Boston Herald's Scores
- TV
For 1,146 reviews, this publication has graded:
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54% higher than the average critic
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3% same as the average critic
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43% lower than the average critic
On average, this publication grades 3 points lower than other critics.
(0-100 point scale)
Average TV Show review score: 64
| Highest review score: | My Brilliant Friend: Season 1 | |
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| Lowest review score: | One Tree Hill: Season 1 |
Score distribution:
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Positive: 628 out of 628
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Mixed: 0 out of 628
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Negative: 0 out of 628
628
tv
reviews
- By Date
- By Critic Score
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Reviewed by
Mark A. Perigard
To the credit of creator Christopher Keyser (“Party of Five”), the series plays with expectations. Relationships bloom and wither in surprising combinations. Unfortunately, the show lacks a pulse.- Boston Herald
- Posted May 9, 2019
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Reviewed by
Mark A. Perigard
In this true-life horror tale of a government refusing to acknowledge scientific fact and its ruthless demand for obedience, “Chernobyl” feels especially timely.- Boston Herald
- Posted May 6, 2019
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Mark A. Perigard
I’m pretty sure there was a Lifetime version of this story and the best part was it was over in two hours. Cardellini does the best she can, but the writing for her character and her motivations make no sense.- Boston Herald
- Posted May 2, 2019
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Mark A. Perigard
The drama ultimately arrives at the destination you knew it would right from the opening moments. By trying to tell everyone’s story, “The Red Line” forgets to tell one good one.- Boston Herald
- Posted Apr 29, 2019
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Mark A. Perigard
While much of the teen supporting cast, including Kyanna Simone Simpson as best pal Yvonne and Sarah Mezzanotte as mean girl Marnie, are just right, Rose is flat through most of her scenes. The scares, at least in the opening episodes, rise from jump cuts or dreams. Ten episodes just seems too long for any heart to suffer this story.- Boston Herald
- Posted Apr 24, 2019
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Mark A. Perigard
Williams is magnificent. ... It’s a small miracle that “Fosse/Verdon” never loses sight of its goal — capturing the love and frustrations of two talented people who could never let each other go. “Fosse/Verdon” is “Scenes from a Marriage” — with none of that jazz.- Boston Herald
- Posted Apr 9, 2019
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Mark A. Perigard
The dramedy digs deeper, tightening the connections between these seemingly random residents.- Boston Herald
- Posted Apr 8, 2019
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Mark A. Perigard
Despite the often tense, even grisly moments, the show remains furiously funny — as when Oh as Eve reacts to a robocall from a roofing company or craves a hamburger during a visit to a makeshift morgue. As the object of a growing manhunt, Comer manages to constantly keep viewers off-balance with a performance that is perpetually off-kilter.- Boston Herald
- Posted Apr 4, 2019
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Mark A. Perigard
Mattfeld delivers a nuanced performance as a woman who has chosen to meet the world with hostility as a calculated defense. No matter how middling the story, she’s always worth watching.- Boston Herald
- Posted Apr 2, 2019
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Mark A. Perigard
In its best moments, this reimagined “Zone” features some of today’s most intriguing actors and swerves from fun to disturbing and back and is just as provocative as the original.- Boston Herald
- Posted Mar 28, 2019
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Mark A. Perigard
The #MeToo movement would seem impossible to riff on, yet Veep’s gloriously inappropriate writers have found a way.- Boston Herald
- Posted Mar 27, 2019
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Mark A. Perigard
Tacoma FD needs more than a spark to get going. It needs a tanker full of gasoline and a convenient bolt of lightning.- Boston Herald
- Posted Mar 25, 2019
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- Boston Herald
- Posted Mar 18, 2019
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Mark A. Perigard
In true Bluth fashion, what you think you know about the Bluths you don’t know at all.- Boston Herald
- Posted Mar 14, 2019
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Mark A. Perigard
Idris Elba is a star. The least his TV show can do is reflect that.- Boston Herald
- Posted Mar 13, 2019
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Mark A. Perigard
After watching the first five episodes, I don’t recommend watching “Now Apocalypse” every week. I do suggest waiting to the end of the season and downloading the series in one sitting. Now Apocalypse plays like the kind of show that can only benefit from a decadent binge.- Boston Herald
- Posted Mar 11, 2019
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- Boston Herald
- Posted Mar 4, 2019
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Mark A. Perigard
Leaving Neverland is not balanced, not by any standard. It is, however, a devastating testament to how childhood sexual abuse rages like a ferocious cancer through survivors and their families.- Boston Herald
- Posted Feb 28, 2019
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Mark A. Perigard
If its characters continue to be dumb about someone in their midst (hey, see how that title comes into play), it could diminish them and the show. ... [Unlike ABC's Whiskey Cavalier,] this show goes beyond the standard cloak and dagger to ask some serious ethical questions about methods and how even the most seemingly benign operation can lead to civilian collateral damage. For treating us like grown-ups, you might be willing to make friends with “Enemy.”- Boston Herald
- Posted Feb 25, 2019
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Mark A. Perigard
A spy show mixed with an awkward romantic-comedy. Imagine if “Grey’s Anatomy’s” Shonda Rhimes decided to remake “Get Smart” as a drama and you get a sense of the tones at war here.- Boston Herald
- Posted Feb 21, 2019
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- Boston Herald
- Posted Feb 20, 2019
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Mark A. Perigard
In broadcast TV terms, this is more “Night Gallery” than “Twilight Zone.” ... Weird City is built on one twisted foundation.- Boston Herald
- Posted Feb 19, 2019
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Mark A. Perigard
So many flashbacks for a murder mystery that is not remotely compelling.- Boston Herald
- Posted Feb 14, 2019
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Mark A. Perigard
The story is a little too Dark Phoenix, and the series’ pacing can be maddening. But you have to love an action-packed finale that rips from a kid’s birthday party at a bowling alley (little Kenny is never getting over that one) to a concert hall on the cusp of the apocalypse. The climax is an ending and a beginning. Umbrella Academy is just getting started.- Boston Herald
- Posted Feb 13, 2019
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Mark A. Perigard
This adaptation from executive producers Geoff Johns and Greg Berlanti (behind all the CW superhero shows) is just as wonderful and weird as the comic.- Boston Herald
- Posted Feb 11, 2019
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Mark A. Perigard
At a half-hour, Song of Parkland is too darn short. And some perspective from the parents of the teens here would have been welcome.- Boston Herald
- Posted Feb 7, 2019
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Mark A. Perigard
Simm is very much the thinking man here, an academic thriving on his wits. Leung is affecting as a young woman whose quest rocks the core of her identity and her own chance for love. ... The miniseries almost sticks its landing. Its final scene can’t resist a bit of mawkish sentimentality to wrap the story. It’s not earned or needed.- Boston Herald
- Posted Feb 4, 2019
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Mark A. Perigard
Just at the moment when you’re getting tired of the “Groundhog Day” antics and thinking Nadia’s rerun rumpus is a trip to anywhere, Russian Doll drops a twist in its third episode that changes everything.- Boston Herald
- Posted Jan 30, 2019
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Mark A. Perigard
Malkovich’s detective lacks his spirit. ... This detective is subdued, almost meek. He is an imposter.- Boston Herald
- Posted Jan 28, 2019
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Mark A. Perigard
The dress rehearsal was rough in many spots. The camera work at times was manic, punctuated by the stray stagehand ducking for cover. It also suffered from a huge distraction--the audience. ... Hudgens brought mad energy to her part. Valentina as the doomed Angel was affecting and downright kicky on “Today 4 U.” Brandon Victor Dixon, the scene-stealer from last year’s “Jesus Christ Superstar,” didn’t find his footing until late in the show. Others in the cast seemed drawn from a community theater production.- Boston Herald
- Posted Jan 28, 2019
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