Boston Globe's Scores

For 7,948 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7948 movie reviews
  1. The script boasts some tart TV-insider humor, but the film has not a trace of humanity or empathy.
  2. The appeal of Bedtime Stories belongs entirely to Sandler. As a comedian, he doesn't have to stoop to a kid's level. He's usually already there.
  3. The problem with the new movie is the same as with the previous one. Vardalos has this idea that she's a marm. And while it's true that she personifies her movies, I don't quite buy her librarian mode.
  4. Choppy, cheesy historical war epic really has only a couple of things going for it, and its biggest asset remains the heroic popular legend that inspired its making.
  5. At its best, it delves into the murky areas of memory, childhood trauma, and family conflict. But it forgoes such troubling issues for mumbo jumbo and glowing-eyed wraiths.
    • 33 Metascore
    • 50 Reviewed by
      Ty Burr
    In a better movie -- a much better movie -- LaBeouf might make the same sort of impact Dustin Hoffman did in ''The Graduate.'' But the kid's young. There are movies to come.
  6. Both Pryce and Hopkins are fine. But on the basis of the rest of the movie they shouldn’t have a prayer.
  7. Unfortunately, as the story builds toward tenderness, it’s undercut with slathering tongues and bare-chested stud-muffin shots.
  8. It’s another brightly rendered effort, but, as the title indicates, a lot of the real creativity seems to have been used up the first time around.
    • 66 Metascore
    • 50 Reviewed by
      Ty Burr
    Mary Poppins Returns is torn between taking audiences back to their childhoods and treating them like children. You might have a good time but don’t be surprised if you feel a little dociousaliexpeisticfragicalirupus afterward.
    • 29 Metascore
    • 50 Reviewed by
      Ty Burr
    You've seen New in Town before, and you've seen it done better. Still, it's a sweet-hearted bit of anemia, pleasant and obvious, and there are a few honest laughs to it.
    • 66 Metascore
    • 50 Reviewed by
      Ty Burr
    Well-mounted and expertly played, Winter in Wartime is a class act that lacks only focus and originality to raise it above the ordinary.
    • 53 Metascore
    • 50 Reviewed by
      Ty Burr
    The film is crisply shot, expertly paced, solidly acted, and it gets a goose when Bill Pullman shows up in the late innings as a good-old-boy lawyer. (By contrast, it’s never convincingly explained what stake the union official played by Elias Koteas has in the drama.) All that’s missing is a reason.
  9. The Outfit would be a splendid thing if limited to Rylance’s voiceover and long lingering shots of him working with fabrics.
  10. It seems more a geek show than a slab of marketing wizardry.
  11. After a point, we’re left wondering whether we’re watching a character study or caricature. Either way, the portrait gradually morphs from intriguing to tedious.
  12. The movie is as inconsequentially pleasant as its star, and far nicer than the title lets on, too.
  13. A flavorless family-friendly action-adventure that doubles as memory exploitation. It has nothing to do with either the Mickey Mouse broom sequence of the same name from 1940's "Fantasia'' or the 213-year-old Goethe poem that inspired it.
  14. Kids who like the TV episodes will find more of the same here, and larger. [30 June 1995, p.53]
    • Boston Globe
  15. Don't Say a Word can be thought of as a case of Dial B for Boring.
    • Boston Globe
  16. Cronenberg's direction is technically impressive, but he's better suited to stories based on surges of feeling between killers, not lovers. This M. Butterfly never takes wing. [08 Oct 1993]
    • Boston Globe
    • 58 Metascore
    • 50 Reviewed by
      Ty Burr
    So appallingly slipshod in all the usual departments is this sequel to the engaging martial-arts comedy Western ''Shanghai Noon'' that you're tempted to cite its makers for contempt.
    • 37 Metascore
    • 50 Reviewed by
      Ty Burr
    W.E., her second effort after 2008's "Filth and Wisdom,'' tries awfully hard. In the end it tries our patience.
    • 38 Metascore
    • 50 Reviewed by
      Ty Burr
    Like everything in this humorless new genre, "Chronicles" comes with its own snap-together mythology.
    • 51 Metascore
    • 50 Reviewed by
      Ty Burr
    The production design is swank, the score impassioned. We should be riveted. Instead, you may feel you’ve seen this movie before, and, in a sense, you have: Woman in Gold plays remarkably like 2013’s “Philomena” with a change of cast and a different historical outrage.
  17. Blame the unsexy subject matter if you want, but blame the uninspired casting first.
    • 61 Metascore
    • 50 Reviewed by
      Ty Burr
    Haute Cuisine proves the limits of cinema: It’s a movie that needs Taste-o-Vision.
    • 42 Metascore
    • 50 Reviewed by
      Ty Burr
    It’s an inane, absurd, fitfully amusing time-waster that ranks low on the believability scale and somewhere in the middle as mindless entertainment.
  18. Coming and going through the wall's checkpoints is a tiresome and undignified process that makes US airport security look like a cocktail reception.
  19. Not horrifying enough.

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