Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. As bloody as any recent film. But it's shot through with a harsh, stony humor that's invigorating enough to be regarded as a slap back at death.
    • Boston Globe
  2. Varda's charmingly eccentric amble, wise in its seeming waywardness.
    • Boston Globe
  3. The kind of richly layered film that Hollywood seldom attempts, much less brings off. But it's more than brought off here in grand, solid style and beautifully crafted detail.
  4. Bernal, with his sweet man-boy looks, makes Padre Amaro's portrait of corruption all the more flabbergasting in its irony.
  5. Superior and original filmmaking. You won't be able to take your eyes off it.
    • Boston Globe
  6. Roughly translated, Touchez pas au Grisbi means ''don't touch the loot.'' But in literal terms, this film version of Albert Simonin's blockbuster really couldn't care less who ends up with the cash.
  7. It's much closer to a European film in sensibility than to one of Hollywood's factory products.
    • 58 Metascore
    • 88 Critic Score
    It is Bowie's alter ego as the androgynous Martian rock star that remains, 30 years later, his most enduring artistic achievement.
  8. Bell is utterly persuasive as the boy literally yearning to leap beyond the oppressively apparent confines of his world.
    • Boston Globe
  9. AKA
    The triptych is a device but never a gimmick: three windows into one fractured soul.
  10. Such moral outrage, apart from the artistry in which it is embedded, tells us that the forces of change are stirring in Iran.
    • Boston Globe
  11. What Christlieb and Kijak do so well is keeping these folks from not seeming like loons.
  12. In its dark, relentless, devastatingly ironic way, The Pledge is an exhilarating movie, partly because it isn't afraid to be genuinely challenging.
  13. Smart, unpredictable, and alive with the energies of actors who clearly are enjoying being stretched by their material.
    • Boston Globe
    • 71 Metascore
    • 88 Reviewed by
      Ty Burr
    A rambunctious joy.
  14. Richly textured, beautifully acted.
  15. As casually insensitive and careless as you might expect from a film of this era, but it's also surprisingly crafty about finding ways to incite discussion
  16. The movie is the product of his (Friedman) big, shiny love of forgotten soul legends whom superstardom (and the Rock and Roll Hall of Fame, I might add) has eluded.
    • 73 Metascore
    • 88 Reviewed by
      Ty Burr
    A straight-up drama and thus the only film in "The Trilogy" not forced into a genre straitjacket -- suspense thriller ("On the Run") or farce ("An Amazing Couple") -- "Life" is also the finest of the three. This isn't a coincidence.
  17. A perfect example of a small, well-made, and (in its central role) rivetingly acted film.
    • Boston Globe
  18. You'll care what happens in this film with more than enough freshness and originality to avoid succumbing to girls-on-the-run cliches.
  19. Like so much Iranian cinema, Blackboards is a work of lyrical propaganda. But its metaphors are opaque enough to avoid didacticism, and the film succeeds as an emotionally accessible, almost mystical work.
  20. There's plenty of invention and exuberant vigor in the chopsocky, and Wilson's cool, ironic drollery provides the perfect foil for Chan's heroics.
    • 76 Metascore
    • 88 Reviewed by
      Ty Burr
    May not be the best movie ever made about the perils of family life, but it is among the most ruthlessly comic.
  21. A hugely entertaining adrenaline rush of a thriller that does a couple of simple things right. That's all it needs to do. First, it casts Harrison Ford in the title role of convicted wife-murderer Richard Kimble, ever scrambling forward, one step ahead of pursuing cops, while hunting the real killer. Second, it never stops. [6 Aug 1993, p.41]
    • Boston Globe
  22. A story about the ravages of one war on a single man's soul and psyche becomes an eloquent plea for peace.
    • Boston Globe
  23. That commendable sense of balance, which Dolgin and Franco use to approach this family reunion, ultimately makes the finished product devastating.
  24. More a bleak docu-melodrama than an esoteric morality play.
  25. It's a treat to encounter the deadpan light-handedness with which Mamet goes about his business.
  26. It's lively, edgy, full of zigs and zags, juicy performances, and offbeat fun.

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