Consequence's Scores

For 1,452 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Inside Out
Lowest review score: 0 13 Hours: The Secret Soldiers of Benghazi
Score distribution:
1452 movie reviews
  1. If this film is Miyazaki’s true bow, it’s a magnificent final flourish that folds together many of the thematic and aesthetic threads he’s explored through his career: man’s relationship to nature, the majesty of flight, the twin pulls of love and loss. It’s stunning and inscrutable and measures among the best of his works.
  2. The Lost City of Z is as much about the struggle of progress as the real-life story it’s telling, and Gray sharply observes the ways in which mankind continuously tears itself apart, usually in the name of progress.
  3. Project Hail Mary is a movie that believes it’s possible to save the world. It dares to hope. And that’s more beautiful than all the stars in the sky.
  4. Wang, along with her stellar cast, manages to deftly weave droll, observational family comedy with deeply resonant examinations of the role of family and culture in our lives. It’s naturalistic without feeling downbeat, farcical without being goofy, and treats its cultural signposts with a sensitivity and honesty few filmmakers can achieve.
    • 67 Metascore
    • 100 Critic Score
    The Blackening is tense, funny, and thoughtful. It’s a miracle when any movie expertly hits that hat trick but even more so when it does it with this much confidence.
  5. If Clueless is the definitive modern-day adaptation of Emma, then Fire Island deserves the same crown for Pride and Prejudice.
  6. Love & Friendship is easily the funniest movie Whit Stillman has ever made. His bristling screenplay — which shows shades of Noël Coward and Evelyn Waugh — has so many impeccable one-liners that it would take three or four viewings to catch them all.
    • 91 Metascore
    • 100 Critic Score
    Little Women is made with so much love and enthusiasm — both behind and in front of the camera — that even the deeply sad scenes still fill you with joy and longing. It’s an explosion of emotions, from loss to love to everything in between.
  7. The Last Duel is a testament to male self-delusion and self-mythologizing, and the impact it has on the women around them.
  8. The Handmaiden is film at its most exhilarating by a director at the height of his powers, and it’s the kind of singular rarity that must be savored when it comes around.
  9. What makes Toni Erdmann, the finest comedy in recent memory, so wonderful and beguiling is the deep undercurrent of sadness that informs its eventual life lessons.
  10. Yellow Submarine is a journey to the very brightest spots of our imagination, and it’s a vibrant reminder of how joyful, inventive, and freeing animation can be.
  11. Pig
    Sarnoski’s debut is a scintillating tone poem about the inextricable links between love, creativity, and commerce, and what happens when the latter encroaches too much upon the former.
  12. This is the great American nightmare, in which neither families, friends, neighbors, nor lovers can save you, and no matter what you try and no matter where you go, it won’t stop until you do. There is nothing more terrifying than that.
  13. To say that Vega is marvelous in her portrayal of Marina is nothing short of an understatement. She’s an inspiration to transgender and non-binary people across the globe, all while delivering the performance of a lifetime.
  14. [A] truly remarkable film.
  15. The best movies are little worlds that welcome you into the experiences of fascinating characters, giving you everything you need to understand their perspectives and actions. Past Lives does so in spades, painting on a small canvas, but with rich hues of emotion and meaning, knowing that a great story and a great life aren’t necessarily the same thing.
  16. Krisha, directed by first-timer Trey Edward Shults, is a masterful opera of discomfort and hurt feelings.
  17. Wrestling, at its best, is a mythic art, an extension of the traditions of ancient Greece — with all the grand pageantry and theater that turns mere mortals into titans. Durkin knows this, and uses all that bigness to startling effect, transforming the tragedy of an American family into a bittersweet legend.
  18. David Lowery deconstructs the hero's journey with this sumptuous dark fantasy.
  19. It’s a transcendent love story, and a work of overwhelming empathy.
  20. Sicario works on every level. It’s also fairly prescient, coming at a time when America rages on about the ethics of border control and the mounting war on drugs.
  21. Leave it to writer, director, and professional expectation-defier Charlie Kaufman to make existential angst so completely delightful.
  22. Carpenter is patient in pulling away our warm blankets by slowly easing into the horror, simply by allowing the horror to slowly stalk us.
  23. In Andrea Arnold’s sublime film American Honey, freedom is relative, but every once in a while it can feel so damn good that the whole world disappears around it.
  24. It’s undoubtedly one of the best films of the year, and of Anderson’s career.
  25. Both here and in the real world, Tesla is more legend than man, and we can only ever really comprehend him through that warped lens. Almereyda understands this fundamental hurdle in the biopic formula, and leans into it with refreshing candor.
  26. Few films are ever as enjoyable and endearing as Sing Street.
    • 81 Metascore
    • 100 Critic Score
    There is mystery after mystery, puzzle after puzzle, reveal after reveal. You won’t see every twist coming, but even when you are a step ahead of Blanc, the film’s full-speed-ahead approach is still so entertaining and fun that the two-hour-and-19-minute runtime rushes by.
  27. What this movie offers is a refreshing, grounded take on a part of life that can be frightening and difficult, giving it the attention and care it deserves without veering into unnecessary sentimentality or aiming to be a tearjerker.

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