Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. Wildly inventive, sweetly subversive.
  2. Even if you enjoyed the mean, funny 1995 John Travolta-Elmore Leonard crime comedy "Get Shorty"-and many of us did-this forced sequel isn't likely to help you repeat the experience.
    • 44 Metascore
    • 75 Critic Score
    A gripping drama that will leave thoughtful cinemagoers wrestling with basic Big Questions.
  3. Cheerful but mind-numbing.
  4. Tucker has done a bang-up job, distancing and hypnotizing us with his frenzied, fragmented, sexy images. But war isn't a video game.
    • 65 Metascore
    • 63 Critic Score
    Despite the film's pat plot turns and instructional tone, there are moments of charm, thanks to the fetching, committed cast.
  5. Doesn't revert to hairpin plot twists or other dramatic trickery to hook us in; Auerbach simply lets us live with her characters-which, it turns out, is reward enough.
  6. A major cinema event of the year, a masterpiece of Italian film traditions in social/political realism and historical family epic.
  7. More an uninspired letdown than a flabbergasting turkey... One reason for this lack of bite lies in the werewolves themselves. They're a bit too teddy-bearish, even oddly cuddly, and the fright scenes work better when you don't see much of them.
  8. The film may be bad-and mad-but it's not predictable.
    • 65 Metascore
    • 75 Critic Score
    It's a rare combination of romance and sly social commentary, delivered with a raw emotional punch.
    • 78 Metascore
    • 88 Critic Score
    All of these folks are damaged souls, trying their best to find purpose and forgiveness.
  9. A sweetly benign comedy that allows the actor (Jones) to lampoon his tough guy image honed in "The Fugitive" and "U.S. Marshals."
  10. Though the story is potentially fascinating and the visuals sometimes spellbinding, the movie itself is stranded in the purgatory of the second-rate.
  11. Even with a new leading man and a more family-friendly rating, some things never change: The Mask still stars Industrial Light & Magic.
  12. Downfall, whatever its shortcomings, bears strong witness to great evil. That is its triumph as a film.
  13. The scenery is pretty and the locals endearing, but Schorr never gets past charming.
  14. A beautiful, intensely moving film.
  15. Tries hard to be sweet but plays like "Pollyanna" with fleas.
  16. Against "Whale Rider's" well-acted, intimate story, Gordon's film feels like an endless spiral of sub-par soap-opera acting, mired in trite, predictable dialogue.
  17. When applied properly, short-form animation can bring dreams and nightmares to life like no other medium.
  18. It's "knowingly" off-the-rails--and if you're in a tolerant or adventurous mood, very entertaining.
  19. The movie, like Hitch, tries to be cool, funny and sweet but falls on its face without generating any real sympathy, smarts or humor.
  20. Full of groovy music and comic characters--many with a priceless reaction to Lovelace's oral party trick--but it hardly manages to say anything new or thoughtful.
  21. It's all neat and sweet and one-dimensional, more the moral to a story than a story.
    • 64 Metascore
    • 75 Critic Score
    The film is more than a lesson about overcoming bigotry and ignorance. It's also just a beautifully animated romp through the world of Pooh as created by A.A. Milne.
  22. Infusion of comedy elements keeps the story light, without dragging it into the cartoonish.
  23. The kind of well-crafted, character-driven work that wows regional film festival crowds and public television audiences but seldom gets seen outside those circles.
  24. Wedding Date is neither good art, good entertainment nor even good trash.
  25. Nobody Knows, by the often excellent Japanese filmmaker Hirokazu Kore-eda, is one of those special movies that can give us a new way of seeing.

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