Dead Island 2 does not pretend to be anything more than just a video game, even for a moment. Its every element, from the bland story to the environments, serves the purpose of making smashing zombie heads fun. The problem is, after a couple of hours this fun starts to give way to repetitiveness.

First hours with Banished are very enjoyable, but when the town starts functioning like clockwork, the game loses its appeal, because it's short of features – there’s no campaign here, no scenarios. [04/2014, p.68]

Despite Eagle Flight’s scanty content and the fact that its visuals are just okay, it was my most enjoyable VR experience to date. [01/2017, p.49]

Minute of Islands seems like a promise of a brilliant story but sadly some mechanics and developers’ choices got in the way and the game’s potential was squandered. Poorly designed platforming sequences quickly becomes tedious, while hallucinations caused by spores are boring and repetitive. I also wish the designers told me more about the intriguing world they created, because minimalist storytelling does not work here as well as it did in Journey. [09/2021, p.52]

After every moment of enjoyable flight or other dynamic event comes a segment that requires patience and counting seconds to time the next jump right. It’s a pity that instead of A Story About Jumping Around Like A Maniac we got such a drag. [8/2014, p.71]

Reikon Games mixed Doom with Ghostrunner, added a pinch of Titanfall 2 and Metroid Prime, and shook it all up to create a unique and delicious cocktail. Now that's what I call a surprise!

Yuke’s made some improvements taking the series in the right direction, but do not expect any revolutionary changes, because the most important aspect – the combat system – was only slightly modified. [13/2015, p.38]

Looks great, uses motion controls and apart from planes lets you choose a dragon. [12/2015, p.73]

Gears of War: Ultimate Edition is a great game, but only on Xbox One. The PC edition is troublesome beyond belief. I had to face failing Windows Store download, abysmal performance (so much for the Full HD, not to mention 4K...) and lots of different technical issues ranging from missing textures to game quitting unexpectedly. [05/2016, p.45]

Three interesting career paths provide many hours of fun. [06/2015, p.61]

A great example of an eyesore spit out by indie devs convinced that only the story matters. The worst part is that they had no idea how to write the story to avoid it being a cliché running with the pack of sad, moving indie games. [08/2014, p.69]

Truly hilarious, brilliant dialogues are not enough to compensate for random, grind-oriented gameplay. [07/2018, p.74]

Visually, Croc is just severely out of date, and the gameplay itself seems too archaic to retain for long. I would only recommend it to turbofans of the original, if only for the extensive collection of bonus material.

It brings back memories of Painkiller and Serious Sam – again and again you get drowned in enemies. From time to time Hard Reset will beat the hell out of you but it does it in a quite pleasant way and graphics are very nice. The game has two substantial flaws – the single player campaign is short (ca. 6 hours) and there is no multiplayer mode. [October, p.66]

Provides a couple hours of genuine fun but if you have a portable device capable of running anything more complex than Pokémon Red/Blue, there’s no real reason to play Pocket Mortys. [03/2016, p.72]

When it came to rating the game, I was torn between 7+ and 8. There are some technical issues here, the bosses are disappointingly bland and both enemies and environments could use some more variety. I made my final decision when I played the wonderful song from the game and started to look through the screenshots I captured. I instantly remembered how much fun I had with The Surge’s great combat system and felt the need to start New Game+. And I don’t even consider Dark Souls the best thing since medieval torture devices. [07/2017, p.54]

The game features on of the most unique combat system in the tactical RPG genre. The maps are small, the RPG element is rather weak and the interface could use some polishing. In spite all of that Iron Danger still remains original and fun. [05/2020, p.55]

The Switch version is ideal for couch gaming and the gyro controls change everything... even if from the technical standpoint the game has some real problems. [13/2019, p.81]

Spellforce 3 is average both as an RPG and as an RTS, but the developers managed to mix these two genres skillfully, elevating the game beyond mediocrity, and ensured it looks spectacular. Still there are some major issues that drag Spellforce 3 down – questionable design choices, larger battles descending into frustrating chaos, bugs and widely understood crudeness. [02/2018, p.42]

Session: Skate Sim is the best skateboarding game right now. It’s difficult, it’s challenging, but it offers unbelievable possibilities for a video game and is very realistic without going overboard. I’ve been dreaming of something like this for the past 20 years. If you like skateboarding, you must play it.

A real flight simulator for the consoles. It has good flight model and huge number of planes, but sadly isn't a great game as a whole. [June 2012, p.68]

Outriders guarantees an enjoyable evening with friends. We had lots of fun clearing out stage after stage, gathering loot, upgrading our gear and improving our builds so they complement each other perfectly. The final score would have been higher if it weren’t for tons of technical issues we had to deal with. [06/2021, p.28]

If you want to get sweaty, play the game without the active pause. [06/2020, p.70]

Mandragora: Whispers of the Witch Tree is a moderately successful soulslike game and is far from perfect. The game's biggest flaws turn out to be the unpleasant platforming elements and the repetitive minibosses.

Despite some flaws the incident at Atamipek Lake is definitely worth experiencing, as long as you rank atmosphere and discovering a gloomy mystery above shootouts and car chases. [06/2017, p.53]

A space sim, an RPG and a 4X strategy mixed together skillfully, but held back by outdated technology and excessive grind. [08/2017, p.66]

Some of the fights seem too repetitive but many of the game’s shortcomings are made up for by its fantastic atmosphere of the original anime. [03/2020, p.60]

Andy Davidson (the original Worms creator) returned to help refresh the series. It didn't really work out the way it should have – Revolution is not what I was hoping to see. [12/2012, p.57]