Collider's Scores

  • Movies
  • TV
For 1,792 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
1792 movie reviews
  1. This is no romanticized look back at a past film, but a deeply honest one. In every frame, both within the production of the film and outside of it, it feels like we're witnessing something profoundly personal that may soon slip through our fingers. It's worth cherishing every moment of.
  2. One or two jokes might cause a titter, but the other ninety-eight percent of this unfunny deflation has nothing to offer but hormonal awkwardness without the gut-busting payoff.
  3. Through its powerhouse performances, effective bare-bones plots, and strong horror elements, Adam MacDonald's latest survival story gets the job done, and does it well.
  4. The film captures the reality of an abundantly free, but unguarded childhood well, and the resultant dreamlike quality of certain scenes is thoroughly engaging. It's absolutely a journey to watch.
  5. It’s more than just a failure of a remake — it’s disappointing on its own standalone merits, too.
  6. It’s a breathtakingly melancholic film infused with mourning, journeying its way through subtly painful yet often poetic conversations about searching for something lost that may never be found. That only makes all the discoveries it makes that much more stunning to behold.
  7. It’s non-stop drama, and the way the story plays out, it’s like Vance took every crazy episode from his life and played them back-to-back without pausing for a single pleasant memory or character defined beyond a single dimension.
  8. While her first outing as a writer-director is a mixed bag, Kravitz shows undeniable potential to join the ranks of performers who are equally exciting behind the camera as in front of it.
  9. Struggling through an identity crisis, The Crow is doing too much and, as a result, doesn't do enough to serve its core narrative.
  10. Strange Darling is a magic trick, showing you its cards up front and leaving your mind to fill in the blanks while it subtly performs a sleight of hand.
  11. For better or worse, Kostanski's throwback creature feature wants older horror fans to feel like their childish selves again — as long as their childhoods were filled with Charles Band and Pee-Wee Herman.
  12. Greedy People is somewhat tonally amiss, but not long enough for the experience to self-destruct. It's a fine working backward whodunit from the inside out.
    • tbd Metascore
    • 70 Critic Score
    If you're in the mood for a good slasher flick that doesn't try and reinvent the genre, then All My Friends Are Dead is a perfect fit!
  13. Elric Kane's The Dead Thing packs an unsettling tone and real moments of insight into its lean runtime.
  14. The Soul Eater is by no means an offense to horror procedurals. Bustillo and Maury are clearly directing someone else’s script (derogatory), but they still smuggle their signature dread-shellacked brand in wherever possible.
  15. The dialogue is cringy even by Universal Soldier sequel standards, performances more wooden than Pinocchio, and combat showpieces are a shambles of digital effects that spike not even a tingle of bruised and bloodied excitement.
  16. It’s a generic blend of human drama and otherworldly horrors. Consumed never makes the most of its Wendigo punctuations, whether hampered by budgetary limits or to-the-point scripting that overstays its welcome at nearly 90 minutes.
  17. While there's a randomizer sense to everything, frights abound, and there's a mercilessness that bites down hard. Execution may slip and slide, but Daniels doesn't waste his first crack at the ghoulishness of this Earth or deep below.
  18. The Union combines action, humor, and heat for a fun, exciting thrill ride fit for your next Netflix watch.
  19. More often than not, Ejiofor bullet points the unfolding events rather than coalescing them into a dramatic arc.
  20. We Are Zombies wants to be like Shaun of the Dead and Zombieland, though lacks the cleverness to pull this off.
  21. Alien Romulus has a promising beginning and end, but the middle gets a bit too muddled in nostalgia for this franchise.
  22. The movie might be called Jackpot!, but no one is leaving this one a winner.
  23. The characters somehow behave both flatly and erratically, driving a cliché plot that manages to be both overly simplistic and confusing. Take care of your skin — and sanity — by sitting this one out.
  24. Watchmen: Chapter 1 is a compelling curiosity, but never matches the power of its source material, and, if anything, should make people turn to the graphic novel instead of checking out yet another adaptation.
  25. Beautifully shot and powerfully told, Sugarcane is a moving tale of resilience in the face of overwhelming injustice.
  26. Duchess is a flat and forgettable riff on Guy Ritchie classics that doesn't have an ounce of the wit, charm, or glorious mayhem.
  27. While The Last Front struggles with its stylistic choices and lack of substance, it is still an entirely watchable and almost enjoyable war drama.
  28. Borderlands is a fun ride, but a bloated cast and breakneck pacing don’t allow it to reach its full potential.
  29. Mothers' Instinct is an entertaining, well-acted drama that falters under the weight of its shocking ending.

Top Trailers