Lifeless as entertainment and incoherent as ideology.

Though it slows down in the back half, the opening acts of Season are reasonably entertaining.

The "Fab Four's" dramadies continue for the audiences who love them. Trouble is the surrounding story and its supposedly fun sojourns are as embarrassing as granny panties.

While it never quite rises above the problems inherent in the material, The Spy Next Door does shine in those moments when Jackie and his stunt crew are permitted to do what they do best.

To say the franchise is coasting along on fumes suggests it once ran on a full tank, which may not even be true for "Meet the Parents," the surprise hit that kicked off this broad comic franchise.

While A Thousand Words features some reverent flashes and even has the potential to touch audiences (a moment involving a mother with Alzheimer's particularly hits home), it suffers from being too broad.

A refreshingly pure, honest and original love story, Waiting For Forever is one from the heart with superb performances from a talented cast.

All you need to know about this low-budget farce is that Amy Sedaris costars (yippee!) and New York pol Anthony Weiner would feel right at home with the sexting subplot (eeeuw!).

Even if 2016 is preaching to the choir, its fanbase is eager to tithe - it's spent this week as Fandango's #1 ticket seller.

This sci-fi thriller manages to blend genuine suspense with unintentional laughs.

A mess of a horror movie that spent several years sitting on a shelf and should have remained there living up to its fullest potential as a dust magnet.

Entertaining, full of laughs and, as far as chick flicks go, is a sweet, romantic trip worth taking for audiences so inclined.

Turns out to be a huge disappointment.

When all the pieces finally come together at the end, the effect is less impressive than it is reminiscent of "Wayne's World": multiple endings, no real impact or weight to either.

The new film Abduction has a lot of problems, but the biggest is the fact that no one gets abducted. Ever.

Apollo 18 is a drab horror that tries to plant fears about untrustworthy authority (Nixon, NASA, etc) that are as stale as a freeze-dried peas.

Burzynski may have credibility in the eyes of some, but the movie about him has no credibility, so no one will be receptive to its message.

It seems impossible that a sequel to a movie as ridiculous as "Piranha 3D" could disappoint but Piranha 3DD stops at mediocre before arriving at gloriously bad.

We get the broad strokes of how the hippies corrupted their own movement, but there isn't a single lead character we'd give a dollar to on Haight Street.

Production values from designer Anthony A. Ianni are matter-of-fact with the exception of standout effects from key make up artist Colin Penman and his staff. Its cast is fairly forgettable with the exception of Saw veteran Tobin Bell as Jigsaw and Cary Elwes as Gordon.

Chipwrecked is the sort of Sunday afternoon trifle that will mollify children and mortify their parents, an eyesore that auto-tunes its strong cast into anonymity and undercuts its convincingly rendered CG leads by confining them to hideously cheap environments.

The movie's simple-minded lesson that forests are good and development is bad is undercut the minute one pauses to think about how many natural resources were wasted on this sorry excuse for a motion picture.

Jack and Jill is a barrage of fart jokes and fat jokes and mean jokes that sincerely thinks it deserves to end with a hug. It doesn't deserve awwwws - and it doesn't deserve your money.

What's most memorable about this plodding thriller are the copious amounts of foundation and lip gloss.

If "Midnight Run" and "His Girl Friday" had an unwanted, mutant baby, it would be The Bounty Hunter, a romantic comedy where the jokes sputter and die immediately after exiting the character’s mouths.

Starved of humor and energy, the interminable Big Mommas: Life Father, Like Son could force Lawrence and co-star Brandon T. Jackson undercover for real.

Unlike "The Lost Boys," there are no bloodsuckers in Twelve. Instead, it just sucks time: 98 minutes to be exact that you can never get back.

Even with a big name cast that includes three Oscar winners - Halle Berry, Robert De Niro and Hilary Swank - New Year's Eve is at best a pleasant diversion.