Consequence's Scores

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For 1,452 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Inside Out
Lowest review score: 0 13 Hours: The Secret Soldiers of Benghazi
Score distribution:
  1. Positive: 976 out of 1452
  2. Mixed: 341 out of 1452
  3. Negative: 135 out of 1452
1452 movie reviews
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  1. Army of the Dead
    Snyder’s momentum starts to lose steam around the 90-minute mark, and there are too many kooky concepts left frustratingly unexplored. But as a showcase for Snyder’s deft command of action and ink-black sense of humor, Army of the Dead is an exciting piece of brain-chewing fun.
  2. Teen Spirit
    Simply put, Elle Fanning is Teen Spirit. This is a performance piece, nothing more and nothing less, and those invested in seeing Fanning soar in her career have every reason to watch.
  3. Instant Family
    If you’re going to tackle serious subject matter, maybe don’t run it through tacky fluff that amounts to a fleeting sugar high. Sure, this movie will get all the right oohs and aahs, sighs and sobs — it certainly won over the freebie test audience at my screening, good god — but it won’t linger.
  4. Happy Death Day 2U
    It’s a pleasure to report that Happy Death Day‘s unexpected delights were in no way a fluke, and Happy Death Day 2U builds on its off-the-wall concept to even greater effect.
  5. Miss Peregrine's Home for Peculiar Children
    It’s visually sumptuous, a heady blend of Burton’s usual broken-doll aesthetic and some seriously impressive visual effects. And most importantly, while long, it’s rarely boring. The bad: It simply doesn’t add up to much.
  6. Thor: Love and Thunder
    The surface-level delights are pretty damn delightful, as is Waititi's ability to just let things be strange for no clear reason other than, well, it's fun or cool or hilarious.
  7. Cold Pursuit
    The little beats throughout Cold Pursuit are distinctive enough to cover for this gory caper’s periodic misfires.
  8. The Wall
    Liman is no stranger to tense, effective thrillers – his last outing was the criminally undervalued Edge of Tomorrow – and on that level, The Wall surprisingly works.
  9. Charlie Says
    Murray and Wever are as attuned to their roles as Smith is awkward and miscast in his. But perhaps that’s an appropriate fit for Harron and Turner’s divisive-yet-gripping take on this story: at the end of the day, the Manson women are deeper, more fascinating, and more worthy of exploration than the insecure man that connected them.
    • 57 Metascore
    • 67 Critic Score
    The Munsters
    As an extended aesthetic exercise with purposefully cheesy jokes, it might be nice if The Munsters had anything to say, anything at all.
  11. Mascots
    It might be a lesser addition to the Guest oeuvre, but it’s a welcome one nonetheless
  12. The Ritual
    The Ritual is rich, meaty horror that, despite your feelings regarding its twists and turns, offers up a gripping balance of psychological terror and physical revulsion.
  13. War Dogs
    It’s vacuous, ugly, unfunny, and, somehow, not a satire. It might be the worst movie of the year.
  14. The Intervention
    Despite its flaws, the film still manages to win you over, even if it never actually surprises you, making it quite an assured debut.
  15. Little Death
    Schwimmer’s great in a role that’s very much in his wheelhouse, but the second half never quite lives up to the first half, and the first half feels incomplete as a narrative, which leaves the whole film feeling like a disappointment.
  16. Extraction
    If you’re looking for a lean-and-mean action picture where Chris Hemsworth absolutely bodies dozens of disposable henchmen, Extraction might fit the bill, at least for its first hour.
  17. The Commuter
    As the latest installment in what has become its own subgenre at this point, The Commuter serves as a fine example of the kind of tightly-coiled thriller that Neeson and Collet-Serra can do together in their sleep.
  18. Tag
    Like the real figures at the center, all the schemes and tricks and traps are just the way these men express their sincere affection for one another. That’s sweet enough, but the way their loved ones also get wrapped up in the game as well makes Tag, as corny as it might sound, a testament to the transformative power of play.
  19. The Crazies
    It’s a thrilling rollercoaster designed for the theatre made by one of the few working directors who truly knows how to make movies for a theatre.
  20. Race
    Race is a film best enjoyed for its mild ambitions and accomplishments, which easily beat out its missteps.
  21. Deadpool & Wolverine
    Deadpool & Wolverine is serviceable in its worst moments and a lot of fun when it's really cooking. Yet if your expectations for Deadpool & Wolverine include a clean explanation of where the Marvel multiverse stands following the Disney/Fox merger (and other related deals), perhaps lower them.
  22. Antibirth
    Which is why Antibirth feels more like an anti-film, a piss-poor assembly of remarkable cult actors and brazen narratives that start off divorced without ever being married.
  23. The Fate of the Furious
    Even as Fate has its fun and chases its highs (a few of which are pretty satisfying), it’s hard to shake the growing sensation that the bloom might be coming off the rose.
  24. Drive-Away Dolls
    Underdeveloped characters and a mishandling of their queerness make the film feel both exploitative and disappointingly flat – and while all the whimsy, color, and dance-punk needle drops are welcome, they’re only brief distractions from Drive-Away Dolls’ speedbumps.
  25. French Exit
    French Exit is sure to divide — it’s got great performances and a confidence in its atmosphere that the gods could envy. The struggle, then, is whether you’re prepared for the sheer amount of deliberate aimlessness Jacobs and deWitt are willing to throw at you.
  26. War Machine
    The humor and the indictment of the warrior mentality win out. Michôd’s better instincts take over, many of the crude jokes land with force, and Pitt is hilarious in this mode.
  27. Frank & Lola
    Frank and Lola is an electric modern noir that thrives from indelible characters and a palatable style.
  28. Fast X
    Fast X, when it comes to the stunts and cars, delivers to some degree, but definitely seems to be feeling the strain of striving for the next jaw-dropping moment, to the point where it all just blends together. Only thanks to Momoa does it feel at all memorable.
  29. Claire in Motion
    Any sense of mystery or suspense quickly dissipates as the film returns again and again to repetitive and terse exchanges between Claire and Allison, whose revelations aren’t as surprising as they’re probably intended to be.
  30. The Running Man
    The Running Man does also offer a more anarchic message than we might be used to from our standard Hollywood blockbusters, but that message gets drowned out, leaving behind a loud violent romp that's almost a bit too on the nose for these loud violent times of ours.
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