Boston Globe's Scores

For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7945 movie reviews
    • 64 Metascore
    • 50 Reviewed by
      Ty Burr
    Thriller fans might remember a terrific 1987 B flick called ''The Stepfather.'' One Hour Photo is that film, directed by an art student.
  1. Cosmic slop.
    • Boston Globe
  2. If there's nothing here for romantics, there's even less for gourmands. Nettelbeck fails to produce a good food metaphor, let alone an impressive, palate-aching preparation montage
  3. Not the sanctioned wet T-shirt contest you might be anticipating. The Pacific is the hottest body here. And director John Stockwell handles the frivolous material with an integrity that I have to admit I found disappointing. The movie isn't nearly dumb enough to be much beach fun.
  4. If there's one image that sums up the filmmaking style of Takashi Miike, it's the close-up of a bubbling hot pot on the family dinner table.
    • 88 Metascore
    • 88 Critic Score
    Richly allusive and eloquently stylized.
  5. No one here is prodding you to laugh. It just happens.
  6. Ride it out, and you will find the rewards modest but meaningful.
    • Boston Globe
  7. xXx
    As Diesel says, ''I like something fast enough to do something stupid in.'' Mission accomplished.
    • 85 Metascore
    • 88 Reviewed by
      Ty Burr
    Just don't expect the truth. An extremely bent, highly amusing form of the truth, maybe, but not the truth. 24 Hour Party People shares with the current Robert Evans documentary ''The Kid Stays in the Picture'' an awareness that a good anecdote often trumps the facts, but here the cheats are cheekily laid bare.
  8. Eastwood risks embarrassment flirting with material this naked in its mawkishness, then jumps right in. He seems to want the world to know: Inside the 72-year-old body of this icon of virility beats the heart of a Mexican woman.
  9. Like a whacked pinata, it spills over with treasures - and one of the best things to fall out is Steve Buscemi, doing a riotously meek variation on the mad-scientist-with-cracked-lenses-and-lab-coat bit.
  10. Despite Aniston's hard work, Good Girl could be better.
  11. He doesn't just kill a good buzz. He bludgeons it.
  12. Studding your movie with friends, admirers, and sycophants is having a ball; it does not bring us to question the illusory power of cinema or the politics of entertainment.
    • 65 Metascore
    • 88 Critic Score
    More movies should be so funny and perceptive, with writing this sharp and acting this believable.
    • 12 Metascore
    • 25 Critic Score
    Like criticizing the light fixtures on the Titanic. This ship was going down anyway.
    • 59 Metascore
    • 75 Reviewed by
      Ty Burr
    Its quirks are exactly what make Signs interesting, entertaining, and good.
  13. The magic of their perfectly shaded performances is that you always have to wonder ... Is she really that bad?
    • 75 Metascore
    • 100 Reviewed by
      Ty Burr
    Implicitly acknowledges and celebrates the glorious chicanery and self-delusion of this most American of businesses, and for that reason it may be the most oddly honest Hollywood document of all.
  14. A rarity among modern movies: a coming-of-age tale without cliche or sentimentality. Bolstered by a luminous lead performance from Lauren Ambrose.
  15. To love Wilco is to believe in a certain rustic intelligence about popular music (and about yourself) and to embrace the Tweedy worldview that you need sarcasm and vagueness to cope with the pitfalls of sincerity.
    • 37 Metascore
    • 38 Critic Score
    The music and the stars aren't enough to save the movie.
  16. Ladling in so much schmaltz that even his in-house critic says, ''This thing's worse than `Terms of Endearment.'''
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    The most consistently funny of the ''Austin Powers'' films.
  17. Shares many things with ''Not One Less'' and ''The Road Home,'' among them a grass-roots sensibility that ultimately puts a premium on hope and simple kindnesses, while acknowledging the seductive power of money and superficial success.
  18. A relentlessly serious action movie, characterized by, of all things, sorrow.
  19. Like Schumacher, director Gregor Schnitzler is more preoccupied with his characters' looks than their behavior. You might not buy the ideas. But you'll definitely want the T-shirt.
    • 66 Metascore
    • 38 Reviewed by
      Ty Burr
    Sure, go ahead and take the kids. But, for pity's sake, read them the book first.
  20. Written in wisps and watery double-entendres by Heather McGowan and Niels Mueller, and the movie is so benign that its proceedings are beside the point.

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