Everyone will have their own favourites. It’s just a blessing that picking one will prove so difficult.

Delivering what her fans would expect, it seems as though Flo Milli has found her feet and handed over a selection of fun-filled and ultrafeminine tracks before the summer comes to an end.

The diverging styles can at times be overbearing but there is a sense of freshness and bold shifts that is hard not to appreciate and it will be interesting to see how their style evolves.

What works on Woman truly does with aplomb, but it arguably stands as the group’s least unique effort, and with some of that old punk snarl now removed perhaps they’ve lost some of that addictive danger.

Paired down to their essence, this distilled Efterklang is premium strength stuff.

By the time the more politically minded triptych of ‘Don’t Get Captured’, ‘Thieves!’ and ‘2100’ roll round you’ve almost forgotten just what El and Mike are capable of when they drag their eyes away from their own navels. Thankfully there’s enough gold at hand to excuse Run The Jewels for getting a little bit carried away with their own runaway success.

At best, it serves as a reminder that Wiley is one of the best to ever do it, but it often feels unfocussed, and uneven.

This is a joyous, unique and tender album.

The Canadian boy-girl duo's debut is a whirl of delicate dream pop.

Framed by twin poles of classicism and experimentation, ‘Did you know…’ never truly succumbs to either. An often-unsettling river of song, it finds Lana Del Rey discussing uncomfortable truths, while denying the use of easy answers. What she chooses to reveal is profound, occasionally disquieting, and never dull.

The Diving Board is an adult affair, but impressive enough to explore, and reinforces Elton’s continuing creative renaissance.

Punchy, peppy, and undeniably positive, ‘Keep On Smiling’ is an exuberant and life-affirming ambitious album that demonstrates that if in doubt, you have to choose happiness.

‘Long White Dress’ and ‘Singles Bar’, subject matter made clear from the off, are highlights; the former is mellow and wistful, with a delightfully lilting chorus, while the latter radiates the fatigued disenchantment of somebody lacking motivation in the unfulfilled pursuit of love.

It’s difficult to judge the real comedic value of The Foregone Conclusion when so much of David Brent hilarity is in physical (not so) subtleties. But when you take it for what it is: an in-joke taken out of its context and out of its comfort zone, it feels pretty triumphant.

Even as the production’s impact dips in the midst of playtime, when the final note of ‘The Seed’ plays what’s left in one’s memory is only the good, and for that Aurora’s latest album succeeds.

The witty words about awkward relationships come straight from Art Brut but 'Fixin' The Charts' is also a response to classic American pop songs, with modern sequels to Motown, Dylan and, er, Kanye. The downside is that the songs are so melodic they make it sound like Argos is doing karaoke.

It's palpable that the tracks are more at home on the stage, where you can feel the frenetic energy of the record itself, Georgia's boisterous on-stage persona coming through in abundance. On record, sometimes that energy gets lost in a noisy ether, her identity chopped and screwed into fragments.

For all of E’s melancholy brooding, ‘Earth to Dora’ still has a tender and vintage vibe. Although E seems to have adopted the role of a hapless romantic that is unlucky in love, this record is still strangely upbeat.

Undeniably there's little here that will surprise fans, but there is certainly plenty to be enchanted by.

Whatever your feelings around the words, and they are certainly a little clunky at times, this is a musically rich collection that is partly a logical step on from the rattle of 2011’s beautiful ‘Let England Shake’ and also as melodic a rock record as Harvey has released in some time.

Beady Eye are at the beginning of their own musical adventure - DG,SS, though hardly full of surprises, is a compelling way to start.

Towards is smart pop that keeps its charm.

The result is a solid summer rock album to play from your portable speaker on a day at the beach that sees the promising young band evolve and develop an already appealing sound.

As is often the case with such acts, the anarchic energy doesn’t quite translate to their debut, ‘Hot Shock’, but it nevertheless serves as a largely enjoyable opening statement. The most interesting moments arrive at the back end of the record.

Things move from melodic ambience to galloping sci-fi workouts and back again, the highlight being the sublime 'Emerald And Stone'.

A great feel-good record for the summer months, this one is the perfect soundtrack for the car, park or beach. Just enjoy it.

‘I Don’t Live Here Anymore’ sees no severe changes from the Grammy award-winning 'A Deeper Understanding,' but does make for a more nimble listen, the track's shorter running time creating a tauter experience.

If you love Kasabian you might think Velociraptor! is a 9/10 album, but for the rest of us it's a salt-seasoned, Spielberg-sponsored 7/10.