For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
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Reviewed by
Michael Phillips
Levinson has written and directed in many genres. But rarely has he made a film as indecisive and diffident as Man of the Year.- Chicago Tribune
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Reviewed by
Michael Phillips
Deliver Us From Evil has a few things wrong with it, including an egregious musical score, but without resorting to sucker punches, it takes your breath away while making your skin crawl.- Chicago Tribune
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Reviewed by
Michael Phillips
Though stylistically all over the place, it's not without interest.- Chicago Tribune
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Michael Wilmington
It's crazy, dangerous and sometimes gorgeous: a feast of nuttiness that takes you, for a while, over the edge.- Chicago Tribune
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Reviewed by
Michael Phillips
A half-silly, half-earnest indie with the soul of a John Hughes-era sex comedy.- Chicago Tribune
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It's better than some James Bond movies--no matter what your age.- Chicago Tribune
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Michael Phillips
Unnervingly good, Little Children is one of the rare American films about adultery that feels right--dangerous, hushed, immediate.- Chicago Tribune
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Michael Phillips
The Departed exists in a movie-place about as far from personal statements as a storied director can get. Maybe those days for Scorsese are long gone. But Scorsese's sense of craft remains sure.- Chicago Tribune
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The only two onscreen items with any star quality belong to Simpson, and they're barely contained in shirts that seem to be holding on for dear life. Comedy fans, beware; breast fans, rejoice!- Chicago Tribune
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Reviewed by
Michael Wilmington
If you haven't gotten hooked already on Michael Apted's series--collectively, one of the great documentaries in the history of the cinema--you should prepare yourself for the latest installment, 49 Up.- Chicago Tribune
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Reviewed by
Michael Phillips
Guaranteed to make you think twice about what you're paying for what you're drinking.- Chicago Tribune
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Reviewed by
Michael Phillips
It's refreshing to see a non-mainstream movie that wears its heart and lust on its sleeve, and has anything but violence on its mind.- Chicago Tribune
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Michael Wilmington
The film's triple thesis is that elections are run badly, Democrats are often clueless and Republicans are clever. Maybe--but that still leaves too many unanswered questions.- Chicago Tribune
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Michael Phillips
The film goes pretty easy on the royals in the end, and it's a flattering portrait of Blair. But it's not credulous. Frears may swim in the political mainstream with The Queen but he does so like a champion channel crosser.- Chicago Tribune
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Sometimes you want to buy an extra-large popcorn and settle in for a big budget Hollywood blockbuster replete with entertaining explosions, undemanding dialogue and completely unrealistic action sequences. If all that sounds like gloriously uncomplicated fun, The Guardian is your movie.- Chicago Tribune
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Reviewed by
Michael Wilmington
Martin Lawrence and Ashton Kutcher may seem like an odd-sounding comedy team, but in some weird way, they click as voice-actors and cartoon buddies in Open Season.- Chicago Tribune
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This ultimately disappointing comedy starts reasonably strong, delivers a few good laughs, then rolls over and plays dead.- Chicago Tribune
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Reviewed by
Michael Wilmington
A delicately crafted, gently inflected, lovely little movie about the need for love, directed and co-written by Singapore's Eric Khoo ("Mee Pok Man").- Chicago Tribune
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The movie is awash in great performances by actors known and otherwise.- Chicago Tribune
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As Nirvana's Kurt Cobain acknowledges in the opening quote, without the Pixies there would be no "Smells Like Teen Spirit."- Chicago Tribune
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Reviewed by
Michael Phillips
The director is Kevin Macdonald, a documentary filmmaker making his fiction film feature debut. (He won an Oscar for his Munich Olympics hostage chronicle, "One Day in September.")- Chicago Tribune
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Michael Phillips
Kathy Baker, as Burden's elegantly sodden mother, shows the only sign of interpretive life in this stiff-jointed enterprise. She has about five minutes on screen; she's lucky that way.- Chicago Tribune
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Michael Phillips
Just about everything in the video-gamey World War I picture Flyboys rings false, although the planes certainly are terrific.- Chicago Tribune
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There's no plot here; like the MTV show that spawned it, this movie is just a progression of increasingly disgusting and/or dangerous stunts.- Chicago Tribune
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Michael Wilmington
One of those corny, lusciously mounted, almost predictably thrill-packed action movies you can't help but like.- Chicago Tribune
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Follows a common horror flick recipe (people under siege from hungry monsters--so much for Greenlight's search for originality), adding a dash of humor to keep things from becoming too much of a checklist.- Chicago Tribune
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What Ewing and Grady have accomplished here is remarkable--capturing the visceral humanity, desire and unflagging political will of a religious movement.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Phillips
Rosenbush strives for a difficult blend of spoof and sincerity with Zen Noir. In the spirit of rebirth, let's assume that the next time he makes it, it'll turn out fine.- Chicago Tribune
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Reviewed by
Michael Wilmington
It only works about half the time, but it's an interesting half.- Chicago Tribune
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