One of those mean platformers that exist to poke a masochist’s pleasure center. Physics based gameplay often requires more luck than skill which can be annoying, but I’ve never had so much fun throwing my own head at things. [02/2016, p.47]

A girl the size of an insect searching for her father’s bug-like mech in a forest where nature meets sci-fi is a great concept that makes Stonefly worth checking out. Too bad the developers’ creativity ends pretty much right there. While the game is a clever mix of genres and offers an original twist on hack’n’slash combat, it does next to nothing to evolve the gameplay or the story, so sooner or later monotony will set in. [08/2021, p.70]

On the one hand we have beautiful visuals, distinct melancholic atmosphere, and an interesting backstory to uncover. On the other – mediocre combat, repetitive puzzles, slow pace, and various technical issues. It is definitely an enjoyable game though and I’m looking forward to Orbit Studio’s next title. [08/2021, p.72]

It’s an enjoyable game that will win the hearts of children, but it’s far from breathtaking – it’s short and lacks a spark (e.g. a protagonist that is not only cute but also charismatic) that would make it memorable. [06/2017, p.66]

The way the story branches out depending on your choices is really impressive, but experimenting with it becomes repetitive after a while due to scarcity of levels and too easy (but otherwise enjoyable) combat. [06/2016, p.47]

It was supposed to be an unforgettable experience, but unfortunately I’ve already forgotten a lot of it. [CD-Action 10/2013, p.74]

Phone Destroyer is pure hypocrisy, as it shamelessly ticks all the boxes from Parker and Stone’s guide on preying on susceptible people using mobile titles (episode Freemium Isn’t Free of the TV show). The game looks good though and has the show’s unique vibe, so the fans should enjoy it for a while, until they get tired of shallow, repetitive gameplay. [01/2018, p.51]

Flockers is not an original game (it uses the concept introduced in Lemmings over two decades ago), but it’s a polished one. It’s a cute puzzle game that is also so brutal that it earned a PEGI 16 rating. [Dec 2014, p.80]

Nintendo Switch Sports is a modern retelling of the Wii classic. Despite somewhat less precise motion controls, it’s about as fun as its predecessor, mostly thanks to the emphasis on online play.

A decent PC substitute for the Pikmin series. Its magical land filled with adorable creatures is a joy to explore, rich content will keep you occupied for as long as 20 hours, and a drop of survival mechanics spices up the adventure without making it stressful. The somewhat hazy story is okay at best and even though the game showers you with crafting materials, the crafting itself is pretty much needless, but the game’s biggest problem is the repetitiveness that made me slightly weary. [8/2021, p.74]

I enjoyed the atmosphere, assassination-based combat, enjoyable bow shooting mechanics, varied character classes, and cool maps. The whole concept is great, but Hood needed more work, because numerous minor flaws and a sole game mode make it look like an early access title. I also believe it was possible to squeeze much more out of this darker twist on the Robin Hood setting. It is not an excellent game right now, but it is enjoyable enough to be addictive, and I’m looking forward to future updates, hoping they will unlock Hood’s full potential. [08/2021, p.76]

Omega Force’s crossover between Persona and the Warriors series is a breath of fresh air for both franchises. It’s not a revelation by any means and not a great sequel to Persona 5 in terms of the story, but despite rather uninteresting content in between missions and the scantiness of additional activities, it’s a good, varied game that’s simply enjoyable. [04/2021, p.36]

Strange Horticulture is a puzzle game where you identify plants and mushrooms for the clients of your herbal store and explore the map following the clues. It’s a game for you if you don’t mind staring at one screen or browsing a swelling botanical handbook – especially if you enjoyed Potion Craft.

The story is satisfying, refers to choices made in Inquisition, adds a lot to the lore and wraps up some loose ends. [12/2015, p.57]

I was disappointed to see the return of the old, a bit obscure user interface and the biggest pain in the neck – the inability to attack diagonally in close combat. I was also once more let down by the story which is awkward at times and ends too abruptly. [06/2016, p.52]

On the one hand I know a couple of better shooters that throw pixels the size of a bouillon cubes at you. On the other hand I had tons of fun with Brain Damaged thanks to its fast, challenging gameplay and tons of pop culture references. Plus, if I ever decide to put together a list of the most twisted game levels, some of new Postal’s maps are sure to be on it.

A well-written cyberpunk graphic adventure that tackles some weighty subjects. [03/2016, p.62]

Combat gives you a decent array of options but unfortunately it rarely poses any challenge. The optimization is abysmal and while it does not make the game unplayable, the situation is still unacceptable. Despite that I can recommend this title to everyone who seeks a solid turn-based RPG. The developers put a lot of effort into creating a vivid world and tell a lot of minor stories, many of your decisions matter and in some aspects Expedition: Viking reminds me of classic Fallouts. [06/2017, p.70]

Epistory is a one-trick pony (you interact with the environment by typing in corresponding words) so it becomes repetitive, but it has a pleasant fairy tale atmosphere. [06/2016, p.53]

Disjunction’s gameplay is quite repetitive and there are some annoying flaws, but if you like tech noir and remember the Amiga days fondly, there’s a significant chance you’ll have fun. [04/2021, p.39]

I was disappointed that the HD Edition did not come with some new content. It’s a shame that this pleasant, relaxing adventure last only two hours, because I really grew fond of Leo. [12/2015, p.57]

GG&C is not original in any way but if you simply want to spend a pleasant couple of hours shooting people and burning zombies (preferably in co-op) while enjoying great hand-drawn visuals and unconstrained humor, it’s a really good pick. [02/2016, p.50]

You need to be familiar with the animated series to fully enjoy Battle Through Time, otherwise you’ll find the game to be rather unexceptional and confusing. As a huge Samurai Jack fan, I was delighted with both the nostalgic journey and the story it offered me, even if sometimes the camera was unbearable. [11/2020, p.42]

An interesting and beautiful, but also slow and repetitive board game. [12/2015, p.60]

Retro visuals, chiptune soundtrack, faithfulness to standards set by Metroid. It’s not a game to remember for the years to come, but it is a beautiful example of how some ideas never get old. [01/2018, p.60]

Despite its obvious low budget I’ve already devoted 60 hours to Warhammer Quest – first on iOS, and now on PC. The atmosphere of the Old World recreated by Rodeo Games does not cease to delight me. [03/2014, p.80]

It’s not a title you need to play to stay up to date with gaming trends. It’s a typical representative of the hack’n’slash genre, solid in every aspect but not unique in any. If you enjoy such games, walking the wolves in Midgard will be fun, because the essence of the genre was conveyed proficiently. [06/2017, p.73]

Both parts of Super Mario Galaxy are still phenomenal 3D platformers, worth playing even today. The problem is that the anniversary compilation looks like it was put together in a hurry, and its price is more off-putting than appealing.