Boston Herald's Scores

  • TV
For 1,146 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 My Brilliant Friend: Season 1
Lowest review score: 0 One Tree Hill: Season 1
Score distribution:
  1. Mixed: 0 out of 628
  2. Negative: 0 out of 628
628 tv reviews
  1. Creator/executive producer Kring hasn’t learned anything from seasons two through four. Heroes Reborn suffers from the same excesses that alienated viewers--too many characters, too many plot threads, too many snippets of scenes that serve to advance little but the time to a commercial break. Finally, the show seems old-fashioned.
  2. It's all about their attitudes, and on that front, Man Up! is a downer.
  3. Vivian's secrets are predictable. Judging from the first two episodes, Joanna is not much of a sleuth. Scene set-ups go nowhere. Minor characters are brought in, disposed of, and the show bumps along to another complication.
  4. The real reason why “Mariah’s World” seems stale is that it comes off as a TV remake of “Madonna: Truth or Dare,” and Madge did it better in 1991.
  5. CBS has churned out yet another lowest-common-denominator sitcom.
  6. The cast around Mulgrew is excellent. ... Mulgrew, however, drags it all down. Starfleet commanders are not supposed to be this dull, stiff and joyless. As a woman, she's all cardboard and mannish. [16 Jan 1995]
    • Boston Herald
  7. Nobody registers much of a connection. What’s missing from this show is heart.
  8. At 60 minutes, these episodes will test even loyal fans, although some viewers will discover a new respect for Melissa, who displays patience not unlike Job in her trials. Still, Joan is her mother. Everyone else can skip the guilt trip.
  9. While the miniseries is more faithful to the 1941 James M. Cain novel of the same name, Todd Haynes' adaptation (he co-wrote the teleplay, directed and acted as one of the executive producers on this five-part bloated whale) is so draining, it might make you anemic.
  10. Madsen works hard to deliver an intimidating matriarch, but the dialogue is flat and merely functional.
  11. Beau resents his son for abandoning the family homestead. Rooster enjoys egging them on. The war of words can sometimes feel brutal. The work gives Kutcher a chance to truly act, to bring some pathos to the fore, but The Ranch is a slog.
  12. Alpha House feels like social studies homework. On a Saturday night.
  13. TV Land tries to build on its surprise sitcom hit "Hot in Cleveland" with Retired at 35, a spectacularly unfunny show that reflects a parent's worst nightmare: A grown child moves home for no good reason and shows no sign of budging.
  14. The cast, it must be noted, is fine; it’s the scripts that seem to be have been drenched in Bug Juice and left to rot in the sun.
  15. The background music works muscularly to pump up interest, but the story's pacing is ponderous.
  16. So many flashbacks for a murder mystery that is not remotely compelling.
  17. Where Ties unravels is in its other half, as it desperately tries to be a gritty police procedural.
  18. The Passage teases a disaster on an even grander scale yet backtracks several times over in its first three episodes and still manages to rush its most crucial relationship.
  19. As vital as it is, political strategizing just isn’t that engaging to watch.
  20. Gore-hounds will find a couple of visual shots fascinating, but there’s little here for anyone to justify the hour investment.
  21. Midnight, Texas could have been called “True Blood: The Next Generation” or even more precisely “True Blood: The Low-Budget Network Reboot.” Either way, it can’t shake a fang at the original.
  22. The sitcom starts with one of the best introductions to a group of losers. By the end of the third episode Fox provided for review, I was yawning and daydreaming about buying nail fungus remover.
  23. The film jumps erratically across the years to show how Madoff’s arrest in 2008 for a $65 billion Ponzi scheme ruined his family, depicted here as much victims as those who trusted Madoff and lost their fortunes. Yet it’s as if you are watching the work of a first-time director who read about his craft off a flash card.
  24. Finally you get the sense that Meryl Streep's daughter is coming into her own as an actress and even a lead. But Emily needs a script doc, stat.
  25. Party Down, about a group of aspiring Hollywood types working as caterers, returns for a second season of stale jokes.
  26. The Good Place,” from “Parks and Recreation” creator Michael Schur, is the true heir to “Lost,” right down to the flashbacks, half-baked philosophy and Colorforms-simple metaphors.
    • 50 Metascore
    • 50 Critic Score
    Wolf Lake attempts to revel within the originality of its otherworldly concept but never does anything remotely original or otherworldly. [12 Sep 2001]
    • Boston Herald
  27. For anyone engaged in psychotherapy, Gypsy presents a nightmare, but its lazy execution is not worth the time commitment.
  28. Every character has a voice-over, info dumps for back story that are either irksome or unnecessary.
  29. It’s a series that zips along in one direction, suddenly accelerates in another and veers out of control into a swamp of sugar and schmaltz.

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