Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. Despite such attractions as Gabriel Byrne as a vampire with a skin disease and a décor that combines Hogwarts with “Suspiria,” the only lesson learned here is that Hollywood needs fresh blood.
  2. The dullest and shoddiest action-adventure flick of the year, with only a few cute Sean Connery moments to rescue it from total, sheer and utter bogosity. [01 Nov 1991, p.29]
    • Boston Globe
    • 31 Metascore
    • 38 Reviewed by
      Ty Burr
    Despite exotic locations, epic cinematography, and much spectacular crash and bang, this "Mummy" feels like a threadbare toss-off.
  3. Positively reeks of self-importance -- the jokey, ham-fisted, pseudo-socially relevant, punch-pulling kind. It reeks worse of acting -- the Jack-Lemmon-in-a-coma Kevin Spacey kind.
    • 31 Metascore
    • 50 Reviewed by
      Ty Burr
    Goldsman takes Helprin’s book — a work overflowing with events, ideas, characters, passions — and pounds away at it until all that’s left is mush.
  4. One wonders if a director more playful than Kenneth Branagh might have come up with something less hectic and more fun — or even just as hectic and more fun. Taika Waititi, anyone? Jojo Rabbit is almost as odd a name as Artemis Fowl.
  5. Some entertaining inventiveness, before nagging limitations finally drag it down.
  6. To its credit, despite a rough start (witch burning and all that), Seventh Son does not succumb to misogyny.
  7. It's ultimately just a rigorous personal training film made by people who don't seem to like movies or the people who go to them.
  8. Nothing works. Or some of it works, but that doesn't matter because what's working is so deeply, painfully boring.
  9. The writers don’t write, the director doesn’t really direct, and the actors don’t exactly act. They wait for the movie’s contraptions to impale them.
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    If most December movie releases are epic-length and Oscar-ambitious, then Punisher: War Zone has to be considered Hobbesian counterprogramming: It's nasty, brutish, and short.
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    The movie's cleverest idea is to give the Octopus identical clone henchmen with names like Phobos, Logos, and Huevos, all played by Louis Lombardi with a marvelous fat-boy idiot grin.
  10. Who knew that the franchise’s creators would eventually find a plot twist that made sense?
  11. Over Her Dead Body is to romantic comedy what Spam is to meat. But at least with Spam, you get cool packaging.
  12. The squirminess stands out here because there's so little going on the rest of the time.
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    This third go-round for the "Wolf Pack" doesn't bother to Xerox the original 2009 hit comedy, as 2011's witless "Hangover 2" did. Instead, the new movie heads in different, if utterly formulaic, directions. So it's not terrible. It's just bad.
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    JUST worth your children's time, and hardly worth yours.
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    Has the distinction of being much dumber and pulpier than the comic book on which it's based -- the ink practically comes off on your fingers as you watch it.
    • 30 Metascore
    • 25 Reviewed by
      Ty Burr
    Sanctimonious claptrap -- an inert pageant of waxen figures that fails completely as drama even as it insults the sensibilities of anyone not clinging to rosy memories of the slave-era South.
  13. An Australian crime yarn with a solid cast and tone, but not enough freshness — or enough of Pegg’s waggishness — to be memorable.
  14. The film is so bizarre, contrived, manipulative, and meretricious that anything is possible.
  15. It will also make them laugh. Intentionally or not, director Rob Cohen (“Alex Cross”) has put together the most hilarious camp classic since “White House Down” (2013).
  16. Degenerates into a lot of dull declaiming and attitudinizing, despite a sly tongue-in-cheek quality brought by a preening Stuart Townsend to the Lestat role he inherited from the utterly humorless Tom Cruise.
    • Boston Globe
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    Teenage boys will be in heaven. All others: Check, please.
  17. A moronic exercise in supernatural claptrap.
  18. This prequel has something to appall everybody.
    • 30 Metascore
    • 25 Critic Score
    The new prequel isn't really a slasher movie at all. It's a mess, with too much to say, and an odd genre in which to preach.
  19. We’ve just been treated like a fire hydrant.
    • 30 Metascore
    • 50 Reviewed by
      Ty Burr
    Stands to delight small children while probably causing their parents' heads to cave in.

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