Boston Globe's Scores

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For 7,944 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
  1. Positive: 5,226 out of 7944
  2. Mixed: 1,553 out of 7944
  3. Negative: 1,165 out of 7944
7944 movie reviews
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    • 81 Metascore
    • 88 Reviewed by
      Ty Burr
    She Dies Tomorrow
    As the sensation of imminent doom spreads from character to character to character, She Dies Tomorrow takes shape as an allegory with just enough genre trimmings to keep us off balance.
    • 58 Metascore
    • 38 Reviewed by
      Ty Burr
    An American Pickle
    Among other things, An American Pickle is very, very Jewish, and a scene toward the end revolves around Ben finally joining a minyan to say the Mourner’s Kaddish. Better they should have said it for the movie.
  3. Made in Italy
    Along the way, good food is eaten, the scenery is fabulous, and when the son and a local woman meet cute she not only speaks excellent English but is gorgeous and endlessly understanding. There are some laughs. There are some tears. There’s even a little swearing. Made in Italy has been saddled with what must be the year’s least-deserved R rating.
    • 57 Metascore
    • 63 Reviewed by
      Ty Burr
    The Burnt Orange Heresy
    When a cast is assembled that is as elegantly depraved as the one in The Burnt Orange Heresy, attention must be paid. And this art-world thriller has enough burnished surfaces, glamorous locations, and dark doings to keep an audience rapt for much of the running time. Yet somehow you may end the movie feeling less full than when you began.
    • 65 Metascore
    • 63 Reviewed by
      Ty Burr
    Creem: America's Only Rock 'n' Roll Magazine
    The magazine changed hands a number of times before shuttering in 1989, but JJ Kramer now owns the brand and the archives and with this movie hopes to reintroduce them to a new generation. And why not? One thing about CREEM is that it always rises to the top.
    • 84 Metascore
    • 75 Reviewed by
      Ty Burr
    Black Is King
    Even when the meager story line falters — more on that in a bit — the music and visuals mesh into a dazzling whole.
    • 70 Metascore
    • 75 Reviewed by
      Ty Burr
    Rebuilding Paradise
    Rebuilding Paradise is well worth seeing, but know that Howard’s taste for the upbeat keeps getting drowned out by a dire and dissonant doomsday drum.
  8. The Fight
    The lawyers in the film are compared to superheroes, to David and Goliath. But they know their efforts are not enough.
    • 56 Metascore
    • 63 Reviewed by
      Ty Burr
    Summerland
    Spectacular locations on the southeast coast of England and a handful of fine performances are the best that can be said for Summerland, but that’s still better than most.
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    Babysplitters
    The setup is ridiculous, but the playing is pure comedy of mortification and watch-through-your-fingers funny.
    • 71 Metascore
    • 50 Reviewed by
      Ty Burr
    Yes, God, Yes
    Flatly filmed, drably lit, and sluggishly paced, Yes, God, Yes takes a cheeky premise and slowly lets the air out of it.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    The Rental
    A solid entry in the real estate horror genre and an impressively taut feature directing debut for actor Dave Franco. Relying far more on psychology than bloodletting, the movie nevertheless exudes a growing sense of dread that’s difficult to shake.
    • 56 Metascore
    • 50 Reviewed by
      Ty Burr
    Radioactive
    Pike understands the woman she’s playing was a genius and that genius is rarely likable; her performance bristles with charismatic impatience.
    • 76 Metascore
    • 88 Reviewed by
      Ty Burr
    The Truth
    Using compassion and the slightest touch of syrup, Kore-eda brings his characters to a place where they realize with shock that they’re finally on the same page.
    • 47 Metascore
    • 38 Reviewed by
      Ty Burr
    The Sunlit Night
    Taken as a whole, The Sunlit Night is fey and inconclusive, and whether something of more substance got cut in the post-Sundance re-edit or was never there to begin with is at this point moot. The movie’s up a most beautiful creek without a paddle.
    • 83 Metascore
    • 88 Reviewed by
      Ty Burr
    Palm Springs
    What makes the movie fly are the interlocking energies of its leading players, Andy Samberg and Cristin Milioti.
    • 77 Metascore
    • 75 Reviewed by
      Ty Burr
    Relic
    The movie is a steady, frightening depiction of a baton of awful knowledge being passed.
  18. The Old Guard
    As directed by Gina Prince-Bythewood, The Old Guard is assured and textureless: competence doing the work of inspiration. The movie is like an extended trailer for itself.
    • 64 Metascore
    • 63 Reviewed by
      Ty Burr
    Greyhound
    “Dunkirk” or “1917,” this is not. But as a window onto an under-acknowledged arena of combat and a starting point for armchair military historians, Greyhound is seaworthy enough to make it across.
    • 83 Metascore
    • 88 Reviewed by
      Ty Burr
    Bloody Nose, Empty Pockets
    Is Bloody Nose, Empty Pockets exploitative or enabling? On the contrary, it is friendly, clear-eyed, and wise — tender about our follies and unsentimental about where they lead us. A heap see but a few know, and the Ross brothers are among the chosen few.
  21. John Lewis: Good Trouble
    John Lewis: Good Trouble isn’t a great film, but it has a great subject — and excellent timing.
    • 29 Metascore
    • 63 Reviewed by
      Ty Burr
    Force of Nature
    Force of Nature lives up, down, and sideways to all those demands; it’s hardly a great film, but it keeps you watching, and only partly in disbelief.
    • 88 Metascore
    • 100 Reviewed by
      Ty Burr
    Hamilton
    Hamilton stands as a reminder of how hard it is to get a democracy right, and how necessary it is to keep trying, as long as it takes.
    • 47 Metascore
    • 63 Reviewed by
      Ty Burr
    Irresistible
    Irresistible is a movie of the moment. Unfortunately, that moment is 2015.
    • 50 Metascore
    • 38 Reviewed by
      Ty Burr
    Eurovision Song Contest: The Story of Fire Saga
    A bad dopey Will Ferrell comedy – overlong, underwritten, as strained as its title, and running on schtick and storylines that are practically rims.
    • 67 Metascore
    • 50 Reviewed by
      Ty Burr
    The Last Tree
    The gap between storytelling and story is rarely as wide as in The Last Tree, a coming-of-age drama that is rapturously shot and dramatically trite.
    • 73 Metascore
    • 75 Reviewed by
      Ty Burr
    Miss Juneteenth
    Miss Juneteenth is a simple story but a resonant one: modest but impactful, focused on one woman’s pride and her daughter’s future while unfolding in the bedrock of a known and loved environment. You can feel the history coming up through its pores.
    • 54 Metascore
    • 38 Reviewed by
      Ty Burr
    Wasp Network
    The thrill of watching an Olivier Assayas movie is that you often have no idea where it’s going next. This time out, it seems, neither does he.
    • 77 Metascore
    • 75 Reviewed by
      Ty Burr
    Babyteeth
    Under Murphy’s direction, the tone is darkly comic — not what you’d expect given that plot synopsis but to which the actors respond with deftness and creativity, like downhill skiers facing a challenging slalom.
    • 67 Metascore
    • 88 Critic Score
    The King of Staten Island
    The laughs in The King of Staten Island are earned, and they are frequent — a frequency that is no small accomplishment, given the pain and loss at the film’s center.
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