Collider's Scores

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For 1,792 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
  1. Positive: 1,137 out of 1792
  2. Mixed: 540 out of 1792
  3. Negative: 115 out of 1792
1792 movie reviews
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  1. Babygirl
    At a different time, I might have been more inclined to entertain Reijn's proposition seriously. But it's just her luck that the great Catherine Breillat, who has devoted her illustrious career to investigating these taboos, dropped a far superior film on the same subject matter, Last Summer, just a few months prior, beating Reijn to the finish line.
  2. Roald Dahl's Matilda The Musical
    The 2022 Matilda takes the narrative and world of a child and puts it on an adult’s terms. It completely misunderstands why so many children around the world adore these stories - because they were written for them and not their parents. Stick to the original 1996 movie folks, don’t be the boring witch.
  3. Zodiac Killer Project
    Unable to make his ideal documentary about the Zodiac Killer due to a rights issue, Shackleton breaks down the movie he might have made in painful detail that reveals a shocking lack of self-awareness, systematically dismantling the genre without an ounce of introspection.
  4. Diciannove
    By the time the credits roll, Diciannove doesn't give the viewer enough food for thought.
  5. Fall
    With weak leads and shallow characters, Fall fails the audience by its inability to present human beings we can care about.
  6. Skincare
    The characters somehow behave both flatly and erratically, driving a cliché plot that manages to be both overly simplistic and confusing. Take care of your skin — and sanity — by sitting this one out.
  7. The Whale
    It is inorganic, gimmicky, manipulative, and its lessons are simplistic.
  8. Kim's Video
    I hope that someone else decides to tell the story of Kim's Video again one day, because Kim's Video by Redmon and Sabin is incomplete, and a little too self-obsessed to do such an interesting story justice.
  9. Blackout
    Blackout is a werewolf movie with plenty of passion behind it that still doesn't pack the punch it needs to.
  10. Reality Winner
    This review isn’t to say Winner is a “good or bad” person or that her actions were “good or bad.” This review is to say that the movie about Winner and her case is bad.c
  11. Old Man
    The movie undermines its own message by silencing one of its most important characters and choosing instead to give the spotlight to the ones that bring nothing new to the table.
  12. Wuthering Heights
    Emerald Fennell's film is merely telling a shallow story about two people overcoming all obstacles to fall in love — not necessarily awful on paper, but it's an adaptation that feels like a 14-year-old skimmed the book and jumped to her own conclusions without any true understanding of the novel.
  13. Alienoid
    Alienoid is a movie that wants to be everything and satisfy everyone, and when you try to satisfy everyone, you invariably end up satisfying no one.
  14. The Boys in the Boat
    For being based on such a memorable story, it's incredible how forgettable The Boys in the Boat is. Clooney's direction is so empty and the writing so trite that it leaves the committed cast stranded out on the water with nowhere meaningful to go.
  15. Knox Goes Away
    There's an interesting story in here, and a far better Keaton performance within it too, but it is the kind of thriller that lacks the tension and excitement that it needed.
  16. Silent Night
    What a shame even a master filmmaker like John Woo couldn’t at least partially liven up a derivative piece of action cinema like Silent Night.
  17. Parthenope
    Parthenope is a decades-spanning slice-of-life movie that has no interest in diving into the complexities of its protagonist.
  18. Kandahar
    None of the action scenes have any passion to them and, even worse, they can feel downright contrived. That it then pretends to have something more to say strains credulity.
  19. Amelia's Children
    Amelia's Children is a horror film that has moments of unintentional humor, but is ultimately dull rather than some sort of clever dark comedy.
  20. Operation Fortune: Ruse de Guerre
    The cast as a whole never gels together like you'd want in a big team-based spy film like this, maybe because they spend so much time in separate locations talking to each other through earpieces.
  21. Absolution
    While the film does make an admirable effort to focus on Neeson's action hero as a true character rather than a mere blunt instrument for fight scenes, but thanks to an overly cliché screenplay, the movie will likely be another forgettable action film in Neeson's filmography.
  22. Mermaid
    I imagine there are a select few out there whose taste in comedy earnestly leans towards the likes of dadaism, and they might find actual humor in this almost anti-comedic story. There are perhaps a few more who will get the odd sensible chuckle out of the movie and forget it ever existed within a month.
  23. My Mother's Wedding
    In North Star’s attempt to be sincere and heartfelt, everything feels weirdly prosaic and unduly sentimental. It all makes for an immensely forgettable film.
  24. Peter Pan's Neverland Nightmare
    Instead of exploring a twisted version of a magical realm, this pseudo-trip to Neverland keeps things stuck in the real world that the kids of these stories are usually trying to escape.
  25. Amsterdam
    It is a slog of epic proportions that utterly wastes the talents of all involved. Completely lacking in cleverness and without any sense of direction, it is a cinematic drought of entertainment that only has any intrigue in how baffling an artifact it remains. It may not be the worst movie of the year, but it is certainly the most annoying.
  26. Golda
    It is mostly a drag with some potentially sharper small details never coming together to outweigh the dullness at its core. For those who may come to the film wanting to understand more of who Golda was and her role in history via a well-written character study, they’ll only end up departing it with all of those questions still lingering.
  27. The Marsh King's Daughter
    While Ridley gives her all to a more thoughtful and nuanced performance, The Marsh King's Daughter remains a film on a directionless journey to nowhere. Even with the commitment of its lead, it just gets lost in the woods before falling flat on its face.
  28. AGGRO DR1FT
    Rather than come away feeling like you’ve watched something truly daring or inventive, it all feels derivative. It is a film that is too mundane to even get mad at.
  29. Boy Kills World
    Boy Kills World comes across as obnoxious, and the viewer already feels exhausted within the first 15 minutes of the film. It's as if the creative team wanted to make a cult movie but completely forgot cult movies have to be fun.
  30. The Apology
    The Apology is a dreadful story told horribly. It fails to understand its own protagonist, underestimates character development, and ignores the rules it establishes for itself.
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