Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
    • 55 Metascore
    • 63 Reviewed by
      Ty Burr
    What's missing here is the one thing any duffer knows you need: Focus. The Greatest Game Ever Played works so hard to convince you of the truth of its title that it never settles down to address the ball.
  1. Into the Blue is as much a mesmerizing aquatic expedition as it is a reasonably suspenseful action adventure.
  2. For folks like me, who missed "Firefly," the short-lived TV show on which the movie's based, watching Serenity is like showing up for a big lecture course at the end of the semester. And yet, after an hour of intense disorientation, the movie's arch sarcasm becomes oddly entertaining.
    • 55 Metascore
    • 38 Reviewed by
      Ty Burr
    Aggressive visual invention is rarely its own reward, and this movie does nothing to better the odds.
  3. Anderson is the rare filmmaker who doesn't want to use the actress as an instrument or to exploit her independent-movie cachet. She has freed Moore to be what she hasn't been with many directors: credibly human.
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    Hampered by a mopey leading man.
  4. The film has the perverse intelligence of Cronenberg's other movies. It's not his best, but it is certainly his most accessible, least stagy work, obeying the laws of chronology and serving up characters whom we recognize as people.
  5. Doesn't have its heroine's conviction. It'd be better if it had.
  6. This nostalgic licorice whip of a movie assumes there's still an audience for a straight-faced, family-friendly salute to the 1970s heyday of competitive roller disco.
    • 33 Metascore
    • 50 Reviewed by
      Ty Burr
    Taking wobbly aim at our country's complicated love affair with guns, the movie's the very definition of a cheap shot.
  7. Even if the story is hackneyed, it's hackneyed in a warm and universal way.
    • 65 Metascore
    • 63 Reviewed by
      Ty Burr
    The result is an expertly made, very watchable film that's curiously lacking in impact. By Polanski standards that has to be a disappointment.
  8. Just because Rad — who died in 2007 at the age of 70 — wasted 26 years bringing Dangerous Men to the screen doesn’t mean you should waste 80 minutes watching it.
    • 58 Metascore
    • 63 Reviewed by
      Ty Burr
    Everything Is Illuminated hasn't been adapted so much as gutted, stuffed, and mounted.
    • 64 Metascore
    • 75 Reviewed by
      Ty Burr
    Proof is proof that you can drain most of the juice out of a play and still have an enjoyable night at the movies.
    • 45 Metascore
    • 25 Reviewed by
      Ty Burr
    A genre cheapie from its digital-video camerawork to its Casiotone soundtrack to its bland, buff cast, the movie is a cultural watershed in a dry gulch.
  9. Just Like Heaven suggests that a post-coma Elizabeth might understand what life is truly all about. Of course, if being alive means having to live in this movie, maybe she was better off the way she was.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    Lord of War is advocacy entertainment -- an act of mainstream provocation -- and, for the most part, it works unusually well.
  10. Burton, who directed the film with animator Mike Johnson, has rarely been in brisker, friskier form.
    • 48 Metascore
    • 25 Critic Score
    It's a family comedy-drama that wants to pluck the heartstrings but keeps getting tangled in its own tinny sentiment.
  11. Garçon Stupide was shot on digital video and is the rare piece of European sexual realism centered completely on a boy's awakening.
    • 42 Metascore
    • 50 Reviewed by
      Ty Burr
    G
    If the movie's not as bad as it sounds, it's not all that great, either.
  12. If ridiculous, hackneyed, gratuitously violent slasher movies aren't your thing, don't go near Venom with a 10-foot snake pole.
  13. Fellowes is so desperate for us to like these people that, despite how guilty everyone seems, there's scarcely any pleasure in the film for us.
  14. Anyone looking for a more practical horror film than ''The Fog" should try The Future of Food.
    • 33 Metascore
    • 38 Reviewed by
      Ty Burr
    Dreadful.
  15. Like most of Hallström's Hollywood movies ("The Cider House Rules," "Chocolat"), this one is excruciatingly tasteful.
  16. The fun of these movies is that Linney often seems too refined for such greasy junk, but there she is anyway, hamming it down as it were.
    • 47 Metascore
    • 63 Reviewed by
      Ty Burr
    A broad, bawdy, silly French farce set on the Riviera in high season, it's a diversion at best and a strained souffle at worst, but it rings enough Gallic changes on the old family-summer-gone-horribly-wrong genre to deliver some unexpectedly sharp laughs.
  17. If Keane is a downer, it's a stupendously well-conceived one.

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