The Out-Laws has a workable premise with a great star-studded cast led by a sincere DeVine and is funny with great potential outside its humor. But it never hits the mark and only works in pieces due to recycled ideas and formulaic tropes across clichéd writing.

Between picture-in-picture viewers, pop-up ads, reality posing as unreality, and a seconds-long attention span, Baby Invasion is a Reddit thread vision board with little to offer.

In Trigger Warning, there's nowhere for Alba to go — no notable battles to fight, nor an interesting war to win. And what we're left with is just another disposable action movie, dropped indiscriminately on a streaming service to sit among all the others.

My Spy: The Eternal City is an underwhelming action-comedy sequel that is best as a covert coming-of-age tale, but more frequently suffers as a grab-bag of tonality that abandons what helped My Spy succeed in the first place.

If you are hoping to double down on the gore this Halloween season, this delightful, yet cheesy title will fit the bill.

This Is Not a Test won't give you shivers, but its zombie invasion will leave you hopeful.

If you aren’t charmed by Tentacles’ impressive cast or fascinated by the film’s clever use of octopus skills, surely you will be won over by the film’s campiness that culminates in an underwater orca versus octopus showdown.

Tarot is a pretty forgettable horror movie. Dull characters, a basic plot, and very little to say with its themes render it a fairly unmemorable experience.

It is full of so much joy, and so much heart, celebrating family, culture, and love, while also emphasizing that even the most ancient of civilizations aren't completely trapped in the past, especially if the new generation has anything to say about it.

It's a film that largely rests on an edifice of clichés, contrivances, and ungrounded choices, needing greater development to actually land.

At its core, it's a light-hearted spy romp that riffs on a lot of the soap-opera tropes that crossover into the realm of espionage. "Dumb fun" might get thrown around a lot with Vaughn's films, and it might be true, but Argylle does try to be smart in its execution.

One True Loves ultimately tackles the idea of what it means to grow and change through both the best and the worst life can hand a person, told through performances that get to the heart of the script, and direction that supports without overwhelming.

The central problem of Morbius is a lazy and uninspiring script. No weight or depth is given to any character. There’s little humor and when it tries to make a tongue-in-cheek joke, it fails miserably.

Kraven the Hunter's bland storytelling, subpar acting, and staggering technical issues are proof that the Spider-Man IP needs to be protected before it becomes an endangered species.

Scream used to poke fun at the silliness of horror movies and laugh at the genre's clichés, but now, it’s indistinguishable from the films it once gleefully lampooned, in what is easily the worst installment so far.

Not only does neither part of Rebel Moon work, but The Scargiver is such a downgrade that it could prove difficult for the franchise to bounce back for more.

It is a somewhat decent movie hampered by so many preventable oversights and missteps.

Ghosted is far from perfect, but there's still enough enjoyment to be had, especially if you're looking for something light to watch with the family on a Friday night. Evans and de Armas are charming as ever alongside a rock-solid supporting cast. There are enough laughs and fun action scenes to warrant a recommendation, just don't expect much more from it.

Glenrothan is cloying at times, but more often, irritating in its presentation of a story we’ve seen so many times before, done poorly.

It’s constantly trying to build its own strange mythology to set up sequels that might never come, cracking jokes that rarely hit, and struggling to decide whether it wants to take itself seriously or be more self-aware about its general absurdity.

There are successful elements in the script, certainly, but there are also several frustrating moments that simply needed another draft to work the knots out. All that said, it's a successful foray into sci-fi territory thanks to a willingness to stretch the subgenre's established rules, making for a fun murder mystery that keeps audiences guessing.

It features a predictable love story with two charming leads, spicy but comical all-male performances, and a fast-paced plot that will pass you by. Beware, this isn't a groundbreaking watch by any means. It is just another cozy title to keep you in high spirits while you sip hot chocolate and control the urge to unwrap presents before Christmas Day.

Imaginary is a mess of a horror film, with poor narrative choices, obvious twists, and clichéd characters.

What was once considered revolutionary or sharp commentary is now so passé and outdated that it makes the film feel like an ancient relic — a bad one.

With bad direction, terrible acting, and a world that has no weight behind it (especially since most of it was clearly made in a computer), this isn’t the way to bring Silent Hill 2 to the big screen. This powerful survival horror story has been turned into an ugly, laughable adaptation that proves that maybe we should’ve never gone back to Silent Hill.

Unfortunately, Love Hurts never does its stars justice as a lazily slapped-together action-comedy with a script that feels like it never had a second draft.

The Bubble feels like the least personal film Apatow has directed so far, a film that seems like more of an excuse to just do something during the pandemic, instead of Apatow having something to say.

Ultimately, Kermani's film is not strong enough to be called a complete success. Its lackluster ending and uneven characters weigh it down from potentially becoming a cult hit.