Boston Globe's Scores

For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7945 movie reviews
  1. The immaculately crafted film that just sits there and refuses to come to life.
  2. Agreeable eye candy and ear candy, but it's too slight to reach as deep as it thinks it wants to reach.
  3. Gives three first-rate actors a chance to stretch, and they do.
  4. A smartly crafted throwback to the gritty Manhattan crime melodramas of the '40s .
  5. You'll care what happens in this film with more than enough freshness and originality to avoid succumbing to girls-on-the-run cliches.
  6. It seems endless. It's also unusually crude and stupid, even for an Arnold Schwarzenegger movie.
  7. It's one of the few films that persuades you that it went out to meet the war and bring it to us with verisimilitude.
  8. Everything you could want in a sequel. It satisfyingly regenerates the characters and qualities that made the first film so popular. And then it moves them forward into newer, fresher, more elaborate, more involving territory.
  9. This 19th Bond installment is passable, but only just.
  10. A tender genuflection to the women's energies that keep that spinning world from keeling over.
  11. A gorgeous screenful of period eye candy.
  12. A miracle of data retrieval as the grown schoolchildren are measured against their footage from the earlier films.
  13. Stylish and arrives at a satisfying cumulative weight, even if it isn't Austen pure.
  14. Both a lovingly crafted remembrance of things past and a deliberate broadening and darkening of the canvas Levinson previously filled in "Diner," "Tin Men," and "Avalon."
  15. Aims its big, bold mother-daughter conflicts straight at the heart by way of the tear ducts, and connects.
  16. Has more ambition than the usual serial killer film, but curiously less urgency.
  17. A lot of striking pictures in this would-be feminist "Braveheart," but a film that's pretty flat and earthbound because of the limitations of the figure at its center.
  18. Has that rarest of qualities in movies that think of themselves as religious. I'm talking about the vision thing. And the ability to make morality entertaining.
  19. Light It Up isn't a great movie, but it's a cut above most so-called urban thrillers.
    • 35 Metascore
    • 75 Critic Score
    The Japanese animation is beautiful, and the script adaptation for the English-speaking audience is well-paced, clever, and absorbing enough to keep parents from squirming.
  20. The bleakness of Rosetta will not be for all, but it's one of the best films of the year.
    • 31 Metascore
    • 25 Critic Score
    A vapid, charmless update of Buster Keaton's 1925 film "Seven Chances."
    • Boston Globe
    • 70 Metascore
    • 100 Critic Score
    Reflective, haunting, hilarious documentary.
    • 62 Metascore
    • 88 Critic Score
    Another phantasmagorical tale of life among the Nazis, is upon us. This one works much better.
  21. It seems more a geek show than a slab of marketing wizardry.
  22. Washington and Jolie earn their stripes here, but more texture would have resulted, I think, in more terror.
  23. A big, dark juggernaut of a movie about a big, dark juggernaut of a subject.
    • 52 Metascore
    • 63 Critic Score
    It leaves you with an odd, sweet-and-sour taste - nostalgia painted in pastel colors, streaked with black smears.
  24. Avoids the potentially suffocating pall of uplift hovering over its quite exhilarating story.
  25. Its protagonist haven't enough emotional substance to carry them through the long, darkly lit introspective sequences.
    • Boston Globe

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