Much like the show itself this is a wonderfully crafted set (check out the deluxe ‘condiment’ vinyl), which is at times both smart, sweet and very, very, stupid.

Abnormal and mystifying, audiobooks amplify bewilderment on a remarkable second album.

As a whole, ‘Letter To You’ is a wonderfully warm experience, perhaps Springsteen’s most human for some time.

It’s been said that every era gets the monster they deserve. If this is the case then ‘Visions of Bodies Being Burned’ is everything wrong, and right, with the world distilled into 52- minutes of absurdist hip-hop. We’ve never had it so good!

Despite spanning only nine tracks, the album feels complete, a full arc from despair to declaration. In its brevity lies potency: an emotional journey which navigates heartbreak, self-discovery and resilience.

With Arise, the London singer continues her excellent run, delivering a refreshingly enchanting and intriguing project.

A refreshing and undeniably strong record.

This is space tourism, flying first class.

Right now it sits near the top of 2019’s jazz releases. However, if things continue in this fashion it might not even make the top ten by the end of the year, which is an exciting prospect to say the least.

‘You Signed Up For This’ is the most developed offering the singer-songwriter has delivered so far, with higher levels of production really allowing her storytelling to come through.

It doesn’t burn out so much as creep up and these songs offer yet another new guise for a remarkable talent.

Impactful and often unexpected, ‘PUNK’ breaks new ground within Young Thug’s identity.

Frusciante has managed to pay ode in a way which sounds original, yet adheres to the formula... all in all making for an impressive electronic album.

Perhaps it’s their captivating storytelling taking a psychological turn, or maybe it’s the way they’ve incorporated cutting edge electronica, pop and R&B elements into the melodic energies of classic new wave, alt-rock and indietronica, but, ‘Fix Yourself, Not The World’ is a record that will appeal. It is arguably their best work yet.

Yes Patti Scialfa joins him for ‘Tougher Than The Rest’ and ‘Brilliant Disguise’, but other than that it’s just The Boss doing what he does best, “To provide an entertaining evening and to communicate something of value”. And in all honesty that’s all we could ask for.

‘The Good Kind’ is full of dynamism and energy with pounding riffs and basslines. The trio are clearly revelling working together again on their sophomore LP, delivering on what fans might expect and showing the role each member plays.

A solar system held in place by its own revolutions, ‘The Slow Rush’ is testament to the patient productivity and unrelenting creativity of Kevin Parker.

‘Miracle’ delves the depths of human introspection with a tangibly cathartic gleam, imbued with an essence of that wondrous beauty that only miracles can possess.

Rammstein have resurrected to bring us their seventh studio album. And boy is it the record we’ve all been waiting for.

‘What an enormous room’ is an amalgamation of its title: an expansive collection of tracks, difficult to define, but somehow remains undeniably TORRES.

It’s an effortless comeback, then, that almost plays like a greatest hits set.

A record that allows itself space to shfit and evolve, ‘Home’ is both airy and immersed in strong roots. A Canadian in Los Angeles, Rhye is proof that ‘Home’ is where the heart is.

Delving into the modern complexities of society, her personal inspirations throughout her life, and developments of self as an artist and producer, the album reminds listeners to question and demonstrate awareness, whilst musically reaches new heights for the producer.

It's dramatic, emotive, a little cheesy, but magnificently good fun.

A raw, primitive nod to the planet we inhabit and our connection to it.

It's pure, carefully conceived theatre, at a pace that you can never predict, without being an emotional descent that spirals over and over until you're wishing it'd buck its ideas up.

CHVRCHES are a still a terrific alternative to the barrage of mind-numbing EDM and soulless euro trash of acts such as Icona Pop that permeate our airwaves and devour advertisements. Another heavenly and peerless collection from the Glaswegian synth-poppers.

A song cycle that touches on identity, loss, and the path through it all, it’s one marked by maturity and a growing awareness of the potency of her own talents.