Classic Rock Magazine's Scores

  • Music
For 2,213 reviews, this publication has graded:
  • 50% higher than the average critic
  • 6% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Bootleg Series Vol. 18: Through The Open Window, 1956-1963
Lowest review score: 20 What About Now
Score distribution:
2213 music reviews
    • 75 Metascore
    • 70 Critic Score
    Dream Nails are evolving with grace and wit, trading the splenetic feminist rants of their early career for more musically and emotionally nuanced terrain. [Mar 2026, p.81]
    • Classic Rock Magazine
    • 67 Metascore
    • 70 Critic Score
    Twee and tuneful, self-consciously oddball and so indefatigably alt. [Jun 2022, p.83]
    • Classic Rock Magazine
    • 76 Metascore
    • 70 Critic Score
    Musically, tracks like My Cleveland Heart achieve an effortless quintessence with the swing of a practised elbow. [Aug 2021, p.81]
    • Classic Rock Magazine
    • 75 Metascore
    • 70 Critic Score
    Gravity Stairs is not an easy listen, but it is worth sticking with. [Jul 2024, p.76]
    • 83 Metascore
    • 70 Critic Score
    It can't and shouldn't replace the original, but this is a fascinating insight into the band's creative process and latter-day regrets. [Dec 2025, p.79]
    • Classic Rock Magazine
    • 78 Metascore
    • 70 Critic Score
    It finds him in a reflective mood. It's a smart musical move, because Storm Damage showcases what a good lyricist he is. [Mar 2020, p.86]
    • Classic Rock Magazine
    • 90 Metascore
    • 70 Critic Score
    Each of its five segments finds nascent chaos metamorphosing into funk-fuelled crescendo as if by inspired osmosis. [Jul 2021, p.93]
    • Classic Rock Magazine
    • 82 Metascore
    • 70 Critic Score
    The default setting of these thunderous doom lords from Sweden's far north remains the expansive, melodic, lavishly arranged anthem, layered densely with clobbering drums and shuddering riffs. [Apr 2022, p.79]
    • Classic Rock Magazine
    • 92 Metascore
    • 70 Critic Score
    These four coloured vinyls boast 18 unreleased gems. [Jan 2021, p.95]
    • Classic Rock Magazine
    • 82 Metascore
    • 70 Critic Score
    Biley turns the controls a little more towards vintage soul on this eighth album. Her voice is still a formidable instrument. [Feb 2026, p.81]
    • Classic Rock Magazine
    • 55 Metascore
    • 70 Critic Score
    I Delete more than stands up on its own. [Jan 2015, p.123]
    • Classic Rock Magazine
    • 75 Metascore
    • 70 Critic Score
    Actually, You Can is business as usual, which translates into a 'gloriously unusual racket'. [Jan 2022, p.83]
    • Classic Rock Magazine
    • 82 Metascore
    • 70 Critic Score
    Sure, there are no surprises here but then again, none are needed. [Dec 2025, p.77]
    • Classic Rock Magazine
    • 80 Metascore
    • 70 Critic Score
    It's clear that this form of musical self-help will have even the most mixed-up fan feeling slightly zen. [Mar 2020, p.89]
    • Classic Rock Magazine
    • 79 Metascore
    • 70 Critic Score
    Charming result. [May 2025, p.74]
    • Classic Rock Magazine
    • 72 Metascore
    • 70 Critic Score
    Continues to make some of the sweetest and most self-assured AOR-inflected power-pop going. [Aug 2021, p.82]
    • Classic Rock Magazine
    • 87 Metascore
    • 70 Critic Score
    Dawson's heavily mannered delivery and maximalist verbosity requires patience at times, but Silene is one of the most straightforwardly beautiful songs he has ever recorded. [Jan 2022, p.83]
    • Classic Rock Magazine
    • 68 Metascore
    • 70 Critic Score
    Following the metaverse music hall of Step Outside, however, normal bombastic synthrock service resumes. [Mar 2022, p.81]
    • Classic Rock Magazine
    • 72 Metascore
    • 70 Critic Score
    Turn It On! is the rock'n'roll equivalent of a dazzling ray of sunshine. [May 2022, p.84]
    • Classic Rock Magazine
    • 79 Metascore
    • 70 Critic Score
    Their seventh album is clever, arch and compelling. [Mar 2026, p.79]
    • Classic Rock Magazine
    • 66 Metascore
    • 70 Critic Score
    From the woozy menace of No Air and the Killing Joke-tinged Shadows through to the doomy rampage of Living In Lye, this rocks harder and smarter.
    • 69 Metascore
    • 70 Critic Score
    It finds them on classic BJM form--a warm, densely analogue journey through inner space punctuated by churchy keyboards and tambourines that rattle like bones. [Summer 2018, p.86]
    • Classic Rock Magazine
    • 74 Metascore
    • 70 Critic Score
    Passwords is full of lustrous folk, as on My Greatest Invention and I Can't Love, with the odd innocuous AOR moment, though there's hidden bite. [Summer 2018, p.89]
    • Classic Rock Magazine
    • 81 Metascore
    • 70 Critic Score
    It's highly agreeable background music for those who prefer to keep the curtains closed. [Nov 2014, p.91]
    • Classic Rock Magazine
    • 78 Metascore
    • 70 Critic Score
    Eschewing Young’s work recorded with Promise Of The Real – or indeed anything written this side of 1995 – Noise & Flowers’ nine crowd pleasers offer exactly what that brilliant title suggests.
    • 71 Metascore
    • 70 Critic Score
    Chuck is Berry’s last inimitable flare, delivered in the nick of time.
    • 76 Metascore
    • 70 Critic Score
    Their seventh album doesn’t stint on the Wagnerian bombast, from the Ritalin-powered kick drum assault of Astral Empire to the epic Guitar Hero duels of, well, pretty much everything on here. But there are pop smarts amid the silliness.
    • 75 Metascore
    • 70 Critic Score
    Earns its place. [Jul 2023, p.87]
    • Classic Rock Magazine
    • 67 Metascore
    • 70 Critic Score
    [It picks] up precisely where they left off in 1990. [Sep 2013, p.88]
    • Classic Rock Magazine
    • 66 Metascore
    • 70 Critic Score
    It’s not all hits--there’s the borderline derivative glam-metal of Two Birds, and the wholly less arresting pop-punk of Side Effects--but this is loud, proficient punk rock which should leave even the most curmudgeonly listener fist-punching with glee.