is no lazy homage. Indiana Jones and the Great Circle delivers one the finest cinematic gaming experiences you'll ever play. A proper new Indiana Jones film that is actually a video game, in which you control Indy, with all his signature moves and quirks: the stuff of fans’ dreams, in other words.

As the game plods on with quiet predictability towards its watery conclusion by the sea, I'm left with the feeling this horror adventure missed the boat.