Collider's Scores

  • Movies
  • TV
For 1,792 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
1792 movie reviews
  1. The cruelty at the core of this vivacious vampiric farce is blended up with sharp yet silly gallows humor, ensuring the grim absurdities Larraín gracefully teases out increasingly take flight even as he continually drags us into gruesome and gory depths.
    • 83 Metascore
    • 83 Critic Score
    It's a surprisingly funny movie at times, even though it deals with serious themes, deconstructing the samurai mythos while also having a solid amount of gritty sword-fighting action.
  2. Director Margarethe von Trotta delivers a thoughtful exploration of love in a patriarchal society, which ends up being surprisingly hopeful considering how cruel reality can be.
    • 65 Metascore
    • 83 Critic Score
    Sure, it might not be The Searchers or Rio Bravo, but The War Wagon deserves a share of the praise The Duke’s more well-renowned movies regularly get.
  3. Leo
    From references to Lin-Manuel Miranda (Moana) to songs that don’t rhyme and even metalinguistic performances – the one with the clocks is especially good because it completely underscores a particular character’s personality – Leo shows a surprising level of maturity that we’ve only come to expect from Pixar and Studio Ghibli films.
    • 49 Metascore
    • 83 Critic Score
    This insanely fun sequel takes the franchise in a musically supernatural direction. It's a bizarrely entertaining film full of disturbing imagery, amazingly memorable kills, and one of the best finales in horror history.
  4. Östlund's comedy of inequality and broken class structures might be a bit too blunt at times, slightly too long, and is often best when at its simplest, but Triangle of Sadness is too fun and ridiculous to not enjoy, and compared to The Square, is a step-up in Östlund's criticism of the bourgeoisie.
  5. With Oliver Garcia’s exquisite costumes and Karen Murphy’s production design, both brought alive to their full potential by Jess Hall’s stunning cinematography, Chevalier is not just a compelling story, it’s a visually compelling one too.
  6. In Earth Mama, Savanah Leaf gives us a towering reminder of the women who gave their all for us, their determination and power, the difficulties of staying afloat when you feel like you’re drowning, and how we can’t truly know what other people are struggling with, no matter how hard we try.
    • 64 Metascore
    • 83 Critic Score
    Love triangles, secrets, murder, and wild courtroom drama make for a gripping Hitchcock classic.
    • 74 Metascore
    • 83 Critic Score
    Miracle Mile could've easily coasted on the virtuosity of its stark tonal pivot, but Steve De Jarnatt expands upon these contrasting emotional modes by examining our relationship towards love and death.
  7. Ultimately, watching Scream of My Blood is not so different from watching Gogol Bordello live, thanks to the perfect balance of unhinged fun and political purpose.
  8. The Survival of Kindness might be too abstract for its own good, a creative decision that will alienate a good part of its potential audience. Still, this is a remarkable return for de Heer, as The Survival of Kindness lingers with you long after the credits roll, forcing the viewer to reflect on the tough questions of race and power it explores.
    • 79 Metascore
    • 83 Critic Score
    The 1950 film Harvey, starring the legendary Jimmy Stewart, is a film ahead of its time. It's a film that speaks to mental illness. A film that places the value of one's quirks above societal expectations. It's a charming, funny film with an innocence that is seldom seen in theaters today.
  9. She Said doesn't rewrite the playbook of films about journalism, but it didn't need to. Maria Schrader's direction and Rebecca Lenkiewicz's writing hit every important beat just right, leaving us with an impactful film that's genuine and never fake.
  10. Sure, Afire's message of the inevitability of death and the absolute need to embrace life can be a little on the nose. Still, Petzold puts his own spin on the old message, by inviting the audience to laugh and cry as four lives get intertwined in a very honest and human way.
  11. Somebody I Used To Know—like life—can’t be clearly defined. Instead, it embraces its messiness and unpredictability, and the very harsh reality that “life happens.”
  12. In short, this is the perfect cinematic venture for those who are fond of chaotic, psychological thrillers that keep you engaged, but that don't keep you guessing when it all comes to a close.
  13. Haunted Mansion isn’t reinventing the wheel with this haunted house story, for sure, but it’s the gratification of watching this cast have fun with each other, and the pleasure that Simien and Dippold have playing in this sandbox that makes this quite often a treat to watch.
  14. The film's animation is charming, with a quirky, storybook quality to the whole thing that helps the tale feel timeless, even when mentions of the not-so-distant war conjure up images familiar to older audiences.
  15. That’s the beauty of what Carney has created here, a film that wraps you in and absorbs you with its loveliness and charm, to a point that you don’t want to leave its presence.
  16. Whether you're an uninformed novice or an established fan, Dungeons & Dragons: Honor Among Thieves serves up enough unabashed silliness, memorable characters, and epic storytelling to invite anyone into its entertaining realm.
  17. A film filled with intensity, this is a worthwhile, deliciously vile watch.
  18. Alice, Darling is a bold and powerful step forward in Anna Kendrick’s career that allows her to really show off the range we knew she had, but maybe hasn’t had a chance to fully explore yet.
  19. Guillermo del Toro’s Pinocchio shows that if you’re going to adapt this story yet again, it’s best to bring something exciting and new to it, as well as put some of your own personality into it.
  20. It is via a willingness to push beyond the headlines and discover something more about humanity that 2nd Chance reveals a deeper sense of the truth behind its scandalous story.
  21. Until the Wheels Fall Off could’ve maybe explored Hawk’s personal life with a bit more focus, but Jones still creates a captivating, edge-of-your-seat documentary that manages to make the idea of landing a trick a genuinely moving scenario.
  22. While being far from perfect, Violent Night is just too fun not to revisit, which means it can become a new holiday classic in the years to come.
  23. With Peter Pan & Wendy, Lowery shows there’s nothing wrong with sticking close to the text, as long as you bring some new identity to the story and give the audience a reason to care about seeing this story once more. With both Pete’s Dragon and Peter Pan & Wendy, Lowery has shown the correct way to tell a time-honored story once more.
  24. Sr.
    This deeply personal project for Junior is wildly unpredictable, not unlike Senior's approach to storytelling. Not only does this make it more captivating, but realistic. Sr. is aesthetically polished, but Smith and Junior are, like all of us, messy in their unique way.

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