Taking listeners on a trippy journey through a landscape of organic musical complexity, there are also Beastie Boys vocal nods similar to those found in ‘Sadie Sorceress‘ from last year’s ‘Omnium Gatherum‘ release. Combining techno, disco, electronic and rap, this makes for a truly special combination.

These twelve abstract and minimal tracks rather act as perfect soundscapes to accompany your dreams and introspections.

Not quite unshackling himself from the past, ‘always centered at night’ is a rewarding experience which will do much to push back unjust preconceptions.

Who cares if Stoltz listens to the Kinks and Beatles too much when he sings like an angel?

The chilled, languorous template delivers on value, but offers little else and you can’t help but feel like these are unnecessary filler tracks. At its core, ‘Scarlet’ is an interesting exploration into the world of ego trips, the trappings of fame, escapism and novelty, a welcome deviation with a heightened sense of maturity and finesse.

With more revealed in every listen, Another Eternity shows that there's much more to Purity Ring than initially meets the eye.

New fans will not be won, but the initiated will be delighted.

Its relentless energy is utterly addictive.

This a confident and beautifully made record and props for a band evolving their sound as any group with real longevity tends to do. There’s not quite the cohesive drama of their first effort but there’s plenty of gems to be found here.

For the most part, though, this seems like a step in the wrong direction: a Nicki Minaj album from somebody who’s thoroughly fed up of being Nicki Minaj.

CALM is a refreshing evolution from the days of their self-titled debut. Their latest effort is by no means perfect, but the album is a testament to their growth.

David takes us on a fascinating journey exploring the human condition in the most captivating and meaningful way.

As The Last Shadow Puppets, Kane and Turner have served up an exquisite offering that is melodically rich, diverse, and more complex than its predecessor, centred around a collection of undeniably terrific tunes.

Even at its worst this hotchpotch collection is pleasant fare.

Most of the tracks’ narratives are undecipherable and consistently scatterbrained. Not to mention that the panoramic mixing of the guitars, while being a band trademark, make it difficult to focus on more than one aspect of a song at a time.

An undeniably innovative slant lies at the forefront of this LP, as well as a warming glow to soundtrack impending winter nights.

‘Serpentina’ speaks to her craft, elevating her talents as a musician as she sheds through her layers and births a new and transformed performer.

Madame X isn’t just an album (if it is that at all) – it’s an opera, or a comedy of errors. It’ll make you feel confusion, frustration, happiness and maybe joy, but it will definitely make you feel.

Crafting a solid set of songs that hold their own among break-out singles is no mean feat, but the Sydney trio have pulled it off--in the main, at least.

Love him or hate him, you can't deny that Ronson can certainly put an album together.

A contemporary-pop triumph.

The understated nature of the score makes it doubtful this will bag many awards or turn many heads but, never mind: grab some headphones and enjoy the ride.

Organic, intimate and well worth adding to anyone's collection. Grab that jumper and enjoy.

The album not only delivers O’Connor's signature use of bubbly synths, electric pianos and programmed beats that instantly make you feel good, but it also serves as a lesson on learning how to heal and move on.

Tastefully rambunctious, ‘What’s Wrong With New York?’ is a sonic melting pot of millennial and Gen Z sounds. With retro drums and abrasive synth bases, it’s a performance-geared record filled with pulsating bass lines, perfect for making bad decisions in a sweaty basement.

A magical insight into the development of Rossen's creative genius.

Splicing the spirit of ancient Viking alcoholics with some red-hot Jamaican jah, BSP are finally having fun.

Four is an accessible album, filled with heavy questions about what love really means, posed through sensitive and dramatic arrangements.