Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. There's scarcely any dialogue, and the "hukkle" sound is universal enough to make subtitles unnecessary and to please an audience of any age and attention span.
  2. White Noise is an expertly edited, four-year immersion into a phenomenon that has shaped the volatile politics of our time. It’s an auspicious debut for both Lombroso and The Atlantic, and its intimate and empathetic approach might be a more potent way of countering those who promote such toxic ideas than blunting confrontation.
  3. Huppert’s amazing performance not only masters the physical rigors and deformations of her character, but more importantly captures her cold capriciousness and the enigmatic innocence that one of Maud’s friend’s labels “perverse.”
  4. Why do Parker and the other clinic owners and staff persevere despite constant harassment and potential assassination? Not for the money, certainly. Perhaps because no one else will.
  5. There’s one NSA staffer in particular — seen in shadow, her voice altered — who’s the real star of Zero Days. Her reveal is at once solid journalism and dramatic tour de force. It’s a challenge Gibney meets with ease.
  6. From start to finish, you don’t know what’s coming next in Nope. When was the last time you saw a movie where that was true? Nope is deeply strange, and Jordan Peele knows exactly what he’s doing with that strangeness. It’s designedly strange. It’s coherently strange.
  7. Much of the plot is outrageously, if also cheerfully, implausible — except that, in a context of talking fish, what qualifies as implausible? The important thing is how everything rings true emotionally.
    • 77 Metascore
    • 88 Reviewed by
      Ty Burr
    The question remains: Why would Herzog want to dramatize what he has already captured as nonfiction? To better control the material, I think, and to bring it in line with his own obsessions.
  8. Beautifully shot and deeply dispiriting, the documentary examines the global refugee crisis.
    • 77 Metascore
    • 75 Reviewed by
      Ty Burr
    The movie's an uncategorizable mixture of the tacky and profound, and on some weird level, you have to respect it.
    • 77 Metascore
    • 88 Reviewed by
      Ty Burr
    Essential viewing for anyone who wants to know the roots -- and perils -- of modern political dissent.
  9. Where Wiseman excelled in respecting the broad rhythms and pure storytelling of the ring, Chang's new documentary focuses on the stories of three boxers and weaves them into a compelling narrative that rivals anything Hollywood could script.
    • 77 Metascore
    • 88 Reviewed by
      Ty Burr
    Jiro Dreams of Sushi is a foodie's delight, obviously, and best seen either on a full stomach or with restaurant reservations immediately following.
  10. Once the film started throwing in Satan worship, spooky dolls, and nuns with agendas the Pope would not endorse, it became more silly than disturbing. Still, I have to admire a filmmaker who, once realizing he’s painted himself into a corner, opts to bust through the wall rather than accept being trapped.
  11. Dark Horse falls into the formula of underprivileged kids challenging the elites at their own game. But the outcome is never certain.
  12. In addition to directing outstanding performances, Edgerton also suggests psychological processes by means of space, architecture, and décor, exploiting the walls, doorways, windows, and mirrors of the new house to indicate the status of a relationship or self-image.
  13. Julie Cohen’s Every Body is a master class in how a documentary should be done. It packs a lot of information into a briskly paced runtime of 91 minutes, and its use of clips and talking heads doesn’t distract or feel extraneous. The
    • 77 Metascore
    • 75 Reviewed by
      Ty Burr
    It’s a showcase for an actress who wins us over by degrees and a reminder that there are no new stories — only fresh ways of telling them.
  14. True, a lot of marmalade gets spread around, and at times the zaniness gets a bit too slap-sticky, but it’s all good clean fun.
  15. Women Talking is full of phenomenal acting by a group of actors at the top of their game. There are a lot of characters here, but even the most minor are given moments to shine.
  16. From start to finish there's a shimmer of discovery about it - our discovery of it, Coppola's discovery of how much she can do.
  17. Not your everyday dilemma, but as depicted in this lushly detailed and passionately performed melodrama, the mores and traditions of this sequestered, seldom depicted group take on a broader relevance.
  18. Nobody does a better job of putting animals and people in the same movie than Carroll Ballard, and he does it again, humanely as ever, in Fly Away Home. [13 Sep 1996, p.D8]
    • Boston Globe
  19. Like its subject, Pollock is a messy creation, but one whose depth of commitment and high attack keeps it on track.
    • Boston Globe
  20. In short, A Christmas Story isn't just about Christmas; it's about childhood and it recaptures a time and place with love and wonder. It seems an instant classic, a film that will give pleasure to people not only this Christmas, but for many Christmases to come. [19 Nov 1983, p.1]
    • Boston Globe
  21. A luminous love letter to the Banco Chinchorro, the largest coral reef off Mexico's coast, and to the tender bonds between a father and son.
  22. This is a person you'd enjoy spending time with and learning from. That's certainly the case with Dorman's film.
  23. As a piece of nostalgia, "Mrs. Miniver" will carry you into a world gone by when war movies promoted community and not fragmentation. [16 Oct 1992, p.38]
    • Boston Globe
    • 77 Metascore
    • 88 Reviewed by
      Ty Burr
    Wild Tales rockets along with sleek, amoral charm and a masterful sense of cinematic storytelling; it’s worth noting that one of the producers is Spain’s Pedro Almodóvar.
  24. Even when events get intense, even violent, and they do, there’s nothing abrupt. Corpus Christi never erupts. It unfolds.

Top Trailers