For 7,947 reviews, this publication has graded:
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54% higher than the average critic
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2% same as the average critic
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44% lower than the average critic
On average, this publication grades 1.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 64
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Argylle |
Score distribution:
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Positive: 5,229 out of 7947
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Mixed: 1,553 out of 7947
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Negative: 1,165 out of 7947
7947
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jay Carr
As bloody as any recent film. But it's shot through with a harsh, stony humor that's invigorating enough to be regarded as a slap back at death.- Boston Globe
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Reviewed by
Jay Carr
Varda's charmingly eccentric amble, wise in its seeming waywardness.- Boston Globe
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Reviewed by
Jay Carr
The kind of richly layered film that Hollywood seldom attempts, much less brings off. But it's more than brought off here in grand, solid style and beautifully crafted detail.- Boston Globe
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Reviewed by
Wesley Morris
Bernal, with his sweet man-boy looks, makes Padre Amaro's portrait of corruption all the more flabbergasting in its irony.- Boston Globe
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Janice Page
Roughly translated, Touchez pas au Grisbi means ''don't touch the loot.'' But in literal terms, this film version of Albert Simonin's blockbuster really couldn't care less who ends up with the cash.- Boston Globe
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Reviewed by
Jay Carr
It's much closer to a European film in sensibility than to one of Hollywood's factory products.- Boston Globe
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It is Bowie's alter ego as the androgynous Martian rock star that remains, 30 years later, his most enduring artistic achievement.- Boston Globe
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Reviewed by
Jay Carr
Bell is utterly persuasive as the boy literally yearning to leap beyond the oppressively apparent confines of his world.- Boston Globe
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Wesley Morris
The triptych is a device but never a gimmick: three windows into one fractured soul.- Boston Globe
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Reviewed by
Jay Carr
Such moral outrage, apart from the artistry in which it is embedded, tells us that the forces of change are stirring in Iran.- Boston Globe
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Reviewed by
Wesley Morris
What Christlieb and Kijak do so well is keeping these folks from not seeming like loons.- Boston Globe
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Jay Carr
In its dark, relentless, devastatingly ironic way, The Pledge is an exhilarating movie, partly because it isn't afraid to be genuinely challenging.- Boston Globe
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- Boston Globe
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- Boston Globe
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Reviewed by
Janice Page
As casually insensitive and careless as you might expect from a film of this era, but it's also surprisingly crafty about finding ways to incite discussion- Boston Globe
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Reviewed by
Wesley Morris
The movie is the product of his (Friedman) big, shiny love of forgotten soul legends whom superstardom (and the Rock and Roll Hall of Fame, I might add) has eluded.- Boston Globe
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Ty Burr
A straight-up drama and thus the only film in "The Trilogy" not forced into a genre straitjacket -- suspense thriller ("On the Run") or farce ("An Amazing Couple") -- "Life" is also the finest of the three. This isn't a coincidence.- Boston Globe
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Reviewed by
Jay Carr
A perfect example of a small, well-made, and (in its central role) rivetingly acted film.- Boston Globe
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Reviewed by
Jay Carr
You'll care what happens in this film with more than enough freshness and originality to avoid succumbing to girls-on-the-run cliches.- Boston Globe
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Wesley Morris
Like so much Iranian cinema, Blackboards is a work of lyrical propaganda. But its metaphors are opaque enough to avoid didacticism, and the film succeeds as an emotionally accessible, almost mystical work.- Boston Globe
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Jay Carr
There's plenty of invention and exuberant vigor in the chopsocky, and Wilson's cool, ironic drollery provides the perfect foil for Chan's heroics.- Boston Globe
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Ty Burr
May not be the best movie ever made about the perils of family life, but it is among the most ruthlessly comic.- Boston Globe
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Jay Carr
A hugely entertaining adrenaline rush of a thriller that does a couple of simple things right. That's all it needs to do. First, it casts Harrison Ford in the title role of convicted wife-murderer Richard Kimble, ever scrambling forward, one step ahead of pursuing cops, while hunting the real killer. Second, it never stops. [6 Aug 1993, p.41]- Boston Globe
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Reviewed by
Wesley Morris
That commendable sense of balance, which Dolgin and Franco use to approach this family reunion, ultimately makes the finished product devastating.- Boston Globe
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Reviewed by
Wesley Morris
More a bleak docu-melodrama than an esoteric morality play.- Boston Globe
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Jay Carr
It's a treat to encounter the deadpan light-handedness with which Mamet goes about his business.- Boston Globe
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Reviewed by
Jay Carr
It's lively, edgy, full of zigs and zags, juicy performances, and offbeat fun.- Boston Globe
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