Boston Globe's Scores

For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7945 movie reviews
  1. In the end, it's simple warmth and sincerity that make this ensemble piece so disarming.
    • Boston Globe
  2. Too quick to uncritically and unthinkingly accept its subject's rollickingly self-mythologizing take on himself.
    • Boston Globe
  3. We have to endure 93 minutes of this torture, with only a few high points.
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  4. Somewhat overstylized and deliberately enigmatic, The Girl won't appeal to everyone. But its ambition and beauty ultimately triumph over pretense.
  5. It's hard to believe anyone would think importing a French comedy was a good idea.
    • Boston Globe
  6. What you're not prepared for in Marziyeh Meshkini's astonishing debut film is the way its central image instantly leaps into the pantheon of world cinema with a rightness and an urgency that glue your eyes to the screen.
  7. Efficient, but in the end quite pedestrian.
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  8. This predictable, uninspired addition to the endless saga won't win over nonbelievers.
    • Boston Globe
  9. Shadow Magic isn't interested in psychology or character study. It's a series of tableaux and on that level succeeds admirably.
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  10. Blew its chance to be an epic drug opera. It's only nostril-deep.
    • Boston Globe
    • 53 Metascore
    • 38 Critic Score
    If you are a devotee of sleaze, you'll salivate at the prospect of Mau Mau Sex Sex, a fond and fawning look back at exploitation, or grindhouse, movies from the 1930s through the 1960s.
  11. As bloody as any recent film. But it's shot through with a harsh, stony humor that's invigorating enough to be regarded as a slap back at death.
    • Boston Globe
  12. Many spy capers lose their intended irony and wry black humor, but The Tailor of Panama stays stylishly on target in ways that would put a heat-seeking missile to shame.
    • Boston Globe
  13. There are three main reasons for seeing Someone Like You - Ashley Judd, Ashley Judd, and Ashley Judd.
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  14. Wacky enough and gadget-driven enough to appeal to bored kids looking for fresh energies.
    • Boston Globe
  15. Isn't as funny as it is crude, and isn't as crude as it is labored.
    • Boston Globe
    • 81 Metascore
    • 75 Critic Score
    The situation is comic and yet quite serious, as are the ways in which language is used.
  16. What saves the film is the charm and earthy humor the actors wring from the spectacle of these four guys getting an early jump on their midlife crises.
    • Boston Globe
  17. Cries out for the brisk pacing of a Sturges or a Wilder. As is, it's too lumpish, languid, and lukewarm to hit even the guilty pleasure zone.
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  18. There are laughs here and there, and Graham and Klein aren't nearly as grating as what surrounds them. But there's no getting around the fact that far from seeming a labor of love, Say It Isn't So seems merely labored.
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  19. There are moments when faltering levels of energy and inventiveness threaten to turn Too Much Sleep into a nonevent. But it signals the arrival of a promising filmmaker and is worth sticking with.
  20. Its pile-driving succession of set pieces comes at you with numbingly relentless efficiency, presumably in the hope that you won't notice or care how dumb it all is.
    • Boston Globe
    • 63 Metascore
    • 88 Critic Score
    Ynever seen a documentary quite like this one, and aren't likely to again.
    • Boston Globe
  21. The most disorienting and trippiest data-retrieval caper in years.
    • Boston Globe
  22. It's too circumscribed and polite for the story it's telling, curiously deficient in the unexpected.
    • Boston Globe
  23. Warm, wry, endearing.
    • Boston Globe
  24. Small, sharply written, incisive comedy examines, with smarts and style and sexiness, the very nature of modern romance - gay, straight, and in between.
  25. An odd but original, at times even poetic, film about a vanished world.
  26. In a season mostly given over to unwatchable movies being cleared off studio shelves, it's at least about something. And there's no denying the lurid urgency with which it jumps off the screen.
    • Boston Globe
  27. Comes off more like a series of painful cliches than a comedy or a love story.
    • Boston Globe

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