Set to be released alongside an accompanying documentary and book, this film feels more like a way to peddle Christianity under the guise of good faith, made worse by confusing creative choices and a painful lack of self-awareness.

It's an oddly cobbled-together hodgepodge of ideas and little real inspiration that could have graduated to fun schlock with a little more love.

Overall, Younus' directorial effort is engaging to an extent, displaying the lengths to which a vulnerable person longing to be understood can go to achieve a sense of belonging.

Lifeline truly does stand on its own merits for the majority of its runtime, right until the ending that may leave a bittersweet note in your mouth.

Uppercut, by director Torsten Ruether, benefits from Ving Rhames' strong screen presence, but a lack of believability in both character development and plotting keep the character study from working.

Even though F Marry Kill doesn't quite live up to its potential, it doesn't mean it needs to be buried six-feet-under -- it is more suited to a steamy, giggling one-night-stand.

If you have been eagerly looking for a mash-up of Parasite and Fresh that fundamentally misunderstands why both films resonated with audiences, by catering to the deeply ingrained xenophobia of the upper class, then Delicious is the film for you.

The Devil And The Daylong Brothers is brimming with potential. It's not afraid to take some risks, which is more than you can say for over half of the movies that get released every year. Its only setback is that it puts its style ahead of character development.

LifeHack is a captivating, exhilarating, and full-speed heist thriller that marks one hell of a feature debut.

Not only will you get to revisit old favorites and feelings, but you’ll be taken to places you’ve never been before. Thus is the power of music and the magnificent, inimitable Hans Zimmer.

Bloody Axe Wound may not be a satirical masterpiece, a profound coming-of-age work or a belly-aching comedy, but its surface is shiny enough to guarantee a bloody good time while watching it -- just don't bite the blade any deeper.

It’s a clever reinvention of commonly distraught themes, teaching an old dog new tricks with a dreadfully cosmic twist.

There’s a fascinating movie to be made about this period and these characters, but Ott's telling is simply not up to the task.

It Ends takes viewers for a terrifying ride in unexpected ways.

The Australian film has no pretense of being realistic, which is why it is so easy to buy into, allowing us to enjoy this unabashed romp into toxic family dynamics, seizing the glory days and (twisted) sexual repression.

Group Therapy recognizes that mental health journeys are as complex as the eclectic group at its center, and in managing to communicate this with the same kind of easy storytelling as the best comedy movies, it becomes one of the most important discussions of mental health that viewers can watch today.

Bryce Dallas Howard imbues Pets with so much heart that it transcends from a pleasant fluff piece to an honest and thought-provoking look at life and loss... while still being pretty damn cute.

There's definite potential in Andy Edwards. He needs to up the camp and spend a little longer at the drawing board, streamlining his vision and considering what he wants to do with his next project. Whatever it ends up being, I look forward to seeing it.

A Goofy Movie remains an understated film in the Disney animated film canon, and Not Just a Goof wonderfully reminds us why this is a film that deserves far more attention than it ever received.

This documentary combines stunning visuals, an important message, and, of course, a precious protagonist to tell a powerful story of friendship, healing, and love.

Mob Cops has an interesting true story at its heart, and a talented central cast to convey it, but there are self-imposed limitations baked into its core. There may have been a great movie here, but it simply doesn't achieve that potential.

Fréwaka may not achieve everything it sets out to, but it’s still a moving horror story packed with thought and intention — and a much-needed reminder of the lyrical beauty of the Irish language.

Striking Rescue follows familiar beats, but there are enough twists and solid performances to land it well, while the action sequences are delivered with Jaa's characteristic uncompromising intensity.

With everybody understanding the assignment, Bears on a Ship is truly one of those movies you can relax and have fun with.

Although Off the Record is well-intentioned, it misses more beats than not.

It's a cluttered mess of a movie that should have scaled back, stuck to the basics, and delivered what we were all hoping for: over-the-top ratty carnage.

Eubank's direction has a tenderness for its characters and for the little worlds they build around themselves, bursting full of hopes and dreams that we really want to see them achieve.

Lilly becomes a chiseled-down Wikipedia summary version of a life, dipping in here and there to show you the big moments, but in the process, characterization and emotion are stripped away.