For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
The movie has a large theme, even if it's unspoken. Old Joy is about a particular friendship, but it's also about how American society changed in the '90s and the new century.- Chicago Tribune
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Reviewed by
Michael Phillips
Doesn't provoke bittersweet inquiries regarding one poor actress' grisly fate. Nor does it stir up much provocation on the matter of why, as a popular audience, we're still taken with this lurid symbol of sex and dread and desire. Rather, the movie raises a much simpler question: Huh?- Chicago Tribune
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Reviewed by
Michael Wilmington
Probably the last movie to carry a credit for the late Christopher Reeve--as well as the last credit for Reeve's late wife, Dana.- Chicago Tribune
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Reviewed by
Michael Wilmington
As sports movies go, Gridiron Gang isn't bad, just not top-line material.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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Reviewed by
Michael Phillips
Outlandish weddings aren't much of a satiric target, but Confetti isn't really going for satire; mild-mannered japes are more its style.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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Reviewed by
Michael Phillips
The film is a fancy-pants muddle in terms of technique. And if Bloom doesn't do something about his smirky tendency to troll for audience approval, his career may be severely limited.- Chicago Tribune
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Reviewed by
Michael Wilmington
People who love Lennon will almost certainly like the film; his detractors will almost certainly howl "bias!" Even so, it's a movie that, at its best, makes you ache with the memory of an anguished era and its fallen pop culture hero.- Chicago Tribune
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Reviewed by
Michael Phillips
Only the architecturally refined bone structure of Kristin Scott Thomas' face rescues Keeping Mum from full-on tedium.- Chicago Tribune
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Reviewed by
Michael Phillips
Most of this doc is content to wander through Franken's recent show-biz resume, to no particular end.- Chicago Tribune
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Reviewed by
Michael Phillips
With an uncredited assist from playwright/screenwriter Howard Korder, Hollywoodland features some tart, lively banter and welcome comedic touches.- Chicago Tribune
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Reviewed by
Michael Phillips
Danny Trejo plays Sherry's sometime lover and friend, and he's a big asset to a small, sharp film that won't be for everyone. That's a compliment.- Chicago Tribune
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Reviewed by
Michael Wilmington
A fine, taut, tough example of the realistic police drama.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Critic Score
The wedding site at the end of the road offers beautiful vistas overlooking Brazil, but it's hardly worth the trip.- Chicago Tribune
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Reviewed by
Michael Phillips
Too often the film itself simply shuffles the postcards of Tibetan scenery, Buddhist rituals and the Tibetan people (many amazing faces on view, to be sure).- Chicago Tribune
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Reviewed by
Michael Wilmington
Keith -- a consistent hit-maker who wrote the controversial 9/11 song "Courtesy of the Red, White and Blue" -- has a future in movies if he wants it. Hopefully, they'll be better ones than this.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Phillips
The reason basketball is such a great spectator sport isn't because of its opportunities for razzle-dazzle editing and direction. It's because the game is kinetic enough without all that swoosh/zap/wham business.- Chicago Tribune
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Reviewed by
Michael Wilmington
The new Lassie is faithful to Knight's story, capturing its sweep, Dickensian social contrasts and high emotion. All that is enhanced by a splendid cast.- Chicago Tribune
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Reviewed by
Michael Wilmington
The film's mood and style are pitched somewhere between '60s American indie and French New Wave and, as you watch these people, they seem painfully, amusingly on-target. They may irritate you a little, but that's the right response.- Chicago Tribune
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Reviewed by
Michael Wilmington
This is a movie for all cultures and all people, for families and especially for those who have lost them.- Chicago Tribune
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Reviewed by
Michael Phillips
100 percent right about our corrupt and hypocritical industry-controlled movie ratings system. Being right, however, doesn't automatically make for a strong documentary. I enjoyed a lot of it. Yet fully half of what's on screen is beside its own point.- Chicago Tribune
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Reviewed by
Michael Phillips
Beerfest is one sloppy comedy, but the lads of the comedy troupe Broken Lizard don't know when to say when in their pursuit of the idiotic laugh, and persistence certainly counts for something.- Chicago Tribune
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Sid Smith
Aiding Barber is the terrific work of choreographer Hinton Battle, delivering a ferocious, contemporary update of swing and bridging the gap between quick-take MTV flash and the longer needs of cinematic dancing--a hybrid that works better here than in the frenetic, overrated "Chicago."- Chicago Tribune
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Reviewed by
Michael Wilmington
This is a picture in which the barf scenes standard in the usual crude youth comedies aren't gratuitous. They're logical climaxes.- Chicago Tribune
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Reviewed by
Michael Phillips
The actors make it work. Greg Kinnear's Coach Vermeil exudes Southern California good vibrations without a lot of fuss or attitude.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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- Critic Score
If frenetic pacing alone made a movie interesting, Queens would be cinematic solid gold.- Chicago Tribune
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