Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. Lopez is not yet the actor Caviezel is. Still, she fills her performance with conviction, does a couple of her own stunts, and has enough star presence to fill the big screen.
    • Boston Globe
  2. The film musical is at the moment an even more devitalized art form than the Broadway musical. But Moulin Rouge doesn't revive it. It only rearranges the bones.
    • Boston Globe
  3. Suggests a summit meeting between ''The Princess Bride'' and ''Bridget Jones's Diary,'' it has a decided charm of its own.
    • Boston Globe
  4. It's heady in the beginning, chaotic throughout, and numb with the suddenness of the Internet economy's plummet at the end.
    • Boston Globe
  5. Sinks under the weight of its ever more inescapably apparent contrivance, and its forced parallels to ''Lear.''
    • Boston Globe
  6. The film is gentle and carries a simple moral.
    • Boston Globe
  7. The reason Bread and Roses works as well as it does is that as didactic as it sometimes gets, its heart is always bigger than its ideology.
    • Boston Globe
  8. A Knight's Tale, will either repel you or win you over. It won me over.
    • 64 Metascore
    • 63 Critic Score
    In a moralistic time, About Adam is something of an anomaly, as it airily sticks to its pro-naughtiness agenda.
    • Boston Globe
    • 59 Metascore
    • 75 Critic Score
    Becomes a creepy yet amusing look at how he tries to take control of the film being made about him.
    • Boston Globe
  9. Mesmerizing and unforgettable.
  10. Quiet, powerful, contemplative, respectful of stillness, Eureka is the first film this year in which there is obvious greatness.
    • 60 Metascore
    • 38 Critic Score
    A desperate, cynical self-parody.
    • Boston Globe
  11. If you liked the earlier ''Mummy,'' you'll probably like this one. In fact, at many points you'll probably think you are watching the earlier one.
    • Boston Globe
  12. Writer and director Tim Disney raises a provocative point about how radical and inconvenient true faith can be.
    • Boston Globe
    • 16 Metascore
    • 25 Critic Score
    Just about the only things that remotely redeem this movie are the solid acting performances by the principals, who make the most of the one-dimensional material given them.
  13. Rat
    Rat may be lightweight, but it's never cheesy.
    • Boston Globe
  14. Neither as rollicking nor as wild as one had hoped, but Tyler's tongue-in-cheek noir goddess transcends cliche and the screenplay's other shortcomings terrifically.
    • Boston Globe
    • 29 Metascore
    • 50 Critic Score
    When the film predictably limps across the finish line, you're left with the impression your time would have been better spent sitting in traffic.
    • Boston Globe
  15. What Merchant, Ivory and Co. arrive at is a sort of handsomely illustrated Cliffs Notes version of the novel.
    • Boston Globe
  16. Starts out as a somewhat weary farce of infidelity, but turns into something a lot more gratifying, namely a comedy of mercy.
    • Boston Globe
  17. Watson's character grows in importance until she eclipses the recessive Luzhin.
    • Boston Globe
  18. Captures the ensemble quality it was after and the provisional look and feel are perfect stylistic analogues to the lives - the male lives, anyway - that it's portraying.
  19. A sequel whose time has come - and gone.
    • Boston Globe
  20. A sleek little poison pill of a movie.
    • Boston Globe
  21. His (Green) new gross-out comedy is crude and stupid, but just as often rudely funny. It doesn't so much push the envelope as shred it.
    • Boston Globe
  22. Provoke us into examining whether the onus is on the man for turning it into a commercial proposition or the woman for agreeing to his offer.
    • Boston Globe
  23. Feels a bit flat and underdeveloped.
    • Boston Globe
  24. Such moral outrage, apart from the artistry in which it is embedded, tells us that the forces of change are stirring in Iran.
    • Boston Globe
  25. The film not only works better than expected but gets the important things right, starting, of course, with Zellweger's Bridget and Bridget's mind-set.
    • Boston Globe

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