With an overwhelming amount of content available, and a variety of game modes to play through, Vector Unit Inc. should be proud of this arcade racing game.

if you’re a fan of looting, shooting, and scooting, I can’t recommend Drifting Lands enough. It’s an absolute blast to play, has a ton of content, and comes in at a very inexpensive price point that should make any miser feel like they’ve gotten their money’s worth.

The launch of Rocket Arena feels like season one of Fortnite in the sense that it feels like something huge but it just needs the community and celebrity support behind it. It’s easy to get stuck playing another match after completing one, which is a key hallmark of the battle royale genre. Once I pick up Rocket Arena in any given day, it’s hard to put it down until I absolutely need to. The gameplay is addicting even if the colourful visuals seem more directed towards kids. While Rocket Arena is a great game for adults to master, it’s the perfect game for a kid to enjoy due to the cartoon violence with a competitive edge.

The quality of Cultist Simulator‘s writing and intriguing setting coupled with its arduous gameplay made me wish I was reading a surrealist novel rather than grasping at some sort of narrative with all these disparate cards. While I can appreciate the game’s own attempt at experimentation with its indefinite gameplay, tabletop format, and fragmented story, I could not find much enjoyment in constantly wondering what I was doing and asking myself why I was still playing.

It’s a game with a striking presentation, but suffers from problems that no amount of sheen can cover up.

If you’re looking for a deep space opera to release your inner Captain Kirk than Starpoint Gemini 2 is worth the price of admission.

There isn’t a ton of variety within Chambara, but what it does, it does extremely well.

All talk, conjecture, and analysis aside Not Tonight is great. As I stated before, if you liked Papers Please you’ll love this game. You don’t even need to be into the graphics or politics to get a kick out of this game. Not Tonight delivers pure-bred fun and challenge in a way that rarely, if ever, feels cheap. The game is well worth your time picking up if you can manage to push through the massive pool of levels.

Despite some bugs (unfortunately, not a playable race but the game crashing kind) and a feeling of complexity that might be off-putting at first, Banners of Ruin is a smart and creative take on two very familiar genres. With a world, story, and characters that are a refreshing departure from the usual dark fantasy tropes, and gameplay that is engaging and addicting, the biggest knock against it might be players’ potential reticence to dive into yet another deck builder/roguelike. That would be a shame, and anyone who has grown weary of the genre might be pleasantly surprised by Banners of Ruin.

All in all, Prinny Presents NIS Classics Vol 3 is a pretty solid purchase for fans of retro SRPGs, but I wouldn’t recommend it for casual gamers. However, if you want your young sister or daughter to get into RPGs, this might be a good starter package. She can begin with the easy difficulty and charming story of Rhapsody: A Musical Adventure. Once she has her bearings and is ready for something more complex, she can try La Pucelle: Ragnarok.

The Chant has an intriguing premise and setting that set it apart from its cousins in the horror/action adventure sphere. While it doesn’t break any new ground with its mechanics or combat, and it’s definitely not very scary, its exploration of psychological states adds a bit of specific narrative color. Budgetary limitations in character models, lack of refinement, weak combat, and inelegant animations aside, The Chant is just unique enough to make it appealing to fans of the genre.

Psychonauts in the Rhombus of Ruin is a must-play for PSVR owners. Its ability to keep the player interested in its world and characters is second to none, and the ease of its gameplay mechanics makes interacting with the world a joy. The plethora of environments and odd characters you come across, and the subsequent world-building that takes place, keeps the game from ever getting stale alongside its short runtime. In the Rhombus of Ruin is a masterclass of engaging mechanics and brilliant writing, and it’s got me excited for the future of Psychonauts.

The management and RPG style made me think of a digital board game like Antihero, but really it plays more like a visual novel — a genre that leans hard on player interaction to involve you in the story. And in that, Through the Darkest of Times was quite effective. I did feel for the struggle of these people in a way that felt more personal than if I was watching a movie or reading a book. The choices didn’t lead to branching stories, but the very act of making a choice placed responsibility for the consequences on me. That’s an extremely effective game design!

The fantastic combat and strong story points far outweigh the technical missteps and more cringeworthy moments. Bioware may has bitten off more than it could chew scope wise, and the fringe elements of the game clearly have suffered for it. However, they’ve nailed the key aspects of what made for a great Mass Effect game in the past.

Little Nightmares 3 is a worthy successor to the first two games. It may play things a little too safe, but it clearly respects the foundation upon which it’s built. The addition of co-op fits like a glove and should be standard for all future Little Nightmares games. The puzzles are clever and approachable. The audio design is stellar. Fans of the series will find a lot to love within this latest iteration. It’s a perfect game to kick off the spooky season. Don’t miss it.

Overall, this is a fun affair and an invigorating palate cleanser if you usually dwell in darker and more mature material. Also, this is a game you could play with the small fry that will only take five or six hours to complete. “Sew”, kick back, relax, and release your inner Austin Powers and have at it, with the Fashion Police Squad!

Sean Murray and the team at Hello Games promised us a huge, open universe in which we could live out our dreams of being interstellar explorers. And they pretty much delivered – think about how amazing that is.

I had high hopes for Beat Cop. As someone who loves Tarantino’s over the top nonsense, this title held so much promise. If the gameplay was tweaked here and expanded upon there, this review would have an entirely different tone. But as it stands, Beat Cop drew its own chalk outline and willingly laid inside it.

Fearful Symmetry is definitely a challenging puzzler and not for anyone looking for a relaxing brain teaser. While some people might appreciate the Legend of Zelda-esque visuals, I’m confident that much of the audio cues will be universally hated.

This didn’t provide a particularly memorable or impressive experience, but it did keep me entertained. It leaves much to be desired in the way of a nice soundtrack and varying level design, but it achieves at least the most important element of gaming: fun.

Playing Fracked is very enjoyable. The short length of the game leaves you with a sour taste, which is too bad because it is so entertaining to play. The environments are beautiful and the game mechanics and scale really immerse you in the virtual world. What also hurts Fracked is that the brevity of it is paired with a lack of replayability. There are no challenges or online leaderboards to compete against. There are coins to collect but you cannot use them for anything like say customizing your character or weapons. The top-notch production values make this a tight and exhilarating VR experience. Despite the shortness of the campaign, Fracked is a virtual action playground worth playing.

Crossfire: Sierra Squad is a fun arcade shooter with a ton of content. Although there are modes for squads of different sizes, this is most suitable for those looking for a 2-player experience. Unfortunately, the mission variety and maps are uninspiring and due to this, it can get a little repetitive. However, the game does enough to differentiate itself from the competition and will fill a void that many have been craving.

Perhaps mislabeled as a Soulslike, Blades of Fire is a third-person fantasy action game with RPG elements. Its combat is exemplary. Finding the right weapon and the right place to strike each enemy is a well-thought-out system that feels great. While story is a bit bland, it’s told through an impressive blend of cinematic cutscenes, and a cryptic info drip. I loved the amount of detail in the environments. Like its title, Blades of Fire suffers from aspects that are kind of generic. The visual design and musical score emulate Hollywood fantasy to a fault, and the gameplay is excellent. Fans of action RPGs can safely ignore the Souslike label and enjoy this very accessible game.

While the Slayer Edition may not be a huge time sink, it’s still a lot of fun and a great co-op experience.

For kids and Pokemon fans, this game is sure to be a delight, but anyone wanting to get into the franchise should start with Sun and Moon.

Reviewing Everything feels so embarrassing. After discussing it for a few minutes, I feel like I want to thank you all for coming to my TED talk. That’s because it’s so impressionistic, existential, philosophical … all the things people invoke when they want to convince you that video games can be art. But Everything has a leg up on a lot of those art-installation-as-games. Everything is also a lot of fun!

Is it perfect? Far from it, but the sheer level of chaos that comes from playing it made it fun overall. With great artwork, bonkers fighting styles and a lot of replay value (even if I didn’t understand one of the modes), it is a game that should at least be tried, just to have seen and played it.

For those who want a fresh take on the 4X genre with charming graphics and tight combat, you could sink some serious time into this game, without question.