Consequence's Scores

For 1,456 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Inside Out
Lowest review score: 0 13 Hours: The Secret Soldiers of Benghazi
Score distribution:
1456 movie reviews
  1. Rich Peppiatt’s feature debut spins the freewheeling cinematic language of Edgar Wright and Guy Ritchie into a fun, heartwarming, and suitably raunchy celebration of the Irish language.
  2. While the filmmaker is very much the protagonist of this story, the personal touches included don’t overwhelm the story — and in fact add a certain sweetness, especially as both women face setbacks in their quest, and their friendship grows deeper.
  3. Eclectic and unconventional in its presentation, Soundtrack’s density can throw you for a loop, especially if you don’t know the first thing about the geopolitics of the time and place. But it proves a healthy primer on the skeptical eye we should take towards world powers, and how even the art that’s meant to free us can be used against us.
  4. It’s a brave, uncompromising debut.
  5. Between the Temples is a bit slight, but brings with it a lot of sweetness, especially thanks to Schwartzman and Kane, and the chemistry they find together.
  6. Its essential components touch on the valuable insight that the white imagination often can’t wrap its head around what Black music is actually saying, and the ways it says it.
  7. There’s plenty to enjoy and admire about this one, even through its uneven moments.
  8. Schwimmer’s great in a role that’s very much in his wheelhouse, but the second half never quite lives up to the first half, and the first half feels incomplete as a narrative, which leaves the whole film feeling like a disappointment.
  9. As Stefan might say, this movie’s got everything (you’d expect from a Sundance movie): A period coming-of-age story inspired by the filmmaker’s own life, broader political themes, known stars like Linney and Harrelson playing eccentric characters, and a weepy conclusion.
  10. Unfortunately, the 99-minute run time on Norwegian zombie drama Handling the Undead feels infinitely longer, and lands more as a meditation on grief than an intriguing entry into zombie cinema.
  11. There are several sequences where the comedy of Thelma really sings, but if the film was just a parody, it would maybe be a funny yet rough watch. Fortunately, its depth of feeling for its elderly characters elevates it to a strange hybrid that works remarkably well, with Squibb’s performance in particular bringing it all together.
  12. Amid Hammel’s acid-tongued approach and jaundiced eye, there’s a lot of intriguing potential; after all, cinema that imperfectly confronts is oftentimes more interesting than comfortable competence.
  13. Donaldson has a tremendous command of pace and silence, laying the desperation of middle age (and how it looks to those whose lives are still ahead of them) bare with little more than a gesture or a closeup. It’s a killer debut for both her and Collias, and it will be exciting to see what both can do with the momentum a picture like this can provide.
  14. Sean Wang, as both writer and director, has turned in an excellent entry into the “call your mother” cinematic canon. He doesn’t flinch from the darker or more troublesome aspects of the early teen years, but he ultimately balances them expertly by handling his messy protagonist with generosity and care.
  15. Love Me had the potential to be a little too precious in its storytelling — certainly there’s something profoundly cute about two robots falling in love, as any Wall-E fan will tell you. What keeps the narrative balanced is the raw bleakness of the setting.
  16. It’s the fresher lines, not the repeats, which draw bigger laughs — in fact, in some cases it feels unfair to the actors, making them recreate scenes that were already stellar in the original.
  17. Momoa’s raw on-screen energy remains infectious even in the driest scenes, and Wan does wring a real sense of human connection out of the scenes between Momoa and Wilson, whose tempestuous fraternal bond is the emotional core of the film.
  18. Just don’t expect it to rewrite the genre playbook.
  19. In its current shape, Rebel Moon isn’t just boring; it feels hopelessly compromised.
  20. Grounded and yet also experimental, cold at some points and intimate at others, The Zone of Interest is one of the year’s most deliberately challenging films, unafraid to explore one of humanity’s darkest moments from some unexpected angles.
  21. Wrestling, at its best, is a mythic art, an extension of the traditions of ancient Greece — with all the grand pageantry and theater that turns mere mortals into titans. Durkin knows this, and uses all that bigness to startling effect, transforming the tragedy of an American family into a bittersweet legend.
  22. Wonka’s throwback charms make a striking enough impression, especially with Chalamet in the role, that the idea of another musical Wonka adventure isn't at all objectionable. If, that is, they skip the fat suit next time.
  23. Renaissance: A Film by Beyoncé is a true odyssey, a maximalist explosion of sparkles and beats and visuals and insight.
  24. This sort of small-scale revenge piece is a pretty common occurrence in the direct-to-VOD market, but what elevates Silent Night is Woo’s skill with action, in concert with the lack of dialogue.
    • 48 Metascore
    • 67 Critic Score
    Good Burger 2 is a time machine that takes its audience back to a time before adulting became a verb or a burden. And on that front, it succeeds. Not always with flying colors, but just enough for a pleasurable distraction during a chaotic holiday season.
  25. Besides the gags, there’s little to grasp onto, and try as it might to echo Barry Lyndon’s naturally-lit tableaus, Scott’s film lacks that film’s acid-dry wit.
  26. It’s steamy and transgressive in a straightforward way, an in-your-face bacchanal of sex and violence of the kind Fennell so delights in depicting. But as the film barrels toward its bonkers but highly predictable twist, the shine on Saltburn begins to fade.
  27. If someone decides they don’t like you, there’s nothing you can do about it. If enough people share that opinion, they can absolutely destroy you. Combine that with an always-fantastic Cage, thoughtful and buffoonish in every gesture and tic, and it makes for a delightfully mixed bag.
  28. As successful as its biggest, wildest swings are, it'd really be nice if the plotting of The Marvels lived up to those elements. That said, those other elements are hard to oversell. It might not be the most coherent MCU entry of 2023. But it's perhaps the most purely enjoyable.
  29. Bolstered by the fantastic technical direction at every turn, Priscilla lands as a remarkably moving portrait not just of a pair of American icons, but also of a dissolving romance.

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