Consequence's Scores

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For 1,457 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Inside Out
Lowest review score: 0 13 Hours: The Secret Soldiers of Benghazi
Score distribution:
  1. Positive: 981 out of 1457
  2. Mixed: 341 out of 1457
  3. Negative: 135 out of 1457
1457 movie reviews
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  1. Suburbicon
    It doesn’t work on a purely aesthetic level or as a political statement, and the combination of the two goes together about as well as a mid-level Coens comedy and a morality play about racism masquerading as a thesis.
  2. The Killing of a Sacred Deer
    While the quality of the film’s craft is up for little debate, though, it’s overall appeal and impact are far more polarizing.
  3. It
    The whole movie is affecting, so much so that Pennywise doesn’t even matter. In a way, he’s more of a McGuffin to the real horrors at hand, from parental abuse to violent bullying to the unnerving revelation that life has only just begun.
  4. Goon: Last of the Enforcers
    Goon: Last of the Enforcers often feels far more like a stock sports film than its predecessor, and that’s what ultimately turns it into a highly underwhelming follow-up.
  5. Death Note
    In adapting Death Note for a presumably American audience, Wingard loses the whole of its identity, and never finds a different one with which to replace it.
  6. Bushwick
    If it never fully realizes the horrors of its prescient setup, it’s nevertheless effective in fits and starts.
  7. Crown Heights
    As a Big Message movie about the racism inherent in the criminal justice system, Crown Heights succeeds admirably enough. As an effective drama, however, the film is frustrating in its unwillingness to engage with its characters beyond its broader strokes.
  8. What Happened to Monday
    The steam runs out fast with one generic chase after the next, forgettable gunplay, and gory violence. Its ham-fisted double crosses and half-baked moral dilemmas amount to little.
  9. Logan Lucky
    It’s the kind of wholly fun, satisfying late-summer fare that audiences will crave as the season winds down on its face, but like much of the director’s more recent output, it’s operating on several more thoughtful levels at the same time.
  10. Lemon
    Lemon remains wholly original throughout, rendering old themes fresh with its bold perspective. It’s also incredibly funny, even when it’s dunking our heads into the darkness of the human psyche.
  11. Naked
    Sure, it may be a little rote, and even thrifty, but it offers more than enough yuks to earn its way into your Netflix queue.
  12. Good Time
    Good Time is a film of trembling anxiety, and while the score and the Safdies’ terrific direction both aid this, it’s Pattinson’s outstanding performance that pins even the most outlandish occurrences to a deep sense of emotion.
  13. Whose Streets?
    Whose Streets? humanizes Ferguson, but not for the benefit of skeptics. It’s a rallying cry for those who understand their pain and those driven by that same pain to affect real and lasting change.
  14. Annabelle: Creation
    Sandberg finds much of his terror in the tension that exists between light and shadow, an unsurprising discovery considering his previous film hinged on the two. They’re used much more effectively here, however.
    • 66 Metascore
    • 67 Critic Score
    The Trip to Spain
    Like Italy before it, Spain doesn’t prove as rich a journey as Coogan and Brydon’s original trip. For fans of the comics, bits, scenery, and pacing, the formula is still successfully in play for the most part, and everyone will pick out their favorite moments of Coogan and Brydon’s brilliant shtick.
  16. Wind River
    Wind River is also a potent example of how form isn’t always enough when the story is as frequently unnerving for unintentional reasons as it is for the horrors it aims to present.
  17. Ingrid Goes West
    While there’s something to Ingrid Goes West and its indictment of insufferable L.A. millennial culture and social media’s dangers, Spicer’s targets are too bluntly specific to make the sort of nuanced argument that the film aims to attempt.
  18. Step
    Step may be a touch too glossy, and unusually, a bit too short, but its power is undeniable.
  19. Columbus
    Kogonada matches the inquisitive eye of his two leads, finding the splendor in the everyday, the unusual in the unlikeliest places, and the need for connection that runs beneath all things.
  20. The Dark Tower
    Bringing the action of future Dark Tower novels forward isn’t a sin. The sin is not having nearly enough space for it. The film is breathless in all the worst ways as a result.
  21. Menashe
    Menashe offers an affectingly intimate glance into a world largely unknown to those outside of it, one where faith is omnipresent over every facet of daily life and the troubled society outside is no concern of the neighborhood’s residents.
  22. Detroit
    As the film’s scope reduces, it builds in horrific momentum.
  23. Girls Trip
    Malcolm D. Lee’s stab at a Bridesmaids-esque journey of debauchery is funny, sometimes uproariously so, but its greatest strength isn’t in the filthiest stuff. It’s in the rapport between four women who’ve worked hard to remain friends, even as the natural progression of time continuously pulls them further and further away from one another.
  24. Valerian and the City of a Thousand Planets
    In building worlds as detailed and vivid as he’s done here, Besson has essentially allowed the setting to do what’s typically reserved for characters and stakes, and that’s to make us care.
  25. Dunkirk
    By minimalizing his loftier techniques and tendencies of the past with brusque pacing and grand photography, Nolan has assembled the leanest and most impassioned film of his career.
  26. War for the Planet of the Apes
    War for the Planet of the Apes is a formidable conclusion (if indeed it is) to one of the more well-considered modern series to date. This is a film of difficult, lingering questions and painful revelations.
  27. City of Ghosts
    City of Ghosts is far less about the region’s troubled history than about the now, the daily abuses that continue to grow in severity as politics are talked elsewhere.
  28. Inside Out
    Inside Out is a superlative work of inspired imagination, one that may very well stay in your mind for a very long time.
  29. Okja
    It’s not the savage darkness of Okja that lingers most after it ends, or even the political allusions. It’s the story of Mija and Okja, trying to make sense of a frightening world where good people and animals alike die each day, and the only thing that can usually prevent this from happening is more money.
  30. Kuso
    Kuso is a hallucinatory, scatological, grotesque, and occasionally hysterical work of utter mania, the kind of wild cinema that cuts through the noise of all safer, more marketable filmmaking.
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