Superstars fills a weird niche for Mario Party fans. If you're missing the old maps, this is a great way to dredge them up without suffering through the ancient visuals. Conversely, if you're looking for more modern Mario Party action, this entry will fall a bit short of your expectations. Little things have been rolled back, little problems persist. That game where you rip open your palm to win at tug-of-war is back, for example. The game looks modern, but feels more like a classic entry in the franchise. If the thing you were missing was frustration and elation in equal measure, then yours will be a rich bounty indeed. For better and for worse, this is a heaping helping of the cruel whimsy you remember so well. Mario Party Superstars is a glamorous trip down cherished paths you've mostly blocked from your memory.

Graveyard Keeper is an engaging and rewarding farming sim weighed down by pacing and performance issues. The GBA-style visuals compliment its contained open world, and influences from old-school Zelda games that shine through just as much as that of Harvest Moon or Stardew Valley. The PC and Xbox versions play almost exactly the same, which is unfortunate considering the game’s performance, but if you can look past all the spots and blotches, you’ll likely enjoy the challenging gathering-crafting grind, and the game’s macabre humor when it actually lands.

Skull and Bones does what it set out to do quite well. Combat is fun, the upgrade system is rewarding, the environment is engaging, and the sound design is phenomenal. But everything that it doesn’t do sticks out like a sore thumb. A next-to-non-existent narrative, repetitive one-trick missions, and a lack of anything pirate-related other than sailing a ship hurts. To its credit, I enjoyed my first twenty or so hours more than I thought I would. But it’ll take a significant, focused effort from Ubisoft to maintain interest over the years to come.

His past games have demonstrated that Suda51 is probably incapable of making a cookie-cutter action game. Yet underneath its misdirection of wild and crazy, that’s kind of what Romeo is a Dead Man really is. Strip away the disorienting style shifts and patchwork narrative, and you’re left with a fun but limited third-person action game with Soulslike elements. The game succeeds at stylistic surprise but at the expense of polished mechanics and satisfying coherence.

A spiritual successor to the Zeno Clash franchise, Clash: Artifacts of Chaos preserves and extends those games’ trademark weirdness. Clash: Artifacts of Chaos takes some chances and adds some interesting mechanics to the action game formula. Not everything works, unfortunately, and the game can be striking, engrossing, and frustrating in equal measure. I loved the game’s singular art direction, day/night mechanic, and more, but the combat is a mixed bag. Clash: Artifacts of Chaos is almost, but not quite, worth playing for its art alone.

In the end, Flintlock: The Siege of Dawn has a lot of good ideas and the potential to be a standout ARPG. The problem is, that all those strengths are counterbalanced by issues that chip away at its quality. Good writing and acting, some interesting character dynamics, and fluid movement compete with bad sound mixing, janky combat, and inelegant level design. I think that in the end, Flintlock: The Siege of Dawn is worth playing, especially for casual RPG fans. Hardcore Soulslike players will find it harder to ignore the game’s missteps and flaws.

There’s a lot of cool little ideas on display here. The combat system and the use of bonds is excellent. The dating sim sections are fun. Even the survival scavenging elements are a fun distraction. But they all feel insubstantial. Certain activities feel repetitive or limited. The progression path you follow with every teammate feels almost identical. Scavenging is the same thing every time. Even the fights fall into a predictable rhythm after a while. But I still had fun. I’m not sure if all these subgenres add up to a proper game. But I did enjoy the ride. If you’re looking for a pretty, Persona-style RPG, check out Eternights.

Sim games approach their subjects with a mix of reverence and intense focus. Unlike more arcade-style skateboarding games, Session is a pure, unfiltered experience. If you want to recreate the slow, careful process of learning how to skate, this is your game. But be warned! The mix of intense difficulty and self-directed gameplay isn’t for everyone. Anything less than a pure, powerful love for skateboarding will leave you feeling dissatisfied with this game. But if you’re looking for a pure challenge, and don’t mind a few bugs, you’re in luck. Session: Skate Sim is exactly what you’ve been waiting for.

I’m genuinely delighted that Nintendo was able to strip away just one aspect of Animal Crossing and make an entire game out of it.

Mekazoo plays it safe in the gameplay department, but what is there can still be frantic and fun. While some segments feel a bit scripted, others gave me a huge sense of accomplishment. It’s really the art and soundtrack that shine here, allowing me to be immersed in the world to focus on the difficult platforming segments.

While 198X did not quite live up to expectations set by its undeniably awesome trailer, the game has displayed a dedication to what it set out to do. Though its narrative at times felt more like a method to which to introduce the various levels, it definitely left me wanting to learn more about the world. Similarly, the game’s relatively shallow stages made we wish that they had been more fleshed out. Sitting at a playtime of somewhere between one and two hours, 198X gives players a glimpse of the retro-inspired world that the developers have crafted, leaving players wanting more of what they got.

More variety in enemy types and more gadgets at the disposal of the player would do wonders for an already solid stealth game.

If you and your friends are still really into Aliens: Fireteam Elite, Pathogen is a no-brainer purchase. Like the Chapter 2 content, Pathogen adds lots of toys, cosmetics, and a new mode. For casual players only dipping into Fireteam Elite on occasion, the ratio of cost to content might not work in their favor. With the right group — that is, human friends or cooperators — Pathogen is just as rewarding as the base game, and extends the fun just a little longer.

Alfred Hitchcock: Vertigo weaves a wonderful mystery that is full of surprises. The direction and audio pay homage to its namesake and will please fans of the source material. It is disappointing that your choices have little to no impact on the story, however, this can be overlooked due to the lovingly crafted tale that will keep you gripped throughout.

The story hangs a little thin in spots and the combat gets hard at random times, but I found myself going back repeatedly until a given challenge was finished. Yes, the game gets tough. And yes, it can feel unfair at times. However, I learned that a little patience and a little experimentation was often enough to overcome seemingly impossible hurdles.

The Legend of Heroes: Trails of Reverie is not a good place to start the Trails series. This is not a short game, it starts very slowly, and it’s effectively a sequel to every previous game. If you’re a fan, however, you can’t miss this. Especially since it has enough replay value to keep you busy until the Calvard games are localized.

Astor: Blade of the Monolith is a great introduction to the Soulslike mechanics that dominate ARPGs right now. I can see it appealing to younger or novice gamers. It’s family-friendly, colorful, and pretty satisfying to play. More hardcore action fans will probably find it too familiar and not quite as polished as their favorites. Overall, Astor: Blade of the Monolith brings together a collection of tried-and-true mechanics in a pretty satisfying way.

Mage’s Initiation might suffer from aiming itself at nostalgic fans of a bygone era of gaming, but when someone new stumbles on it, they’ll have themselves a good time…as long as they avoid forests.

Lightfall as a whole package falls short of the standard set by The Witch Queen last year. The story is shaky and tangential, and the gameplay changes are few and far between outside of the underwhelming Strand powers. Neomuna isn’t nearly as memorable, and difficulty changes make it more challenging to engage with Destiny’s bread and butter content. Thankfully, overall quality of life improvements and the rock solid bones of the gameplay save the package as a whole. If you’re after more Destiny 2, Lightfall is certainly that, but as the most expensive expansion yet ($100 USD with the annual pass), I expected to have my hair blown back a bit more.

The price is a little high in my opinion, but if you’ve got a VR setup then it’s definitely worth it. Even without, if you enjoy other horror games where resources are limited and your mind is playing tricks on you, then there’s a good chance Narcosis is worth the money. Just make sure to grab your best headset, and turn out all the lights before you start.

While the planet of Batuu is visually pleasing, I found myself getting bored after the first few hours. Journey to Batuu can be a little a hit and miss depending on what kind of Sims fan you are. It’s a fun experience for the first bit, but if you’re someone who focuses’ more on builds than completing missions, this may not be the right pack for you. For Star Wars fans, I’m sure you would have a much better appreciation for this DLC pack than I did as it’ll likely scratch that tiny itch you may have for more Star Wars content.

All in all, Prinny Presents NIS Classics Vol 3 is a pretty solid purchase for fans of retro SRPGs, but I wouldn’t recommend it for casual gamers. However, if you want your young sister or daughter to get into RPGs, this might be a good starter package. She can begin with the easy difficulty and charming story of Rhapsody: A Musical Adventure. Once she has her bearings and is ready for something more complex, she can try La Pucelle: Ragnarok.

If you love an interesting story with some creepy sci-fi elements, then I highly recommend The Final Station. Finding bits of lore and slowly uncovering parts of the mystery was intriguing and kept me moving down the line, but that’s not for everyone. It’s a bit short for the price tag, but well worth your money if you enjoy single-player titles that leave you wondering at the end.

As it stands Block’hood is a mostly competent builder, but don’t expect to sink dozens of hours into your pièce de résistance. What you should expect is to be frustrated by bugs, crashing, and hang ups, and dazzled by the unique visuals and silky smooth score.

This game has a curious blend of strengths and weaknesses. What’s done well is exemplary, while the game’s problem areas were excised altogether.

For fans of the franchise, this is an easy sale. You’ve got three games to play and tons of art to sift through. New players might be more cautious. The core gameplay is well-crafted for sure. And you can’t go wrong with that high-quality sprite work. But these are still punishing offerings from a bygone era. You’ll need a lot of patience and perseverance if you want to get through this collection. The rewind function is a serious advantage, but even that system requires some practice and fine-tuning to use. Retro gaming fans new and old will appreciate the Rocket Knight Adventures collection, though maybe you’ll wanna wait for a sale.

Overall, it’s a decent game. There is plenty of content to go around, but it may lend itself to certain types of players more than others. If you don’t like a bit of grind, it may not go down as well. The story is good, the voice acting is excellent, but the more action-oriented parts feel almost like a more arcadey version of Elite Dangerous (but not like, in a bad way). In the end, Star Control: Origins feels like a game that players will either love or hate.

It’s entertaining, fun and lighthearted, making it the perfect title to pick up from time to time or to play after a long day when the mind just wants to rest.