Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. This is not a movie that has great passion for pleasures of the flesh. Its sexiest scenes involve bullets cutting through the air in the slowest motion possible.
  2. Forget the metaphors, why not just make a movie about poor, exploited Mexicans?
  3. A brutally inane movie.
  4. Playing Clouseau's exasperated boss, Cleese rams his head into a wall minutes into the action. That's a powerful image, insofar as his headache was mine.
  5. The movie might have worked if it winked more - or if it played things completely straight.
    • 26 Metascore
    • 25 Critic Score
    There's nothing in Echelon Conspiracy as suspenseful or entertaining as your average episode of "24."
    • 17 Metascore
    • 25 Critic Score
    This is a movie for the overcaffeinated, undereducated teenager in all of us.
  6. Despite all the hyperventilating, the movie fails to consider what these crimes mean when, say, the residents of the White House happen to be black. The filmmakers recognize that identity politics are often a trap door. But it's one they're helpless to save themselves from falling through.
  7. There is still a great horror movie about foreclosure to be made. In the meantime, this movie plays games. (How many rounds of hide-and-seek should an audience tolerate?)
    • 34 Metascore
    • 25 Reviewed by
      Ty Burr
    Any good will the movie generates, though, is grated right back off by Black, whose obnoxiousness has lost whatever charm it once possessed.
    • 40 Metascore
    • 25 Critic Score
    If you thought the world couldn't get enough of bad spoof movies, you thought wrong.
  8. This movie brings to mind much better cable TV shows like the marijuana comedy "Weeds,’" the one-on-one psychodramas of "In Treatment," and the astonishingly cinematic "Breaking Bad."
    • 24 Metascore
    • 25 Critic Score
    Follows the imaginatively bankrupt trend of remaking slasher films from the 1970s and ’80s. This time, it’s a regurgitation of Mark Rosman’s “The House on Sorority Row.’’
  9. Thurman is bespectacled again for Motherhood, and it saddens me to report that neither she nor this comedy turns into more than an argument against procreation.
  10. For what it’s worth, Tooth Fairy is a somehow dimmer cousin of those Tim Allen “Santa Clause’’ movies.
    • 37 Metascore
    • 25 Reviewed by
      Ty Burr
    That this witless, formulaic sequel to the hit comedy Analyze This even dares to spoof ''The Sopranos'' is embarrassing. It's like Freddie Prinze Jr. slamming Gene Hackman as a bad actor.
  11. Like ''Showgirls'' and ''Glitter,'' the most entertaining moments here are unintentional.
  12. A reassuring little cheeseball of a movie.
  13. The Banger Sisters so frequently features Hawn running around in revealing attire, tossing instructions at exhausted people that I'm inclined to think of it as a workout video.
  14. For all its antic grasping it lies flatter on the screen than its graphic novel source lies on the page.
    • Boston Globe
  15. Alazy rip-off of ''Dog Day Afternoon'' that is too limp to even offend.
    • Boston Globe
    • 31 Metascore
    • 25 Critic Score
    A vapid, charmless update of Buster Keaton's 1925 film "Seven Chances."
    • Boston Globe
    • 16 Metascore
    • 25 Critic Score
    Just about the only things that remotely redeem this movie are the solid acting performances by the principals, who make the most of the one-dimensional material given them.
  16. Cradle of lifelessness.
  17. The question in Red Planet isn't whether there's any life on Mars, but whether there's any life in the film. The answer is no.
  18. Moves from cheekiness to ineptitude, often in a single take.
  19. A throwback war movie that fails on so many levels, it should pay reparations to viewers.
  20. Gooding plays the worst role I've ever seen him play in a movie...he perpetuates a kind of black stereotype that should have become history years ago.
  21. A flagrantly retro example of a tired genre that would vanish in a puff of smoke if anger management classes were to enter the picture, or if it would ever occur to any one of its endless stream of victims to reach for a light switch before proceeding into a spooky place.
    • Boston Globe
  22. A lame romantic comedy that is neither romantic nor comedic.
    • Boston Globe

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