Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. This clever and original movie is like a John Hughes comedy for the '90s.
  2. By turns fascinating and infuriating.
  3. Isn't as funny as it wants to be, but it has a sheer pleasantness that stands out in this season of heavy-handed entertainments.
  4. For a movie about hard-driving pioneers, there is nevertheless much existential ennui in the air.
  5. The filmmaking is uninspired and Fiennes inexplicably plays three different characters with exactly the same acting style.
  6. Written and directed by John Sayles, with biting wit and scathing insights into earthly race relations. [04 Oct 1984, p.27]
    • Christian Science Monitor
  7. Gripping.
  8. Tim Burton's fantasy is more original than his previous film, “Batman,'' and its colors make “Dick Tracy'' look drab. Add wry dialogue and a mischievous critique of suburban life, and you have a diverting fable that doesn't quite live up to its quirky premise. [7 Dec 1990, Arts, p.12]
    • Christian Science Monitor
  9. On its own intimate terms, it's one of the most winning films on family life to reach the screen in ages.
  10. Viewers with a taste for bizarre, even surreal, humor will have a ball.
  11. Imagine a sexually charged "Heart of Darkness" by way of Denmark's bare-bones Dogme 95 and you'll have an idea of what this dark, moody melodrama is like.
  12. Not always compellingly made, but intelligent and perhaps prophetic.
  13. Proudly old-fashioned in every way except the often excessive violence that director Martin Campbell splashes across the screen.
  14. Bravo works too hard at extolling Castro -- The film's historical footage is compelling, though, and provides plenty to think about.
  15. Strikingly original movie.
  16. It starts slowly, but builds to a spectacular climax with hearty sound effects and deftly directed stunts.
  17. “Séraphine” was haunting; Violette, for all its writhings, is familiar.
  18. Carries a strong emotional charge along with its valuable reminder of the suffering that youngsters may undergo when a heedless society overlooks their needs.
  19. It's a wish-fulfillment fantasy posing as hard-edged realism.
  20. Fugit gives a starmaking performance as the teenage reporter, and Crudup and Lee are excellent as the band's lead guitarist and singer, respectively.
  21. Ross's comedy isn't as inventive as "The Truman Show," which it resembles in some ways, but it explores interesting ideas with nimble humor.
  22. This isn't a movie, it's a thingamajig - frequently as off-putting as can be, but unassailably one of a kind.
  23. Rossi investigates the increasing use of massive open online courses and other flexible programs and talks to such education experts as Columbia professor Andrew Delbanco.
  24. The great Ennio Morricone, still going strong at 87, wrote the marvelous film score.
  25. The film is often​ sharp and amusing, but it’s a doodle in the Coen canon.
  26. The movie is surprisingly strong despite its potentially flaky plot, combining '80s-style humor with a sincere romantic story.
  27. Mel Gibson and Julia Roberts contribute major star power to the uneven tale, but it never becomes as convincing as a real conspiracy theory should.
  28. Nicely acted.
  29. Things take several turns for the worse as the story plays out, and the film loses much of its charm. But it's a fascinating artifact, and never more so than when it features clips from Chinese and, of all things, Albanian propaganda films.
  30. Penn has a real feeling for the stray moments in life that suddenly rush up and overwhelm us with emotion. He also has an eye for beauty in the wilds, of which this film has many. And he's very good with actors. What he lacks is a sharper eye for the wooziness of romanticism, and that wooziness, despite some truly breathtaking moments, infuses Into the Wild.

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