Invincible VS is bloody brilliant. Accessible yet packed with depth, Quarter Up has crafted a fighter that welcomes newcomers while offering the nuance that will excite the fighting game community. While more modes and options for solo players would certainly round out the package, this is an incredible fighter worthy of its heroic name.

I like Kiln’s cheeky humor and colorful style. I’m frankly amazed the game is more than just a wacky premise. The pottery-making sim aspect isn’t half bad. Unfortunately, Kiln feels constrained by a lack of alternative modes and maps, with systems and mechanics that could be deeper. In its present state Kiln is engaging for a while, but the fun doesn’t last long enough.

Aphelion is a cinematic adventure that tells a dramatic tale about two astronauts’ passion and commitment to one another and the mission. Although its gameplay is conventional and follows in the footsteps of its inspirations, the design amplifies the sense of isolation, heightening the tension of each moment. A touching and grounded story, the game leaves a lasting impression, proving that even among the stars, it’s the human connection that resonates most.

I was pleasantly surprised with Gecko Gods. Navigating this lost civilization as a gecko was a joy. The pitter-patter of feet as they scaled around the world is just adorable. There were a few hiccups along the way. Climbing along a ceiling could lead to unfavourable outcomes and sometimes visuals would clip into each other. The relaxing pace of the game should appeal to most gamers who enjoy a cozier gaming experience. Gecko Gods is a visual treat and the soundtrack is an excellent accompaniment. If you’re looking for a relaxed Legend of Zelda-type adventure, I highly recommend Gecko Gods.

Saros is a masterpiece. Not only does Housemarque successfully build on the foundations of Returnal, but it refines them to create a more accessible experience without losing its core principles. The combat system encourages aggression, making each encounter a tense and enthralling battle where risk-taking is rewarded. While the story is much more present than its predecessor, it never interrupts the action, complementing the deep and complex systems. With more options to personalise your adventure, this is not just a Game of the Year contender, but one of the defining games of its generation.

Less grim than Frostpunk, All Will Fall transposes a smiliar gather-build-manage loop from the frozen wastes to the endless ocean. Fans of the genre will enjoy All Will Fall’s challenging physics-based construction puzzles, resource management problems and keeping the workers alive and productive. For the game’s reasonable price point, there’s plenty of content available, not to mention Steam Workshop support and custom scenarios. A bit of visual repetition and control quibbles aside, All Will Fall is overall a strong entry in the colony building sim genre.

Ultimately, Lucky Tower Ultimate is a great example of focused game design. The developers at Studio Seufz clearly knew exactly what they wanted to achieve, and they hit their mark with surgical precision. It is a solid, well-crafted experience that celebrates the chaos of the roguelite genre without succumbing to its gloomiest tropes. While the finicky controls and steep difficulty may alienate those seeking a more streamlined experience, I found a treasure of wit, challenge, and a bit of slapstick brutality. It might not be for everyone, but if the premise of a “tough-as-nails comedy” appeals to you, you will likely find Lucky Tower Ultimate to be exactly what you’re looking for.

All in all, I had fun with Ys Memoire: Revelations in Celceta. If you can look past the dated visuals and annoying map mechanics, it’s a slick action-JRPG with something interesting to say about memory. But it’s far from flawless.

Tides of Tomorrow has a clever multiplayer mechanic that literally and metaphorically demonstrates how our actions, and those of others, send ripples into the world. It has a strong narrative hook and interesting characters, but it can't quite stick the landing when it comes to gameplay, controls, and polish. I'm looking forward to seeing the story link system further developed in a more refined experience.

REPLACED lives in a beautifully imagined dark and detailed world that’s immediately engaging. Characters and a narrative that are surprisingly nuanced and layered set the stage for action combat that relies pretty heavily on quick reflexes, stealth, and acrobatics. Some questionably telegraphed platforming and frustrating stealth sometimes get in the way, but on the whole REPLACED is a unique and thoroughly engaging sci-fi action game.

Opus: Prism Peak is SIGONO’s largest project yet, and the game delivers heavily on what it sets out to accomplish. Whether the game’s narrative resonates with you personally or not, it has a lot to offer in and out of the gaming space. The title’s narrative is at the forefront, supported strongly by its art style, gameplay mechanics, and everything in between. Prism Peak is an easy recommendation for anyone with an interest in narrative-focused games and will leave a lasting impression on me. Since beating the game, I’ve already gone back to fill out the rest of my notebook and collect the other endings.

Tomodachi Life: Living the Dream is a weird but strangely addictive title that continues to surprise each time you dip in. The level of customisation helps create a truly unique experience, where the Miis, clothing, and more are shaped entirely by your choices, letting you fine-tune every detail to reflect your own quirky vision. This leads to an array of wacky stories and situations that keep you coming back for more. Although there’s a lack of traditional gameplay and not much to keep you playing for longer than short bursts, it’s a successful evolution of its predecessor and a relaxing, cosy experience that’s easy to return to.

Mouse: P.I. for Hire’s combination of classic cartoon animation and hardboiled detective noir is original and expertly blended. Paired with familiar first-person shooter mechanics, it sounds high-concept, but the execution makes it feel perfectly natural. The combat mechanics, movement, and narrative are dialed in. The pacing is a little slow, especially in the first few hours, but Mouse: P.I. for Hire doesn’t take itself too seriously, and the overall energy and clever, fun concept carry it along.

KuloNiku is a lovely slice of cozy gaming. With pleasing visuals, flexible gameplay, charming characters, and solid storytelling. It’ll have you addicted and sweating over your virtual stoves for hours on end. Definitely one to pick up and add to your cozy collection.

While the DLC gives you another reason to revisit one of the best games of last year, it doesn’t quite reach the heights of the base game. The developers designed the levels well, but they don’t offer as many paths and secrets as the main campaign. Although boss battles exceed expectations, the worlds don’t maintain consistent theming across all enemies, which detracts from the idea of visiting these distinct worlds. Regardless, priced at only $9.99, the Villains DLC delivers on its novelty concept and lets you delve back into a classic title.

Pragmata is a refreshing, refined adventure that tells a personal, grounded tale in an otherworldly setting. With traditional sensibilities, the game shows confidence in its mechanics, placing them at the forefront rather than smothering the experience with unnecessary content. Stepping back to the golden age of shooters, it manages to carve out a niche that feels both nostalgic and distinctly its own.

Gunboat God is an addictive, bullet-hell adventure. Thanks to its unique premise, approach to manoeuvring, and striking art direction, it instantly sets itself apart from the competition. Tight controls make each scenario a thrill, keeping you enthralled throughout. While it can take some time to get to grips with its rhythm, once it clicks, it’s exhilarating.

Minos reminded me of playing one of those wooden ball-in-a-labyrinth toys, where you tilt the maze just so to guide the ball to the end. In this case, gravity is replaced by scores of devious traps, and the goal is to stop the progress of enemies before they can defeat the Minotaur. Minos brings a lot of interesting ideas to the tower defense genre. If you have patience for increasingly challenging puzzles and a bit of jank, Minos can be a lot of fun.

GRIDBeat! is a tense puzzler that intertwines gameplay, music, and visuals to create a unique experience. Although the gameplay can become hypnotic and addictive, the visuals are a little basic and similar to other hacking-themed titles. As the adventure progresses, the difficulty swells, requiring precision and quick reactions. While this may deter newcomers, fans of puzzlers will adore the challenge.

People of Note is uniquely brilliant. This music-themed adventure is a true homage to the industry, boasting an incredible visual style and a stellar soundtrack. Whether solving environmental puzzles or taking on foes, every moment feels engaging, creating a well-paced journey across multiple regions, each brimming with personality. While some of the dialogue can be a little grating and its range of genres may not resonate with everyone, it captures the spirit of a playable musical and deserves a standing ovation.

Skytail doesn’t reinvent VR gesture-based gameplay, or add anything new. However, what it does well is combat. Often, I would find myself sucked into playing it much longer than I planned. The game is fun to play and gives you a bit of a workout to boot. If that mix appeals to you, Skytail is worth your time and money.

Darwin’s Paradox is an incredibly well-designed cinematic platformer that keeps you gripped from beginning to end. Each segment feels distinct thanks to its varied scenarios and the inventive ways it plays with its core mechanics. While those mechanics don’t evolve dramatically, the way they’re explored is consistently delightful, creating memorable moments throughout. There’s some trial and error, but generous checkpoints prevent it from becoming frustrating. It’s a joy to play, with strong pacing that keeps things engaging, though it is a little too short, and the collectables don’t add much in terms of replayability. Even so, this debut from ZDT Studio is fantastic and sets a strong foundation for what could become a standout name in cinematic platformers.

The Mega Man Star Force Legacy Collection instantly becomes the best way to play these games due to the quality of life improvements, cost, and ease. Despite not being the most popular subset of Mega Man games, the level of care put into the collection makes it easy to enjoy. For Mega Man fans or Battle Network fans, this is an easy recommendation. It’s surprisingly uncommon that collections improve an experience while keeping faithful to the originals, but this one does just that.

Disney Dreamlight Valley is a great choice for a Switch 2 port. It runs smooth, looks dang decent, and boots up clean. Whether it’s your first time in the valley or not, you’re sure to enjoy your time here.

Death Stranding 2: On the Beach landed on a lot of “Best of” lists in 2025 for good reason. With jaw-dropping visuals and mechanics improved over the first game, it’s almost certainly Kojima’s best work to date. Nixxes PC port is a masterpiece of technical wizardry and makes Death Stranding 2: On the Beach worth replaying or experiencing for the first time.

Legacy of Kain: Ascendance is a mixed bag. It was great to see a continuation of the world and characters from Nosgoth. The story is beautifully told and realized. The gameplay was really fun once I adapted to it. The different characters keep things feeling fresh. But the game is very linear, and there are no skill trees or RPG mechanics. There’s no way for the player to experiment with the game’s mechanics, and there’s not a lot of reason to keep playing once the story’s done. There are some of us who like nice, linear old-school action platform progression, though. The game also demands a lot of the player and has a lack of polish that works against those demands. I’m still so happy Legacy of Kain: Ascendance was made, though, and I really hope this leads to more games in the series.

Gamers who have already invested hundreds of hours in another hack-and-slash RPG might not be tempted to make a lateral move to Dragonkin: The Banished. Then again, its depth of systems and generally excellent combat might be a satisfying alternative.

All in all, Tombwater is one of my favorite Soulslikes, if not one of my favorite games, period. I’m not usually a fan of Zelda-likes, but I could barely put this one down. And only part of that was because I kept getting lost and wandering into a new miniboss arena.