Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. War Horse, despite its excellences, is a supreme demonstration of a director phoning it in.
  2. Mighty monotonous after a while.
  3. The film, some of which looks staged, is too slick, and its feminist emphasis, complete with Australian performer Sia singing “You can do anything” on the soundtrack, grates. But Aisholpan triumphs over these excesses.
  4. Liu is dazzling as the heroine, and the movie as a whole strikes a lovely balance between comedy and compassion.
  5. Balaban's superb performance blends with Moyle's mostly understated directing to produce an uneven but sometimes enchanting comedy-drama.
  6. Concise, humane documentary.
  7. The flamboyantly filmed story makes some telling points about adolescent life. But despite its oh-so-cynical mannerisms, it falls all over itself to flatter an allegedly self-absorbed and self-pitying teen audience. [7 April 1989]
    • Christian Science Monitor
  8. I've become weary of documentaries about winning prizes, but this one is special because the kids are.
  9. It's a giddy nightmare. Nothing is quite what it seems in I Served the King of England, and this is poetically appropriate. The world it depicts is too dangerous and too lovely to classify.
  10. The movie is strong in sound and fury, weak in nuance and insight.
  11. Egoyan's cinematic brilliance shows up intermittently in this atmospheric thriller, which gains most of its punch from Hoskins's surprisingly subtle performance.
  12. The archival and interview footage is priceless.
  13. The cinematography is gorgeous from first frame to last, but the story occasionally rings false.
  14. If lush landscapes and exotic wildlife are what you're after, this isn't the safari for you. But many moviegoers will respond to its mixture of family drama and Holocaust-era history.
  15. While it's a splendidly acted film, A Beautiful Mind is also a wasted opportunity.
  16. The film is too artsy for its own good, but it has some marvelous Coen Brothers-style black humor.
  17. More good than bad, at least until its too tidy conclusion. Since it's essentially a three-character movie, it's a good thing that the characters, and the actors who play them, can hold the screen.
  18. A slight but winning heart-tugger.
  19. This is a startlingly funny portrait of Gothic Americana.
  20. It's reminiscent of David Lynch, who is a master at mixing the ghastly and the risible. Brick would be better with a bit more Lynch in its soul, but Johnson is his own man, and I look forward to what he comes up with next.
  21. Allow me a quick lament: Do we really want to see a great actor like Cumberbatch, not to mention Chiwetel Ejiofor and Tilda Swinton, entombed in yet another superhero franchise?
  22. Sigourney Weaver isn't quite up to her most demanding scenes, but Ben Kingsley is expertly enigmatic as the stranger, and Stuart Wilson is excellent as the husband who doesn't know whom to believe. [27 Jan 1995, p. 14]
    • Christian Science Monitor
  23. Lena Dunham, the writer-director-star of the microbudget Tiny Furniture, has a distinctive comedic take on the world – a kind of haggard spiritedness.
  24. Equally fascinated by the afflictions of life and the usually squandered opportunities these afford for courage and self-sacrifice.
  25. The best family films are those that entertain both children and adults. The Sheep Detectives can be enjoyed simply as a funny fable with a solvable mystery at its center. The well-placed clues are hidden in plain view.
  26. This is only Ustaoglu's second film, but smart performances and expressive camera work mark her as a talent to watch in the future.
  27. Director Alexandra Lipsitz doesn't do much more than chronicle the noise, but it's intermittently fun stuff.
  28. Cash was a true anomaly: a poseur who was also the genuine article. A better movie would have made that contradiction its core.
  29. If it weren't so smartly filmed and acted, this might add up to an over-the-top mess. But watch how inventively Mr. Antal keeps the action moving and you'll see why his picture has won a passel of prizes.
  30. From a psychological standpoint, this is murky territory but Jacobs presents it as the height of enlightenment – a confluence of two damaged souls. At least "Good Will Hunting," another movie that played this game, wasn't blah.

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