Clash Music's Scores
- Music
For 4,420 reviews, this publication has graded:
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58% higher than the average critic
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5% same as the average critic
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37% lower than the average critic
On average, this publication grades 1.8 points higher than other critics.
(0-100 point scale)
Average Music review score: 75
| Highest review score: | Dead Man's Pop [Box Set] | |
|---|---|---|
| Lowest review score: | Wake Up! |
Score distribution:
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Positive: 3,767 out of 4420
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Mixed: 622 out of 4420
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Negative: 31 out of 4420
4420
music
reviews
- By Date
- By Critic Score
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- Clash Music
- Posted Aug 30, 2013
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- Critic Score
some of Doherty’s lyrics are very... peculiar.... But even the weird lyrics merely add charm to this impressive return.- Clash Music
- Posted Aug 30, 2013
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- Critic Score
Despite some angsty missteps, the reverb-soaked ‘Neon Bedroom’ confirms that the band’s talent for transforming the ordinary into the epic remains.- Clash Music
- Posted Aug 30, 2013
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- Critic Score
There’s a lot to like about this summer soundtrack packed to the left of your luggage.- Clash Music
- Posted Aug 30, 2013
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- Critic Score
It’s a great pop record with plenty of depth (a rare thing) that will prove divisive.- Clash Music
- Posted Aug 30, 2013
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- Clash Music
- Posted Aug 28, 2013
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- Clash Music
- Posted Aug 26, 2013
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- Critic Score
Beautifully crafted, eccentric and disturbing, but essential pop all the same.- Clash Music
- Posted Aug 23, 2013
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- Clash Music
- Posted Aug 23, 2013
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- Critic Score
This is a debut with lots to love, abundant in experimentation and overall pop accessibility--and not many comparable collections can claim those qualities.- Clash Music
- Posted Aug 22, 2013
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- Critic Score
This is mood-manifesting music of exceptional quality, experimental electronic fare of substance and, crucially, heart.- Clash Music
- Posted Aug 22, 2013
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- Critic Score
It feels unanchored and tremulous, without EITS’s signature drums--but it’s still beautiful.- Clash Music
- Posted Aug 22, 2013
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- Clash Music
- Posted Aug 22, 2013
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- Critic Score
Earl Sweatshirt is telling truths rather than forging fantasy, and Doris is a disturbed and penetrating journey into the mind of the boy that came back from Samoa.- Clash Music
- Posted Aug 22, 2013
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- Clash Music
- Posted Aug 20, 2013
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- Critic Score
British music fans should gaze upon King Krule with great pride. Under immense expectation, he has managed to become the product of his far-flung influences, rather than a pastiche of any.- Clash Music
- Posted Aug 20, 2013
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It all adds up to a set of hallucinogenic songs that sound like they were spat out of another dimension. A truly special record from a band you need to keep your eye on.- Clash Music
- Posted Aug 20, 2013
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- Clash Music
- Posted Aug 16, 2013
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- Clash Music
- Posted Aug 16, 2013
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- Critic Score
The thrashing energy does relent somewhat towards the end, yet this remains an impressive introductory manifesto.- Clash Music
- Posted Aug 15, 2013
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- Critic Score
There are moments of schmaltz, but these Little Green Cars exude a lorry-load of charm.- Clash Music
- Posted Aug 14, 2013
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- Clash Music
- Posted Aug 14, 2013
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Expect to be challenged, provoked, and amazed by this near-heavenly debut.- Clash Music
- Posted Aug 13, 2013
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Although it takes more than a couple of listens for Loud City Song to feel like a cohesive album, the reward once you do is well worth the outlay.- Clash Music
- Posted Aug 13, 2013
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it’s evident enough that Franz Ferdinand are masters at crafting stylish, guitar-driven anthems. Right Thoughts affirms this expertise, and is a very danceable fourth LP.- Clash Music
- Posted Aug 12, 2013
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- Clash Music
- Posted Aug 12, 2013
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- Critic Score
Dark Eyes suggests they have the potential to be massive, if they can just work that out.- Clash Music
- Posted Aug 9, 2013
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- Clash Music
- Posted Aug 8, 2013
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A special album from a special artist, Nepenthe is, indeed, an album that leaves thoughts of others absent as it plays out its otherworldly dance.- Clash Music
- Posted Aug 8, 2013
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- Critic Score
Despite said retro parallel, White Lies do sound like a band firmly in the present, utilising electronic samples with classic valve-driven guitar chords to accompany the trademark baritone of McVeigh.- Clash Music
- Posted Aug 7, 2013
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