Desert Road almost immediately establishes itself as a potent thriller, but the real fun to be had is watching it evolve from one type of film to another, as mundane threats give way to more mystical hazards.

It’s a fun romantic romp, filled to the brim with gorgeous scenery, gorgeous clothing, and beautiful people.

Azrael is both familiar and unique, blending genre comforts with a risky idea. Luckily, it all works, paying off a relatively massive gamble that benefits from Samara Weaving's star power.

Sweeney takes plenty of risks in a lead role that’s rigorous and emotionally demanding, but the film ultimately feels a bit surface level considering how it approaches horror.

Arthur the King plays out like both your typical sports movie and your average dog flick. It's sometimes emotionally manipulative and full of melodrama, yet that doesn't stop it from being a perfectly fine way to spend 90 minutes at the movie theater, especially for dog lovers.

Yes, it’s a crowd-pleasing romantic comedy thriller, but first and foremost, it’s one big-hearted ode to the artists responsible for movie magic.

Man is a true mixed bag. The action is staggeringly impressive, both from a visual and storytelling standpoint, but the material in between runs the risk of deflating the experience via pacing problems and narrative confusion.

Not only is director Benjamin Brewer’s Arcadian a good Nicolas Cage movie, but it’s one of the most fun cinematic experiences that he has been a part of in recent memory. It's a work of horror worth taking seriously even as things go gloriously off the rails.

Imaginary is a mess of a horror film, with poor narrative choices, obvious twists, and clichéd characters.

Despite its sometimes rocky editing and crowded ensemble, First Time Female Director does what it sets out to do: make you laugh and laugh hard.

A Road House movie shouldn’t be boring, especially this boring. A Road House movie shouldn’t have to enhance its fight choreography in post-production, nor should it be such a tonal mishmash. I guess Liman didn’t get the memo? His Road House remake is an uninspired chore that never properly unleashes Gyllenhaal or nails even the most basic functions of bar fight nostalgia porn.

While Copa 71 can feel a little surface-level at times, it’s still an enjoyable watch and a solid introduction to an event very few remember.

Rather than embracing the more nuanced themes, the film shies away from deeper introspection.

Tim Blake Nelson and Chloë Kerwin give life to Asleep in My Palm, helping to smooth over the narrative rough spots when it count.

Ricky Stanicky could have easily been a disaster, but thanks to the cast, some effective laughs, and a big heart, it ends up making for an entertaining two hours.

Kung Fu Panda 4 is a film all about deciding to not do the easy thing of remaining stagnant and comfortable, but rather, trying something new and hopefully finding the greatness in the new opportunity. Kung Fu Panda 4 similarly does this, attempting a new approach to this world and mostly finding success, while also potentially setting up the future of where this series could go.

Just as credit must be given to Baker for how she so completely captures a moment in time and place, it is Nicholson who inhabits this world so naturally that you feel like you’re just peeking in on Janet’s life.

While vast in scope, Fighters perfectly weaponizes the magnitude of its stars and utilizes their shared likability to build a real sense of camaraderie among the squadron. This emotional investment proves vital.

Amelia's Children is a horror film that has moments of unintentional humor, but is ultimately dull rather than some sort of clever dark comedy.

There is something occasionally charming about Outlaw Posse. Alas, charm can only get you so far when a film resembles more of a scattered work of cosplay than a robust cinematic work.

Torres' humor might be too niche for some, but Problemista shows that it can be used to tell a compelling and heartfelt story for the masses.

With vaguely established threats and storylines, Megamind vs. The Doom Syndicate is the movie equivalent of meeting a friend you missed for many years only to realize that the encounter didn’t really need to happen.

The Sweet East ends up saying quite a bit, though little leaves any real impression.

Spaceman is a rocky journey, but in times like these and thanks to Sandler’s performance, it’s often worth the trip.

Io Capitano fails its stirring lead performance with generic filmmaking and storytelling impulses.

The result is a film that leaves a distinct impression, molding deeply personal elements and sweepingly profound ideas into something spectacular that sneaks up on you.

Demon Slayer To the Hashira Training makes excellent use of the cinematic experience and shows that this series is best seen on the big screen.

Stopmotion is a one-of-a-kind, hand-crafted horror film with a great performance from Aisling Franciosi.