Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. Tom Six's movie has the freakiness and sadism of its genre, but it's so heavy with self-appreciation -- Dude, we had the craziest premise for a movie! -- that it can't lift off into the perverse ecstasy of decent exploitation. That was also the problem with "Snakes on a Plane.''
    • 20 Metascore
    • 25 Reviewed by
      Ty Burr
    The Last Airbender' is dreadful, an incomprehensible fantasy-action epic that makes the 2007 film "The Golden Compass,'' a similarly botched adaptation of a beloved property from another medium, look like a four-star classic.
    • Boston Globe
  2. Material this banal needs a madman of David Lynch proportions to incinerate it. Hackford leaves it intact, forcing us to regard a car he doesn't have the guts or skill to crash.
    • 18 Metascore
    • 25 Critic Score
    Non-"Twilight'' fans would be better off surfing YouTube.
    • 35 Metascore
    • 25 Reviewed by
      Ty Burr
    Picture Timberlake in the booth recording his lines and you have the best joke in the movie. Everything else is actively painful, a frenetic, unfunny mix of action, romance, dud dialogue, and icky things popping out of the screen.
    • 37 Metascore
    • 25 Critic Score
    So nonchalant is Resident Evil: Afterlife, the fourth movie in Paul W.S. Anderson's dystopian franchise, that its overarching premise isn't explained.
  3. I watched at least a quarter of My Soul to Take, the worst horror movie Wes Craven's made perhaps ever, with the glasses off. It was shot - and is available - in a standard format, and, like many conversions, the 3-D gimmick is like watching a movie through an ashtray.
  4. The Strauses don't care about how to keep an audience. Their movie has no sense of suspense or dread - Skyline is an apocalypse movie that plods like one of Romero's zombies.
  5. Every boogeyman and slasher cliché this movie borrows was better somewhere else. Although it probably wasn't grosser.
  6. A migraine inducement that you'd think Jack Black had gotten out of his system years ago. Yet he still finds an excuse to wear a blazer and shorts and fling his bodily orb like Angus Young on Guitar Hero night at the neighborhood bar.
  7. Howard never decides on tones that complement each other, and the dissonance is jarring.
  8. It's the latest in the blank-from-hell genre, in which misogyny and entertainment are made to seem indistinguishable while the blank makes life hell for someone who then is cornered into striking back.
  9. Drive Angry is something new for Cage - a movie that feels like it's straight FROM cable.
  10. After a while, the movie tires of the witch business and trots out a plot twist that permits the effects department to spend money. Some moviegoers might find the bait-and-switch funny.
  11. Hop
    Hop may have taken years to design and animate, but it feels as if minutes were required to compose it.
  12. Never thought we'd say this about a movie, but Bucky Larson probably doesn't wring as much out of recurring bodily-fluid gags as it could.
  13. Fresh or not, creatively merited or not, here it comes: the third installment of Martin Lawrence's big, dopey franchise.
  14. The film is remarkably stunted.
  15. You don't want to think, what would Preston Sturges or Alexander Payne do with this material? But there is a seed of satirical cynicism in this movie that a smart, clear mind could have finessed. Jake Kasdan is not that director. He doesn't appear to know what to do.
    • 18 Metascore
    • 25 Critic Score
    Once upon a time, you'd go to see a grade-C genre movie like this willing to trade consistency and artfulness for a few stray thrills or oddball charm. But Darkest Hour doesn't have even as much character as those Discover commercials.
    • 24 Metascore
    • 25 Critic Score
    Whatever character they bring to their lines, the actors' voices are mostly unrecognizable after being digitally 'munk-ified.
  16. One of those movies that an audience knows is terrible the minute it starts.
  17. New Year's Eve is fun in the way that eating at a buffet is fun. It's two hours of foods that have nothing to do with each other piled high on a plate because it was too cheap to resist.
  18. It's got both a soap opera plotline and a Chuck Norris-load of taxpayer-financed gadgets and gear. It also has Reese Witherspoon in another terrible part.
  19. By the time the giant, snarling spider shows up - the most boggling of the movie's various "holy schnitzel" touches - parents of the littlest "Hoodwinked" fans may be feeling hoodwinked themselves.
  20. Heartlessness, stupidity, cynicism, and greed are a demoralizing combination for movie-going. We pay to see a movie that doesn't respect us for being there at all.
    • 48 Metascore
    • 25 Reviewed by
      Ty Burr
    A miscast, underwritten, drably directed adaptation of a very popular novel, it's the feel-bad film of the summer and an almost perfect example of how not to turn a book into a movie.
    • 40 Metascore
    • 25 Critic Score
    If you're a fan of this Lord, find a copy of the 1999 DVD "Lord of the Dance" and don't waste your time with this flat vanity piece.
    • 42 Metascore
    • 25 Reviewed by
      Ty Burr
    A pox upon history and an insult to the 16th president of the United States. It's that, of course - actually, that's the point - but this joyless, deafening cinematic headache commits a different crime. It's a sin against entertainment.
  21. It's not that Jenna Fischer is miscast in A Little Help. It's that she's mis-everything else: misused, misdirected, misanthropic.

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