Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
  1. It's a ponderous but not unenjoyable comedy.
    • Boston Globe
  2. Botches the chance to delve into the personality of a complex, alluring, and free-spirited woman.
    • Boston Globe
  3. Isn't what you'd call a probing film, but it's a slick and savvy one.
    • Boston Globe
  4. Likable, go-with-the-flow comedy.
    • Boston Globe
  5. A high-impact, high-powered mess that raises the bar for over-the-topness.
    • Boston Globe
  6. The film's triumph - and it is a triumph - in the end rests on the ability of Hrebejk and his actors to convince us that they never stop being normal people.
    • Boston Globe
  7. Solid, balanced period piece that focuses on a specific place and time yet resonates with universal themes.
    • Boston Globe
    • 59 Metascore
    • 75 Critic Score
    It's a refreshing alternative to hipper-than-thou moviemaking.
    • Boston Globe
  8. You won't feel raped by it, but you well may feel that it's too ideologically earnest for the porn crowd and too hard-core for serious audiences.
    • 43 Metascore
    • 25 Critic Score
    Through it all, Rob Schneider comes off as a jackass in The Animal.
    • Boston Globe
  9. Supposed to be a cheeky little lark but instead runs a narrow gamut from labored to aimless.
    • Boston Globe
    • 73 Metascore
    • 63 Critic Score
    Valli's touch as an artist is too light, and his dramatic sense too timid, to make the film much more than a collection of pretty pictures.
    • Boston Globe
  10. The imagery is lush, but the story is pretty cornball, with an ending that can only be called pure Hollywood. Only the marvelous Cate Blanchett transcends stereotype.
    • Boston Globe
  11. As luminous as the star presence at its center. It's at once a touching teacher movie and an even more touching love story.
    • Boston Globe
  12. The film never quite hits a sure-footed stride. The fictional love story stays fictional. But ''Pearl Harbor'' delivers the main event.
    • Boston Globe
  13. A warmhearted, hardworking little comedy that owes a lot of its charm to its modesty.
    • Boston Globe
  14. Lopez is not yet the actor Caviezel is. Still, she fills her performance with conviction, does a couple of her own stunts, and has enough star presence to fill the big screen.
    • Boston Globe
  15. The film musical is at the moment an even more devitalized art form than the Broadway musical. But Moulin Rouge doesn't revive it. It only rearranges the bones.
    • Boston Globe
  16. Suggests a summit meeting between ''The Princess Bride'' and ''Bridget Jones's Diary,'' it has a decided charm of its own.
    • Boston Globe
  17. It's heady in the beginning, chaotic throughout, and numb with the suddenness of the Internet economy's plummet at the end.
    • Boston Globe
  18. Sinks under the weight of its ever more inescapably apparent contrivance, and its forced parallels to ''Lear.''
    • Boston Globe
  19. The film is gentle and carries a simple moral.
    • Boston Globe
  20. The reason Bread and Roses works as well as it does is that as didactic as it sometimes gets, its heart is always bigger than its ideology.
    • Boston Globe
  21. A Knight's Tale, will either repel you or win you over. It won me over.
    • 64 Metascore
    • 63 Critic Score
    In a moralistic time, About Adam is something of an anomaly, as it airily sticks to its pro-naughtiness agenda.
    • Boston Globe
    • 59 Metascore
    • 75 Critic Score
    Becomes a creepy yet amusing look at how he tries to take control of the film being made about him.
    • Boston Globe
  22. Mesmerizing and unforgettable.
  23. Quiet, powerful, contemplative, respectful of stillness, Eureka is the first film this year in which there is obvious greatness.
    • 60 Metascore
    • 38 Critic Score
    A desperate, cynical self-parody.
    • Boston Globe
  24. If you liked the earlier ''Mummy,'' you'll probably like this one. In fact, at many points you'll probably think you are watching the earlier one.
    • Boston Globe

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