Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
  1. Throughout the history of film, nothing turns campier faster than dinosaur movies. This one will have a much longer shelf life than most.
    • Boston Globe
  2. Alazy rip-off of ''Dog Day Afternoon'' that is too limp to even offend.
    • Boston Globe
  3. Anybody who's ever laced on toe shoes, or wanted to, will find something to take away from Center Stage.
    • Boston Globe
  4. This is a sizzling, invigorating Hamlet.
    • Boston Globe
  5. So heavy and lifeless that you keep waiting for those three little front-row kibitzers from "Mystery Science Theatre 3000" to appear at the bottom of the screen to start goofing on it.
    • Boston Globe
  6. It epitomizes the kind of high-profile bloodshed we now expect to herald the hazy, lazy, blockbuster-fixated days of summer.
    • Boston Globe
  7. Is a chamber romance, in that there's nothing grand or sweeping about it, but it's got all the style it needs to go with those glorious Tuscan settings.
  8. A climactic explosion is too obviously a rigged gunpowder charge, and it becomes a metaphor for the film's mistake of diminishing the frantic motion that kept things fizzy and fun.
    • Boston Globe
  9. 'Trainspotting'' Lite.
    • Boston Globe
  10. Von Trier's The Idiots is both lively and juvenile.
    • Boston Globe
  11. Enough originality and emotional weight to keep you engrossed even when it lapses into some pretty standard moves at the end.
    • Boston Globe
  12. If you walk in with your expectations at a suitably low setting, you won't walk away disappointed.
    • Boston Globe
  13. One of the most warmly beguiling romantic comedies the Southern Hemisphere has sent our way in ages.
  14. Never earns the rollicking life affirmation it's after.
  15. Like a good supermarket tabloid, Time Code grabs - and keeps - our attention.
  16. Runs dry amid the cactus and sagebrush, but Graham's cartoony take on angelic unstoppableness makes us not mind so much.
    • Boston Globe
  17. It's no meal, but it'll tide you over.
    • Boston Globe
  18. A gorgeous autumnal period piece that catches a vanishing proprietary class on the eve of its extinction in Ireland in 1920.
  19. Owes less to any film genre than to TV soap operas offered with far fewer pretensions on any given afternoon.
    • Boston Globe
  20. Never lets down, even if depth of character always takes second place to depth charges.
  21. It's brilliantly precise in its detailing, stylishly jagged and sensual by turns, and utterly unpredictable.
  22. From start to finish there's a shimmer of discovery about it - our discovery of it, Coppola's discovery of how much she can do.
  23. The cinematic equivalent of a high, arching rainbow of a three-pointer from midcourt.
  24. The film never drags, but one of the enjoyable things about it is its way of taking its time letting us get to know and savor the characters.
  25. This engaging ensemble comedy that could have been called ''Father Doesn't Know Best.''
    • Boston Globe
  26. In both senses of the word, American Psycho wastes its women.
    • Boston Globe
  27. If Return to Me is ultimately too bland and safe, it'll nevertheless serve as a calling card for Hunt's future directorial projects.
  28. There's an engagingly homegrown quality to much of the footage.
  29. A comic vehicle for that valuable Australian export, Rachel Griffiths.
  30. Strenuously as it tries, and pulse-poundingly successful as the embassy rescue scene is, Rules of Engagement never engages us.

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