Classic Rock Magazine's Scores

  • Music
For 2,213 reviews, this publication has graded:
  • 50% higher than the average critic
  • 6% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Bootleg Series Vol. 18: Through The Open Window, 1956-1963
Lowest review score: 20 What About Now
Score distribution:
2213 music reviews
    • 67 Metascore
    • 80 Critic Score
    It's a pleasing patchwork of echoes of the past. [Feb 2014, p.92]
    • Classic Rock Magazine
    • 67 Metascore
    • 60 Critic Score
    It's rock'n'roll for aging urchins who don't know how to quit. [Apr 2015, p.98]
    • Classic Rock Magazine
    • 67 Metascore
    • 80 Critic Score
    A glorious return to form for one of the world's most peculiarly successful bands. [Jun 2013, p.92]
    • Classic Rock Magazine
    • 67 Metascore
    • 80 Critic Score
    Much of the record is set to a reflective key--providing a flexible canvas for subtle mood changes, sassy alt-rock grooves and space to cultivate retro but relevant, non-cliche rock. [Summer 2013, p.91]
    • Classic Rock Magazine
    • 67 Metascore
    • 80 Critic Score
    The fourth album is a joyful tornado of shamelessly old-school indie pop. [Feb 2014, p.97]
    • Classic Rock Magazine
    • 67 Metascore
    • 80 Critic Score
    This brilliant and beautifully captured set positively vibrates with the atmosphere and thrills that incandescent Warren and his funk 'n' fury-informed cohorts bring to the material. [Mar 2015, p.89]
    • Classic Rock Magazine
    • 67 Metascore
    • 70 Critic Score
    Nobody will pretend this album is among the most inventive you’ll hear in 2015. But Buckcherry just wanna pump up the volume and get the groin shifting. And they do it well enough to put some zest in the tank.
    • 67 Metascore
    • 30 Critic Score
    All the emo-rooted, posthardcore stylistic hallmarks are present and correct, embellished with a load of electronic arsing about on top, but the almost constant use of the same soaring ‘wo-ah’ pop hooks will soon have you wanting to hack your ears off with a pair of blunt scissors.
    • 67 Metascore
    • 40 Critic Score
    Papa Roach's not entirely convincing attempt to music in on the action. [Feb 2019, p.88]
    • Classic Rock Magazine
    • 67 Metascore
    • 60 Critic Score
    Noise & Romance offers a much more disjointed, disorienting and unpolished experience. [May 2019, p.84]
    • Classic Rock Magazine
    • 67 Metascore
    • 70 Critic Score
    A polished vista rock for anyone in urgent need of a Foos stopgap. [Sep 2019, p.83]
    • Classic Rock Magazine
    • 67 Metascore
    • 60 Critic Score
    A hit-and-miss affair padded out with too many Fred Durst-style shouty tantrums. [Apr 20202, p.88]
    • Classic Rock Magazine
    • 67 Metascore
    • 70 Critic Score
    An elegant set of sweeping rock anthems, not a rough edge to be found, and yet there' soul amid the aural perfection. [Jul 2021, p.85]
    • Classic Rock Magazine
    • 67 Metascore
    • 80 Critic Score
    Although Donald Fagen's vocals have mellowed, there's no decline in quality. [Dec 2021, p.73]
    • Classic Rock Magazine
    • 67 Metascore
    • 70 Critic Score
    Mo’s resonant vocals and articulate guitar work shine across the styles.
    • 67 Metascore
    • 60 Critic Score
    Each song title is followed by a reference to specific verses from the Bible that have spurred Anderson into lyrical action. The connection is not always easy to make, and sometimes you’re better off just going with his words, although they can take some unravelling at times. But that’s all part of the plan.
    • 67 Metascore
    • 50 Critic Score
    'Zingers exhibit a whole lotta heart. But sometimes heart alone's not enough. [Dec 2023, p.79]
    • Classic Rock Magazine
    • 67 Metascore
    • 40 Critic Score
    The majority is syncopated lightweight pop, as if selected by algorithms for mass consumption. [Aug 2024, p.72]
    • 67 Metascore
    • 50 Critic Score
    Things take a kitschy turn for the sickly sweet. [Dec 2024, p.79]
    • Classic Rock Magazine
    • 67 Metascore
    • 80 Critic Score
    Curious Ruminant will not sate anybody’s desire for a tub-thumping Tull album, but Anderson seems to be beyond that now. Instead his mind is overflowing with lyrical tangents and still capable of dispensing hooks, and he’s entering the final stages in fine fettle. [Apr 2025, p.70]
    • 67 Metascore
    • 60 Critic Score
    The band's sixth album is another uneven mix, but with enough fresh twists and smart cameos to save it from redundancy. [Jun 2015, p.90]
    • Classic Rock Magazine
    • 67 Metascore
    • 70 Critic Score
    The skeletal arrangements allow the controlled frailty of Doherty’s voice to pack a stronger emotional punch.
    • 67 Metascore
    • 50 Critic Score
    Plodding, overwrought gospel epics like Shine and Tempted are the order of the day, pale passionless shadows of the Mode’s mighty, desperate Condemnation.... Things improve on the starker latter half.
    • 67 Metascore
    • 90 Critic Score
    In Another World is a remarkable album and another marvellous continuation: power and pop. [May 2021, p.88]
    • 67 Metascore
    • 80 Critic Score
    Repetitive chants and moments of unfettered melodic joy further bolster or confuse the situation, depending on your mindset. [Jun 2013, p.93]
    • Classic Rock Magazine
    • 66 Metascore
    • 80 Critic Score
    A fine tribute to a timeless songwriter of our times. [Apr 2015, p.95]
    • Classic Rock Magazine
    • 66 Metascore
    • 80 Critic Score
    Ship Of Fools is a gloriously and unapologetically joyous listen, and one that serves to remind us how the Flaming Lips lost their mojo, while simultaneously showing Empire Of The Sun the way forward.
    • 66 Metascore
    • 70 Critic Score
    An intricately crafted return to form. [Nov 2020, p.85]
    • Classic Rock Magazine
    • 66 Metascore
    • 70 Critic Score
    With the other 10 tracks, featuring Roger C Reale’s gruff blues shout and robust brass section, he’s more content to let his liquid economy embellish, deliver spine-tingling solos and drive the funky soul grooves of She’s So Fine and The Go-Getter Is Gone, deploying Soul Man-style hammer riffing on the title track and evoking his Dock Of The Bay on One Good Turn
    • 66 Metascore
    • 40 Critic Score
    The worst thing is, for all the nauseating country-rock-lite choruses, this is agonisingly catchy. [Summer 2013, p.89]
    • Classic Rock Magazine