Last Epoch straddles the midpoint between familiar accessibility and depth. There is plenty enough character customization to reward experimentation and repeated play. The basic, addictive ARPG loop is compelling, even if the narrative is a bit muddled. Once past the first few overly familiar hours, Last Epoch starts to really come into its own as an excellent hack-and-slash with lots of potential and staying power.

Far: Lone Sails allows players to complete the game at their own pace, and some might find it to be relatively brief. As a matter of fact, the short length is the game’s biggest weakness. I wanted more, but what’s there is something I treasured.

Unforeseen Incidents occasionally stumbles in its accessibility through bugs or difficulty, but its story, humor, and art make it a great time piecing together clues in the world that Backwoods Entertainment has created. It might not have reinvented the genre, but given the opportunity, I’d grab a beer with Harper in this game or—we can hope—the next.

I’m often horrible at these types of games, finding that the skill jump from easy to medium to be too much of a challenge but I found Natsuki Chronicles fares as a good starting point for beginners. In saying that, this game isn’t easy either and will require a ton of play-throughs of the same level, especially the later ones and on higher difficulties, to best determine which weapon types work the best and also your strategy. But even so, fans of the bullet hell genre should most definitely add this game to their library.

The Artful Escape is by turns psychedelic, moving, exultant, and lovely. The central metaphor of a young performer bringing fantastic new worlds into existence through the art of music is a powerful one, and while the theme of a struggling musician finding his authentic voice while paying homage to the past might not be a new one, it's certainly new to videogames. The Artful Escape only missteps when it tries too hard to be a game, ironic given the story's premise of search for authenticity. Aside from that, The Artful Escape is a surprising and joyous exploration of the power of collaboration, the struggle for identity, and the mind-blowing, life-altering sound of the very loud galactic symphony.

Forgive Me Father 2 is a solid, bloody, and genuinely creative retro-shooter. Its gameplay mechanics are expertly refined, its aesthetic is unmatched, and its atmosphere is perfectly pitched between grim horror and dark humor. But recommending the console version comes with a significant caveat. If you value a smooth, optimized experience above all else, you may find the technical hiccups frustratingly intrusive. If, however, you can tolerate the occasional frame rate dive to experience one of the most stylish and mechanically engaging Lovecraftian shooters released in years, then the Priest’s violent descent into madness is well worth undertaking—just be prepared for console stutters to pull you abruptly back to reality.

While it may not be the most convincing package to get players to return to Hekseville, Gravity Rush Remastered is by far the best way to enjoy Sony’s underappreciated action game. The combat, while still a weak link, feels much better using a controller, and the game’s art style has kept this Vita stunner looking impressive.

There are no paper cuts in store for you here. Paper Mario: The Origami King is as smooth as butter. I expected an epic journey as the franchise has provided in the past, but I had no clue I would fall in love with this game as much as I have. If you’re a Switch owner, you can’t miss it. And if you’ve been on the fence about purchasing one, The Origami King proves the grass really is greener on the other side. Nintendo and Intelligent Systems hooked Paper Mario up to the defibrillator, delivered 3000 volts to his chest, and now I’m here to tell you - Our boy is gonna live!

Overall, Total War: Attila ends up being a pretty enjoyable game.

Darkwood is a challenging and rewarding horror game that will test even the hardcore survival horror buff. The gameplay loop of finding new and better resources by day and fending off horrifying creatures by night is surprisingly addictive. It hardly ever holds your hand and encourages experimentation and exploration of its atmospheric and haunting world. There’s even an engaging narrative with branching paths with plenty of payoffs too. There’s no denying it isn’t the most accessible of games, but if you stick with it, Darkwood is a shining light in an otherwise niche genre.

It’s a game that makes you think things and feel things that you aren’t used to thinking or feeling. And it has a good sense of humor about it all as well. Life doesn’t have to be this big serious thing that needs years and years of deep thought devoted to it. Actually maybe it does… but time is just as well spent enjoying and experiencing it. And Everything is a surprisingly pleasant way of doing just that.

DNF Duel is incredible. Arc System Works has struck the perfect balance: the game is accessible for newcomers, yet includes enough complexity for veterans. On the battlefield, the game offers new ideas that will make you strategize and continually plan ahead. While there is a lot of single-player content, it treads familiar ground and is a little underwhelming. However, with its solid netcode, stunning aesthetic and deceptively deep mechanics, DNF Duel hits the sweet spot.

Rhythm games aren’t everyone’s cup of tea, but if you’re looking to get into one, look no further. Taiko No Tatsujin: Rhythm Festival is a wonderful entry game and if you get it bundled with the drum controller, there’ll be no stopping you. If you don’t want to shell out for the controller, that’s ok. Playing it in the other three modes is equally as fun. There’s a large range of music types so there’s a little bit of something for everyone. Whether you’re just dipping your toes in or a veteran rhythm player, the amount of content in the base game alone without the music pass will be sure to give you endless hours of playtime.

SMITE feels natural to play on Xbox One with a controller, something I was unsure it would as it’s a very ‘clicky’ experience on PC.

As a fan of music games, AVICII Invector is an easy recommendation. It might not take any big risks evolving the genre, but that doesn’t mean it isn’t a grand old time to be had. It looks great, sounds amazing, and makes for a surprisingly excellent party game for the Holidays. Even if you aren’t familiar with AVICII’s back catalogue of tunes, I still suggest you give it a shot. Who knows, you might find yourself becoming an unexpected fan of his music. If so, then I can’t think of a better way to honour his memory.

The Sims 4: Snowy Escape gives us a ton of fun new content and a beautiful new location. The new activities, the CAS and Buy/Build modes, festivals and clothing we get to play with is certainly worth the price. And with the new added features of having the lifestyles system in place, it really brings the game together and EA needed that, especially since the debacle with the last expansion pack. So, what are you waiting for? Grab those skis and snowboards and get ready to hit those slopes!

If I had to find something to complain about, it would be that it felt too short. I blew through all of the premade puzzles in little time, but this did give me more time to work on my own creations, as well as play the Pushmos of others.

As much as I wanted to enjoy Card Hunter, I found myself losing interest by the end.

The game isn’t terrible, though, it looks great and it still manages to be fun in short bursts and with other people locally. There’s something inherently satisfying about seeing your friends visibly devastated when their dreams of an architecture career come crashing down in front of their eyes. But that only lasts for a short time because Tricky Towers doesn’t have enough content to warrant the $16.99 (!!!) price tag.

True to the series, Tales of Berseria relies heavily on its story telling and does as a good as job as any of its predecessors.

Shadow of War improves upon its predecessor in nearly every conceivable way. The story is more engaging and full of fascinating characters, the Nemesis System has been fleshed out to feel deeper and less formulaic, and all the additions to combat and progression are more than welcome. It may not be canon, but this is without a doubt the best game to take place in Tolkien’s expansive universe.

Layers of Fear: Legacy has some flaws, but the central experience – exploring an ever-changing mansion as you descend into madness – is solid and exciting. If you don’t mind a few cheap scares, there’s a good horror game here.

This city feels alive, and despite it’s incredibly seedy underground, it’s a locale in video games that I look forward to returning to each and every chance I get, with Judgment’s story and cast being one I won’t forget.

New Super Lucky’s Tale is the best Lucky’s Tale title to date. The colorful visuals are now in 4K at 60 frames per second, something nobody can complain about. The cast of characters are complemented by impressive voice acting. While Lucky’s Tale may have originated as an Oculus Rift pack-in game, New Super Lucky’s Tale has really evolved after originally debuting on the Nintendo Switch last November. The transition from Switch to Xbox is impressive. When Yooka-Laylee released back in 2017, I expected it to reinvigorate my love for the 3D platforming genre similar to how Super Mario Odyssey did, but I had to wait until New Super Lucky’s Tale to truly feel that satisfaction.

If Found…is deep and comforting, a little disorienting, and at times heartbreaking. It is by no means trying to make people feel sorry for Kasio. Instead, it is creating an experience that some of us will never go through, and walking side-by-side with a character who does makes reality more understandable. As Kasio, we meet people who accept her, but also face hostility from the ones closest to her. It helps readers relate, understand, and reflect. It may be a very short game, but it tells a warm and powerful story that is worthwhile to read.

Titles like Transport Fever 2 are not made for the general gamer. Tutorial aside, it’s a game for lovers of detail, challenge, and lots of moving parts. For those folks, Transport Fever 2 delivers on consoles the same experience as on PC. It’s a daunting but rewarding good time.

It’s almost always a relief to play a game like Keeper, where there’s no carnage or frenetic energy, and where the pace and tone are understated. Keeper is colorful, and the makers have definitely succeeded in their stated goal of making a weird, chill game. It’s also kind of a dull experience, with too little player agency, some frustrating mechanics, and a sense of discovery muted by too many restrictions and guideposts. Keeper is a generally pleasant journey through a psychedelic landscape and it isn’t too thematically heavy handed. I just wish it was a little more fun to take the trip.

In the end this game could have indeed been a bit more, but what is there is damn good and driving fans will be impressed that is for sure. Make no bones about it, Forza Motorsport 5 should be a game that you should definitely consider when buying your shiny new Xbox One.