Clash Music's Scores

  • Music
For 4,424 reviews, this publication has graded:
  • 58% higher than the average critic
  • 5% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 1.8 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Dead Man's Pop [Box Set]
Lowest review score: 10 Wake Up!
Score distribution:
4424 music reviews
    • 73 Metascore
    • 70 Critic Score
    Grace/Confusion sees Hawk get back on track, by remembering what worked in the first place.
    • 73 Metascore
    • 80 Critic Score
    Although not his greatest work to date, Oxnard confirms Anderson Paak at the upper echelons of the hip-hop scene.
    • 73 Metascore
    • 70 Critic Score
    ‘HEROES & VILLAINS’ bursts with ideas, not all of which land. A record that revels in contradictions, it grasps towards the light while framing itself in darkness.
    • 73 Metascore
    • 70 Critic Score
    This set is teeming with energy despite its down moments, and demands to be played again in its entirety as soon as it ends.
    • 73 Metascore
    • 70 Critic Score
    Undeniably beautiful. Aloof, abstract and elegant, it melds ambient expanse with pop form to idyllic, if unassuming effect.
    • 73 Metascore
    • 80 Critic Score
    The euphoric, floating '60s guitar sheen and carefree swagger which dominates proceedings is utterly uplifting.
    • 73 Metascore
    • 60 Critic Score
    A fine sound indeed, but one that could have been better with a shade more variety injected into proceedings.
    • 73 Metascore
    • 70 Critic Score
    Packing a brassy punch, the tracks still manage to twinkle elegantly, rich in harmony with hymnal touches.
    • 73 Metascore
    • 70 Critic Score
    Within the iron grip, the looseness of categorisation between dubstep, grime, trap and mutant techno means each mission has something riding on it, transferring an aftershock of grim satisfaction throughout.
    • 73 Metascore
    • 70 Critic Score
    ‘The Competition’ gets a hell of a lot right, and you get the feeling for album five it might finally all together perfectly.
    • 73 Metascore
    • 70 Critic Score
    Hot Pink is an album that knows exactly what it is, and it’s the work of a well-crafted hip pop star with something to prove.
    • 73 Metascore
    • 70 Critic Score
    If you’re in the right mood, it’s a fun slice of cosmic silliness that absolutely deserves to be packed away in your coolbox and brought out, nicely chilled, in approximately five months’ time. However, if your vibe is even slightly off then it can quickly become annoying in that subtle way that’s hard to register at first, but soon makes itself felt.
    • 73 Metascore
    • 70 Critic Score
    This is a cinematic body of work that triumphs in its ability to meld a plethora of electronic styles together with the glue-like emotional intent of sentimental reminiscence, and poignantly reminds the listener to hold dear their loved ones.
    • 73 Metascore
    • 80 Critic Score
    While it aims to push boundaries, CLPPNG does so in a way that demonstrates a love for the music and culture that forms its source material.
    • 73 Metascore
    • 50 Critic Score
    The results are mixed.
    • 73 Metascore
    • 60 Critic Score
    ‘Doggerel’ isn’t a bad record, it’s just missing the audacious grit that is so entwined with the bizarre charm that makes the PIXIES so remarkable.
    • 73 Metascore
    • 80 Critic Score
    ‘Dopamine’ isn’t a raw confessional either but a balanced, art-directed exercise. It’s a debut that hits the programmed sweet spot, conversant with contemporary trends and greater RnB and soul traditions.
    • 73 Metascore
    • 80 Critic Score
    An album that’s both heartfelt and sincere and utterly irresistible in the process.
    • 73 Metascore
    • 60 Critic Score
    Call this a mismatch, a contradiction, if you want, but only he can fully acknowledge this seriousness, this complexity. And if this is a ‘coming-to-terms-with’-type record, it does suggest he is starting that process, even if--musically--the progression remains somewhat tender.
    • 73 Metascore
    • 80 Critic Score
    We Will Not Harm You operates much like a London Sunday market in its vibrant, assorted survey of the electronic melting pot
    • 73 Metascore
    • 60 Critic Score
    It will inspire obsessive fandom and moisten a few eyes, but Henson’s voice is something of an acquired taste.
    • 73 Metascore
    • 60 Critic Score
    There’s nothing that lifts it from being middle of the road Einaudi. Then again, standing on a cliff listening to middle of the road Einaudi is never a bad place to be.
    • 73 Metascore
    • 70 Critic Score
    If ‘WASTELAND’ doesn’t quite match the hype then perhaps that’s due to the impact Brent Faiayz has had across his catalogue. An artist who commands cross-genre respect, his particular brand of R&B has been much-imitated, but never truly bettered.
    • 73 Metascore
    • 70 Critic Score
    Scrappy but charming, Times New Viking's fifth album shows their dirty sound scrubs up nicely.
    • 73 Metascore
    • 60 Critic Score
    At times the effects are superb.... However, there are wobbles with the quality control.
    • 73 Metascore
    • 80 Critic Score
    Nothing about this record feels forced but instead encapsulates Kesha’s outlook on the crazy and weird rollercoaster that is life itself.
    • 73 Metascore
    • 30 Critic Score
    B-Room is offensively inoffensive.
    • 73 Metascore
    • 70 Critic Score
    Psychedelic rock in its original form, the album is unlikely to win the duo many new fans, but as a testament to enjoying life, it’s unrivalled.
    • 73 Metascore
    • 80 Critic Score
    Although just seven songs long, the third album from San Francisco psychedelic rockers Wooden Shjips is a remarkably dense, intense affair.
    • 73 Metascore
    • 70 Critic Score
    If this is the last we hear from Woman’s Hour then it underlines their formidable creativity; a moving, touching return, Ephyra is the sound of re-constructed glories.